Cabal, by Clive Barker

(hb; 1985, 1988: horror anthology)

From the inside flap:

"Cabal. . . is the story of a young woman willing to cross the borders of the human to be with the man she loves.

"That man is [Aaron] Boone, a beautiful, tortured soul who believes himself responsible for atrocious crimes.  He has taken refuge in a necropolis situated in the wilds of Canada, beneath which all the last great monsters of the world - the nightbreed - are in hiding.  They are possessed of extraordinary powers; so is Boone.  And in the hunt for Boone, they, too, will be hunted.  Can they survive when the colder, deadlier monsters of the twentieth century are on their heels?  And can Lori's love withstand the extraordinary truth of Boone's soul?"



Overall review:

Above-average novella/story anthology that showcases Barker's trademark, sometimes eloquent, sometimes gory meld of the beauty and darkness.

Worth owning, this.



Novella/stories:

1.)  "Cabal": See "inside flap" description.  Good, entertaining read.

The resulting film, retitled Nightbreed, was released stateside on February 16, 1990.

Clive Barker directed the film from his screenplay.

Craig Sheffer played Aaron Boone/Cabal.  Anne Bobby played Lori.  David Cronenberg played Dr. Phillip K. Decker.  Debora Weston played Sheryl.  Charles Haid played Captain Eigerman. 

Hugh Ross played Narcisse.  Doug Bradley played Dirk Lylesberg.  Catherine Chevalier played Rachel.    Kim Robertson played Babette.  Malcolm Smith played Ashberry.  Bob Sessions played Pettine.  Oliver Parker played Peloquin. 

John Agar played "Decker's Victim".


2.)  "The Life of Death":  A woman's brush with mortality during surgery portends her further, more complex association with that irrevocable element. 

Excellent, gripping story, with a stunning and darkly hilarious finish.


3.)   "How Spoilers Bleed":  Three European imperalist men, in contentious negotiations with an Indian tribe over land rights, find themselves on the business end of a terrifying and relentless curse.

Good, moralistic tale.


4.)  "Twilight at the Towers":   The possible defection of a high-ranking KGB agent (Mironenko) sparks a cycle of deceit, bloodshed and revelations.

Good, twist-pretzeled story that melds the milieus of John le Carré's spy world and grisly violence.


5.)  "The Last Illusion":  A private detective (Harry D'Amour) discovers that his gig babysitting a famous magician's corpse is more difficult and hellish than he thought it would be.

Entertaining, distinctive mix of noir, humor and the supernatural.

The film version, retitled Lord of Illusions, was released stateside on August 25, 1995.

Clive Barker directed the film from his screenplay.

Scott Bakula played Harry D'Amour.  Kevin J. O'Connor played Philip Swann.  Famke Janssen played Dorothea Swann.  Barry Del Sherman played Butterfield. 

Daniel von Bargen played Nix.  Vincent Shiavelli played Vinovich.  Wayne Grace played Loomis. 

In the Flesh, by Clive Barker

(pb; 1986: story anthology)

From the back cover:

"In the depths of an abandoned steam bath, strangely beautiful women seduce two businessmen into a ritual of macabre sexuality; in a Greek asylum, wise men race frogs to decide the fate of the world; a petty convict's cellmate reveals to him the gruesome birth of evil; a young woman's slum research leads her into the hook-handed grip of The Candyman, a vicious supernatural killer."


Overall review:

This is one of the few perfect anthologies I've read. Barker's writing is word-tight, character-memorable and idea-wild, its themes relevant and relatable, with many of its lines quotable.

In the Flesh is easily one of my all-time favorite anthologies, as well as one of my favorite Barker reads.

Worth owning, this.


Review, story by story:


1.) "In the Flesh" - Cleve Smith, an incarcerated felon, gets a new cellie (Billy Tait), a young man whose quiet manners conceal a harsher, gorier world.

Perfect, gripping, exemplary read that references one of Barker's other stories, "The Books of Blood" (collected in the anthology Clive Barker's Books of Blood, Volume One).


2.) "The Forbidden" - A woman (Helen), writing a sociological theme paper, happens upon a shadowy urban legend that may be far more relevant than she ever imagined.

Thought-provoking, wise (in its roots-of-fear way), exciting and unique - not to mention (again), perfect.

Two directly-linked films resulted from this story.

The first, a 36-minute short titled after the story, was released in 1978.

Peter Atkins played Faust. Doug Bradley, Julia Blake, Phil Rimmer and Lyn Darnell also acted in the short, though their roles aren't named on imdb.com.

Clive Barker, who scripted and directed the film, also acted in it.

#

The second version, Candyman - this one a full-length work - was released stateside on October 16, 1992.

Virginia Madsen played Helen Lyle. Tony Todd played The Candyman (aka Daniel Robitaille). Xander Berkeley played Trevor Lyle. Kasi Lemmons played Bernadette 'Bernie' Walsh. Vanessa Williams played Anne-Marie McCoy. Ted Raimi played Billy. Rusty Schwimmer played "Policewoman".

Bernard Rose scripted and directed the film.

Two sequels, both of them starring Tony Todd, followed: Candyman: Farewell to the Flesh (1995) and the direct-to-video Candyman: Day of the Dead (1999).


3.) "The Madonna" - An abandoned bathhouse is the site of damnation or salvation for two men, a wealthy thug (Ezra Garvey) and his business partner (Jerry Coloqhoun).

Gripping, distinctive and science fiction-wild take on the themes of masculinity/femininity, religion and motherhood, with a story finish that is reader-resonant.

In 1989, Eclipse Books published a comic book mini-series, Tapping The Vein, that is based on Barker's writings.

Fred Burke adapted, and Stan Woch, Fred Von Tobel and Mark Farmer illustrated "The Madonna" in issue #4 (its front cover is seen below). This same issue contains an adaptation of one of Barker's other stories, "Hell's Event" (published in Clive Barker's Books of Blood, Volume Two).




4.) "Babel's Children" - Vanessa Jape, an insatiably curious, roadtripping woman, stumbles upon a long-held, world- and life-changing secret on a backroad.

Fun, relatively light work, that's as fascinating and relatably weird as the other stories in this anthology.

The Hellbound Heart, by Clive Barker

(pb; 1986: novella)

From the back cover:

"Frank Cotton's insatiable appetite for the dark pleasures of pain led him to the puzzle of Lemarchand's box, and from there, to a death only a sick-minded soul could invent. But his brother's love-crazed wife, Julia, has discovered a way to bring Frank back - though the price will be bloody and terrible. . . and there will certainly be hell to pay."

Review:

The Hellbound Heart is an intense, excellent, horrific (in a good way) blast of a read. The story in this 164-page novella is notably different than that of the 1987 film (retitled Hellraiser) - e.g., in the book, The Engineer is the head Cenobite in the "Order of the Gash"; Pinhead doesn't exist. In the film, The Engineer was replaced by the physically dissimilar Pinhead. That said, both versions work.

Worth owning, this.

#

The resulting film, Hellraiser, was released stateside September 18, 1987.

Andrew Robinson played Larry Cotton ("Rory Cotton" in the novella). Claire Higgins played Julia Cotton. Ashley Laurence played Kirsty Cotton. Sean Chapman played Frank Cotton. Robert Hines played Steve. Oliver Smith played "Frank the Monster".

Doug Bradley played Pinhead/Captain Elliot Spenser. Nicholas Vince played "Chattering Cenobite". Simon Bamford played "Butterball Cenobite". Grace Kirby played "Female Cenobite".

Novella author Clive Barker directed and wrote the screenplay for the movie.

#

A theatrical remake has been greenlit, with Barker's vocal support, but filming hasn't begun on it.

#

Eight sequels, many of them direct-to-video, have followed the original film. The latest, Hellraiser: Revelations, is supposed to be coming out sometime this year. This ninth Hellraiser film, a DVD/Blu Ray release, will be the first where Doug Bradley doesn't play Pinhead. (This does not bode well for the film.)

#

In 1989, Epic Comics published an anthology comic book, Hellraiser, with various authors and illustrators - including Bernie Wrightson, John Bolton and Ted McKeever - creating their own short stories about the Cenobites, their victims and their universe(s). I don't know how long this series was published, but I know it ran for at least eighteen issues. (The first comic book image seen below is the cover of issue #1).



In 2011, Boom! Studios revived the series, with the same name (Hellraiser) with new Cenobite stories, written by different writers and artists - Clive Barker has been co-writing the series' ongoing storyline.

Seen below is one of the three alternate covers of issue #1, illustrated by Tim Bradstreet. Leonardo Manco provided the interior art.

Behind the Mask of the Horror Actor, by Doug Bradley

(pb; 1996, 2004: cinema/biography)

From the back cover:

"Doug Bradley -- the actor who portrays the terrifying Pinhead in Clive Barker's Hellraiser film series -- provides his own unique and personal perspective on cinema monsters and the men who play them. He also briefly examines the cultural and dramatic history of the mask, from cave art through Greek theater to trick-or-treat.

"In addition to the classic horror actors Lon Chaney and Boris Karloff, Bradley covers such unforgettable characters as The Wolf Man, The Phantom of the Opera and The Hunchback of Notre Dame in detail. He also discusses the European tradition, such as Jean Marais' Beast in La Belle et la Béte, the work of Vincent Price and the Hammer films of the fifties and sixties.

"Bringing the subject up to date is the resurgence of interest in modern-day movie monsters, which has spawned recent horror hits Halloween: Resurrection, Freddy Vs Jason and The Texas Chainsaw Massacre remake, among others. With commentary from the actors behind The Texas Chainsaw Massacre's Leatherface, Freddy from A Nightmare on Elm Street, Jason from Friday the 13th and Michael from Halloween, along with his own experience of the creation of Pinhead, Bradley creates a vivid picture of exactly how it feels to be the man behind the mask."

Review:

With warmth, dry wit and knowledge born of long experience, Bradley charms as he writes about how the job of acting came to be, and how it changed as it went from shamanistic showmanship to plays to Christianized rites, then back to plays, to movies (which have visually and stylistically evolved with CGI and other technologies).

His first few chapters, about cave art, the all-important development and meanings of masks, and the evolution of plays are well-written and informed. Bradley regularly cites his information sources and goes out of his way to state that he isn't an expert on these things. What he knows is acting, and the long hours masked horror actors, as well as make-up and special effects artists, put into creating the molded illusions known as cinematic monsters.

Following chapters about workaholics Lon Chaney and Jean Marais, alcoholic Lon Chaney Jr. (sometimes billed as Lon Chaney), "easy-going and patient to a fault" Boris Karloff, and patron-of-the-arts Vincent Price are entertaining, with fun anecdotes thrown into the informative recollections.

Interview bits in following chapters are made up of: Gunnar Hansen (actor who played Leatherface in the original Texas Chainsaw Massacre); stuntman Kane Hodder (who played Jason Voorhees in several Friday the 13th films, Parts VII: The New Blood through Jason X); Robert Englund (who played Freddy Krueger in the Nightmare on Elm Street films. . . quick side-note: Englund and Doug Bradley co-starred in Killer Tongue).

These interviews, coupled with Bradley's kind, practical and clever observations (one chapter is titled "Finding Pinhead Or. . .With Nails and I"), makes this an utter joy to read. I plan to own this, soon.

Clive Barker's short introduction is as warm and smart as Bradley's book. (Barker and Bradley have been friends with, and worked with, each other since they went to High School together, so Barker, like Bradley, should know what he's writing about.)

Check this out!

Clive Barker's Books of Blood, Volume One, by Clive Barker

(hb; 1984: story anthology)

Overall review:

Excellent horror anthology, the first of three volumes: easily one of the best anthologies I've read from a still-breathing writer. All the stories are above-average word fare, engaging, sometimes gory, and always fascinating. By all, means check this anthology out.

Review, story by story:

1.) "The Book of Blood" - A psychic researcher (Mary Florescu), her assistant (Reg Fuller), and a con-artist medium (Simon McNeal) move into a haunted house (Number 65, Tollington Place) in order to study it. The more they observe/tap into the energies of this metaphysical crossroads, or susurrating "highway of the dead," however, the more they risk ticking off the spirits they're studying. Fresh, Bradybury-esque take on the haunted house theme.

This story became a film in 2008. Currently in post-production, the film uses another Barker story, "On Jerusalem Street," as a co-basis for the film. Jonas Armstrong played Simon McNeal. Sophie Ward played Mary Florescu. Paul Blair played Reg Fuller. Doug Bradley, Barker's real-life friend and an actor who often appears in Barker's film projects, played Tollington. Directed and co-scripted by John Harrison; co-scripted by Darin Silverman.


2.) "The Midnight Meat Train" - An accountant (Kaufman) and a "divinely-inspired" serial killer (Mahogany, aka "The Butcher") cross paths on the Avenues of the Americas line. Classic work, touching on the themes of disillusionment, faith and (possibly) destiny. One of my favorite stories in this collection.

This story became a film in 2008. Set to be released Stateside on August 1, 2008, it was scripted by Jeff Buhler. Ryuhei Kitamura directed. Bradley Cooper played Leon Kaufman. Vinnie Jones played Mahogany. Leslie Bibb played Maya, a character absent from the source story. Brook Shields played Susan Hoff, another character absent from the source story.


3.) "The Yattering and Jack" - A low-echelon demon (The Yattering) is assigned to torment a quiet human nobody (Jack Polo), who seems not to notice the Yattering's sometimes-grisly poltergeist-like activities. Light (when compared to other stories in this collection), spirited Christmastime romp, this. An instant classic.

This story became the basis for an episode of the 1984 television show, Tales From the Darkside. It aired on November 8, 1987, the seventh episode of Tale's fourth season. Danielle Brisebois played Amanda. Anthony Carbone played Jack Polo - Carbone is listed in the credits as "Tony Carbone". Phil Fondacaro played The Yattering. Thomas Newman played Beezlebub. Barbara Shapiro played Caroler.


4.) "Pig Blood Blues" - An ex-cop-turned-woodshop-teacher (Neil Redman) discovers mysterious going-ons at Remand Centre for Adolescent Offenders, a reform school for teenage boys. Its story arc makes its end-twist predictable, but Barker made this reader care about the lead characters (Redman, Lacey), while ramping up the story's progressive tension. Well-written, at times ironic; not the best story in the bunch.

This is scheduled to be released as a film in the near future. I have no further details about the film at this point.

In 1989, Eclipse Books published a comic book mini-series, Tapping The Vein, that is based on Barker's writings.

Chuck Wagner adapted, and Scott Hampton illustrated "Pig Blood Blues" in issue #1 (its front cover is seen below). This issue also contains an adaptation of one of Barker's other stories, "Human Remains" (published in Clive Barker's Books of Blood, Volume Three).




5.) "Sex, Death and Starshine" - A troubled stage production of Shakespeare's Twelfth Night, led by a talentless crowd-popular actress (Diane Duvall) and directed by a jaded Terry Calloway, gets new life breathed into it with the unexpected appearance of a charming theatre-savvy stranger, Richard Walden Lichfield, and his actress lover, Constantia. Aptly-titled, clever, personable tale, and memorable.


6.) "In the Hills, the Cities" - Two Eastern bloc towns, Popolac and Podujevo, wage a bizarre contest-battle, utilizing the entirety of their citizenry. Caught between the town-giants are two warring lovers, a Right-leaning pundit (Judd) and an art aficionado (Mick). Strange, visually stunning tale, with an equally stunning end-line. Unforgettable, this.

"In the Hills, the Cities" also appeared in issue #2 of the comic book mini-series, Tapping The Vein.

Chuck Wagner and Fred Burke adapted, and John Bolton illustrated the story. This issue, its cover seen below, also contains an adaptation of one of Barker's other (re-titled) stories, "Skins of the Fathers" (published in Clive Barker's Books of Blood, Volume Two).




This anthology is followed by Clive Barker's Books of Blood, Volume Two.