Clean Break by Lionel White

 

(pb; 1955)

Review

Fans of Richard Stark’s twenty-four-book Parker series might enjoy Clean Break, with its blunt, succinct descriptions and dialogue, its swift pacing, its character-based twists, all of which start from the first word and doesn’t let up until the last one. This is a great, blueprint-for-the-hardboiled-novel book, one worth owning.

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The resulting film, The Killing, was released stateside on June 6, 1956. Stanley Kubrick directed it, also serving as co-author (with Jim Thompson) of the screenplay.

Sterling Hayden played Johnny Clay, ex-con brainchild of the heist. Coleen Gray played Fay, Johnny’s girlfriend.

Jay C. Flippen played Marvin Unger, court stenographer-turned-heister. Elisha Cook Jr. played track cashier George Peatty. Marie Windsor played Sherry Peatty, George’s bored, faithless wife. Vince Edwards played Val Cannon, Sherry’s secret lover.

Ted de Corsia, billed as DeCorsia, played debt-saddled Patrolman Randy Kennan. Jay Adler played “Leo the Loan Shark.” Joe Sawyer played Mike O’Reilly (cinematic stand-in for “Big Mike” Henty in the source novel). Timothy Carey played creepy sniper Nikki Arcane. Joe Turkel, billed as Joseph Turkel, played Tiny.

The Red Box by Rex Stout

 

(pb; 1936, 1937: fourth book in the forty-six-book Nero Wolfe detective series)

From the back cover

“Murder by chocolate? That’s the premise Nero Wolfe must operate from when a beautiful woman is poisoned after indulging in a box of candy. It’s a case that the great detective—no stranger himself to overindulgence—is loath to take for a variety of reasons, including that it may require that he leave his comfortable brownstone But he and Archie are compelled by a mystery that mixes high fashion and low motives. . . and a killer who may have made the deadliest mistake.”

 

Review

The fourth Nero Wolfe novel, more blunt and potentially violent than previous Wolfe works, shows the titular detective (with help from his right-hand man, Archie Goodwin) solving (and proving) the possibly accidental murder of a young prankster (Molly Lauck) via caramel candy poisoning. When mostly troublesome witnesses, suspects, their family members, and the police (again led by Inspector Kramer) show up—sometimes summoned by Wolfe—the situation heats up, becomes more urgent by more poison-related killings.

The primary reason for Box’s tonal shift is that Archie Goodwin, who narrates the Nero books, has become more straightforward, caustic, and willing to lay hands on anyone who insults or threatens his employer—perhaps a reaction to the physical threats he and Wole have faced in previous books?

Still present tone-wise is Wolfe’s erudite utterances, the humorous undertone of Wolfe and Goodwin’s interactions, as well as the effective, believable twists of the case and those involved. As excellent as the last two books (even with its tonal shift), Box is a definite-check-out read. Followed by Too Many Cooks (1938).

The Fraternity of the Stone by David Morrell

 

(pb; 1985: second book in the Abelard Sanction quadrilogy)

From the back cover

“Scalpel. A clandestine, government-sanctioned operation named for its purpose: precise surgical removal. Assassination.

“Drew Maclane was a star agent—until the day had to stop. He withdrew and for six years lived the life of a hermit in a monastery.

“But someone has tracked him down, leaving a trail of corpses. Someone who knows all about him—who will stop at nothing to kill him.”

 

Review

A superb, gripping and tautly spun follow-up to The Brotherhood of the Rose, Fraternity features a different protagonist (Drew MacLane), a government assassin who’s retreated into a Carthusian monastery after a botched double-target hit traumatizes him. MacLane, like Saul Grisman in Brotherhood, is a relatable (though distinctive from Grisman) character—that is, one worth rooting for as he tries to figure out who’s trying to kill and frame him and those close to him (his ex-lover, Arlene; his best friend and fellow Scalpel assassin, Jake).

Morrell’s strengths as an author are at the fore here: fully fleshed characters, memorable action scenes and their set-ups, and solid explanations, conspiracies and backstories that make up a read that lives up to the phrase thriller and all that it implies. Worth owning, this—followed by The League of Night and Fog.