The Omen by David Seltzer

 

(pb; 1976: movie tie-in book. First book in The Omen pentalogy.)

From the back cover

“A young nursemaid dies for the sake of little Damien. . .

“A priest is speared to death for revealing the horrifying truth about the birth of Damien. . .

“In a peaceful zoo, animals rend themselves to bits in a death frenzy caused by the sight of Damien. . .

“For a world-renown diplomat and his wife, ‘accident’ follows ‘accident,’ from Rome to London to Jerusalem, as they are stalked by a terror they cannot understand, a terror that centers on their son Damien. . . and his ominous hidden birth mark. . .”

 

Review

Seltzer’s movie tie-in book (from his own script) for The Omen (1976) is an above-average work for the genre. Seltzer fleshes out the melodramatic, B-flick structure of the movie’s paranoid and creepy storyline by providing backstories for several characters in the book version (e.g., Edgardo Emilio Tassone, shown as Father Brennan in the film version). Not only that, more Biblical-based background is provided─most of it made up by Seltzer. This, like the expanded characterizations, is effective, further suspending reader disbelief regarding Omen’s over-the-top events, overall tone, and characters. It helps that Seltzer couches Omen’s events in a way that it’s possible that the satanic conspiracy might be a cultic delusion─at least up to certain points (thank film director Richard Donner for insisting that the script, upon which the book is based, be written this way).

Omen, for its genre, is an excellent, B-flick entertaining potboiler of a satanic conspiracy thriller with over-the-top notions and characters, elements that were reflected in the blockbuster, wildly silly and fun film.

Those who read the book and compare it to the movie may also note name changes to the some of the characters (e.g., Chessa, the book-version/suicidal nanny, is called Holly in the film, named after the actress who played her, Holly Palance─IMDb, in its listing of her character, simply calls her “Nanny”).

Followed by four book sequels, the first of which is another movie tie-in, Damien—Omen II by Joseph Howard.

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The film was released stateside on June 25, 1976. Richard Donner directed the film, from David Seltzer’s screenplay.

Gregory Peck played Robert Thorn (book version: Jeremy Thorn). Lee Remick played Katherine Thorn. Harvey Stephens played Damien Thorn.

Holly Palance played Holly/Nanny (book version: Chessa Whyte). Billie Whitelaw played Mrs. Blaylock/Sister Teresa/B’aalock. Martin Benson played Father Spiletto.

David Warner played Keith Jennings (book version: Haber Jennings). An uncredited Leo McKern played Carl Bugenhagen.

Patrick Troughton played Father Brennan (book version: Edgardo Emilio Tassone). Anthony Nicholls played Dr. Becker. Robert Rietty played Monk.Tommy Duggan played Priest. 

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A remake was released stateside on June 6, 2006 (get it?). Directed by John Moore, IMDb attributes its source material to David Seltzer’s 1976 screenplay.

Liev Schreiber played Robert Thorn. Julia Stiles played Katherine Thorn. Seamus Davey-Fitzpatrick played Damien Thorn (ages four to five).

Giovanni Lombardo Radice played Father Spiletto. David Thewlis played Keith Jennings. Pete Postlethwaite played Father Brennan. Michael Gambon played Bugenhagen.

Mia Farrow played Mrs. Baylock. Harvey Stephens, who played Damien in the original film, played "Tabloid Reporter #3."

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The television show Damien aired on A&E on March 7, 2016. On May 20th of the same year, A&E cancelled it after one season.

Damien, ignoring the storylines of Damien: Omen II (1978) and The Final Conflict (1981), reimagined Damien Thorne as a thirty-year-old war photographer who─after years of not being aware of his satanic destiny─is confronted by it during a photo shoot. This drawn-out, angsty, cultists-grooming-Damien-for-hellish-majesty show had Damien (played by Bradley James) resisting the insanity of the situation, though he was slowly succumbing to it.

Other actors in the show included: Megalyn Echikunwoke (as Simone Baptiste); Omid Abtahi (as Amani Golkar); Barbara Hershey (as Ann Rutledge); Robin Weigert (as Sister Greta Fraueva); and Scott Wilson (as John Lyons).

The Cry of the Owl by Patricia Highsmith

(hb; 1962)

From the back cover:

"[The Cry of the Owl] begins with an act of naïve voyeurism. Robert Forester, a depressed but fundamentally decent man, liked to watch Jenny through her kitchen window -- a harmless palliative, as he saw it, to his lonely life and failed marriage. As he is drawn into her life, however, recriminations of his simple pleasure shatter the deceptive calm of this small Pennsylvania town. With striking clarity and horrible inevitability, Forester is caught up in a series of deaths in which he is the innocent bystander, presumed guilty. . ."

Review:

This plot- and writing-taut, unsettling thriller about a socially maladaptive man who gets bound up in an ever-worsening - and increasingly violent - cycle of paranoia, isolation and murders is near-impossible to set down. Highsmith's masterful trademark elements - oddball/unpopular protagonists, mounting unease and social violence, and, often, resulting corpses - is on full display here, making this an excellent read.

Sad, memorable, echoes-real-life work. Worth checking out.

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Three film versions have resulted from this novel.

The first version, Der Shrei der Eule, aired on German television in 1987.

Matthias Habich played Robert. Birgit Doll played Johanna. Jacques Breuer played Karl. Fritz Lichtenhahn played Lippenholtz. Doris Kunstmann played Vicky. Roger Fritz played Ralph. Gernot Endeman played Jakob. Hans Christian Blech played Dr. Knapp.

Tom Toelle directed the film, from a screenplay by Peter Märthesheimer and Pea Fröhlich.

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The second version, bearing the same title as the novel, was released in France on October 28, 1987. It was released stateside on October 16, 1991.

Claude Chabrol directed the film, from a script he co-authored with Odile Barski.

Christophe Malavoy played Robert. Mathilde May played Juliette. Jacque Penot played Patrick. Jean-Pierre Kalfon played "Police Commissioner". Virginie Thévenet played Véronique. Patrice Kerbrat played Marcello. Jean-Claude Lecas played Jacques. Agnès Denèfle played Suzie. Isabelle Charraix played Mme Tessier. Gille Dreu played M. Tessier.

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The third version, also bearing its source novel's title, was released in Germany on February 7, 2009. It was released stateside on March 12, 2010.

Paddy Considine played Robert Forester. Julia Stiles played Jenny Thierolf. James Gilbert played Greg Wyncoop. Caroline Dhavernas played Nickie Grace. Gord Rand played Jack Nielson. Charlotte Sullivan played Sally Nielson.

Jennifer Kydd played Susie Escham. Karl Pruner played Mr. Jaffe. R.D. Reid played Mr. Kolbe. Marcia Laskowski played "Nickie's Lawyer". Phillip Mackenzie played "Lavigne Client".

Jamie Thraves scripted and directed the film.

The Bourne Ultimatum by Robert Ludlum

(pb; 1990: third book in Robert Ludlum's Jason Bourne trilogy) 

 David Webb is forced to re-adopt the Jason Bourne persona when an incorporated Medusa (an updated version of the clandestine CIA-run tactical team he worked with during the Vietnam War) threatens him and his family. Not only that, he's stalking Carlos the Jackal, the man for whom the Bourne identity was created (in order that Bourne might kill Carlos). 

In the four and a half years since The Bourne Supremacy, David and Marie Webb, have had a second child, eight-month old Alison. Her brother, Jamie, is now five. Along for the ride, once again, is Alex Conklin, Webb/Bourne's one-time CIA handler, now well-connected friend. Morris Panov, Webb/Bourne's tough-minded psychiatrist, is back, too. 

 All the Bourne elements are present: the moral/emotional tug of war between David Webb, and his counterpart self, Bourne, as he protects his family against his enemies, known and unknown; fulminant explosions of death and mayhem in international locales; whiplash-fast plot twists; adulterated politics, linked to high finance. Ludlum introduces a new element to the Bourne series: high-profile bumbling characters. While Ludlum's work is often peppered with an esoteric sense of humor, it's usually subdued, buried beneath his plot skeins. Not so here – The Bourne Ultimatum sports a semi-amusing, almost distracting, subplot involving some East Coast Mafiosi. While it doesn't detract from the novel, it doesn't add anything worthwhile to it, either. (Still, Ludlum deserves kudos for tinkering with his genre formula.) 

 Another Bourne anomaly is how much “air time” Ilich Ramirez Sanchez (aka, Carlos the Jackal) gets. Like Webb/Bourne, who's fifty and well aware of the disadvantages this poses to him – slower reflexes, increased chance of injury, et cetera – Carlos is feeling his age. Both killers know that their face-off is a now-or-never deal. Unlike Bourne, however, Carlos is panicked that he, even with his wealth, his “army of old [spying] men” and Catholic Church-centered resources, is perceived to have lost his edge. 

 The final battle between Carlos and Webb/Bourne, which takes place in Novgorod (an infamous training center for Russian spies where replicas of American cities were built), is a brutal extravaganza, with an appropriate, plot-enveloping finish. With The Bourne Ultimatum, Bourne concocted an exhilarating series wrap-up, with all the (pertinent) series questions answered. I don't know if he intended this to be the last Bourne novel or not, but Eric Van Lustbader wrote a third sequel, The Bourne Legacy.

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The film version of The Bourne Ultimatum is scheduled for an August 3, 2007 stateside release. Paul Greengrass, who directed The Bourne Supremacy, directed The Bourne Ultimatum, from a screenplay by Tony Gilroy, Scott Z. Burns and George Nolfi. 

  Matt Damon reprised his role of David Webb/Jason Bourne. Joan Allen reprised her role of Pamela Landy. Julia Stiles reprised her role of Nicolette (aka "Nicky") Parsons. Tom Gallop reprised his role of Tom Cronin. David Strathairn played Noah Vosen. Paddy Considine played Simon Ross. Scott Glenn played Ezra Kramer. Albert Finney played Dr. Albert Hirsch.

The Bourne Supremacy by Robert Ludlum

(pb; 1986: second book in Robert Ludlum's Jason Bourne trilogy) 

Nine years have passed since the events of The Bourne Identity, and Bourne, now called David Webb (his real identity), is living in Maine, (somewhat) enjoying the sedate life of a college professor – he's still tormented by just-out-of-reach memories, memories that are violent, dark and rooted in Vietnam War-era Cambodia, but he's less volatile these days. A big reason for that is Marie St. Jacques, who became his wife shortly after the first novel, is with him and has borne him a six-month old son, Jamie. Alex Conklin, Webb's former CIA-handler-turned-enemy, is back, also, this time as Webb's friend. Morris Panov, a blunt psychiatrist, is also is in Webb's life, helping Webb recover his memories – and his sense of well-being. Much of that is shattered when a Kowloon massacre is falsely linked to Webb/Bourne. It appears that there's an assassin on the loose, one using Bourne's moniker. Not only that, he's targeted Webb/Bourne's family, as well.

The action of The Bourne Supremacy doesn't kick in immediately. Ludlum uses the first few chapters to set up Webb/Bourne's (relative) peace of mind before blowing it to bits. After that, Webb/Bourne goes back into the jungle, battling corrupt (or misguided) political powers-that-be, brutal killers and his own past. 

Ludlum saddles Webb/Bourne with a dual personality, and it sometimes it makes for an awkward read. The Webb aspect of Webb/Bourne is shaken at the thought of returning to the violent life, all the while worrying about Marie and Jamie. The Bourne aspect is ruthless and calculating, doing what he needs to do to win this death game. Despite the occasional awkwardness, this makes Webb/Bourne read like a real person, if a wildly conflicted one. The action, of course, is slick-cinematic and exciting. The twists are still fresh and believable. And the ending, with its many unanswered questions, is satisfying, while providing enough material for the next two Bourne novels, the first of which is The Bourne Ultimatum.

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 The film version of The Bourne Supremacy was released stateside on July 23, 2004. Paul Greengrass directed the film, from a script by Tony Gilroy.

  Matt Damon reprised his role of Jason Bourne. Franka Potente reprised her role of Marie St. Jacques. Brian Cox reprised his role of Ward Abbott. Julia Stiles reprised her role of Nicolette "Nicky" Parsons. Gabriel Mann reprised his role of Danny Zorn. Joan Allen played Pamela Landy. Karl Urban played Kirill. Michelle Monaghan played Kim. Tom Gallop played Tom Cronin.