Showing posts with label Robert Englund. Show all posts
Showing posts with label Robert Englund. Show all posts

Monday, April 19, 2021

A Nightmare on Elm Street 5: The Dream Child by Joseph Locke (a.k.a. Ray Garton)

 

(pb; 1989: movie tie-in novel. Sequel to A Nightmare on Elm Street 4: The Dream Master.)

Review

Freddy Krueger has found a clever loophole through which to return to torment Alice Johnson (from Elm Street 4) and her friends, one that’s initially a mystery before it becomes horrifying reality.

As with the fourth Nightmare script-based book (which Locke/Garton also wrote), he mostly follows the screenplay but expands on the characters’ backstories and actions, resets some of the action (e.g., one of the early sequences in the book involves Alice taking a bath instead of the movie version’s shower), gets grislier with some of the nightmares (especially Dan Jordan’s), etc.

Locke/Garton’s writing is again lean, immediately involving, fast-moving, and entertaining within its surreal swirl structure of dream logic, returning characters and all-around solid writing. If the means of Krueger’s defeat seem paper-thin and almost laughable, it’s not Locke/Garton’s fault (blame the screenwriters and the producers who pushed them), an okay whatever (anti-)climax that is almost remedied by the emotional efficacy of Locke/Garton’s final, character-centric scene in the book.

Garton, whether he’s writing under his real name or Joseph Locke, is a consistently excellent and entertaining horror writer.

If you’re curious what was changed between this solid, mostly dreamtime sequel’s book and film versions, check the reviews on Amazon (there’s a nice person who thoroughly listed the differences).

Nightmare 5 was published later in 1989 with its prequel, A Nightmare on Elm Street 4: The Dream Master in one volume, titled The Nightmares on Elm Street: Parts 4 & 5. It’s out of print, so if you can get it for a reasonable price (the current price hovers between $50 and $80 online), you might want to consider picking it up if you’re even slightly interested in it.

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The counterpart film was released stateside on August 11, 1989. Stephen Hopkins directed the film, from a screenplay by Leslie Bohem, based on a story by her, Craig Spector, and John Skipp.

Robert Englund played Freddy Krueger. Lisa Wilcox reprised her role of Alice Johnson. Nicholas Mele, billed as Nick Mele, also returned as Dennis Johnson (“Johnson” in the last film), Alice’s father. Danny Hassel reprised his role of Dan Jordan, Alice’s boyfriend. Whit Hertford, billed as Whitby Hertford, played Jacob.

Kelly Jo Minter played Yvonne. Joe Seely played Mark. Erika Anderson played Greta Gibson. Beatrice Boepple played Amanda Krueger.

Valorie Armstrong played Mrs. Jordan, Dan’s mother. Burr DeBenning played Mr. Jordan.

Wednesday, March 24, 2021

A Nightmare on Elm Street 4: The Dream Master by Joseph Locke (a.k.a. Ray Garton)

 

(pb; 1989: movie tie-in novel. Prequel to A Nightmare on Elm Street 5: The Dream Master.)

From the back cover

“Freddy’s back, looking for some ‘soul’ food. And he won’t stop even when Kristen Parker─the last child of Freddy’s killers─takes a deep sleep that puts her six feet deep. Now the fiendish phantom is using other kids’ dreams to produce his victims─and to slaughter them in new and ingeniously gory ways.

“His blades are razor-sharp, and his bloodthirst can’t be stopped. Freddy Krueger is eternal.”

 

Review

Nightmare 4 is a worthwhile read for fans of the franchise who are looking for a well-written, if story-thin (blame the screenwriters and producers who rushed them) continuation of Freddy Krueger’s stalkings, with quite a few variations of how things happen. The ending is slightly tweaked but mostly the same (I’m guessing Locke/Garton worked from an earlier draft of the script). 

If you’re curious what was changed between this solid, mostly dreamtime sequel’s book and film versions, check the reviews on Amazon (there’s a nice person who thoroughly listed the differences). A few of the notable differences include: more waking-time interactions between some of the characters as well as more backstory for them, and Rick Johnson─prior to his kung fu nightmare demise─fights back against Krueger (he doesn’t in the movie). After Rick’s funeral, there’s a book-only scene with Dan, Debbie, and Mr. Bryson, their English teacher.

One of the things I liked about Nightmare 4 is how Krueger might be tied to Aristotle’s notions about positive/negative soul gates. I don’t remember if it’s in the film version, but it’s in Locke/Garton’s entertaining, fast-moving, and waste-no-words writing.

Nightmare 4 is a lean, ninety-eight-page read. It’s also out of print, so if you can get it for a reasonable price (the current price hovers between $50 and $80 online), you might want to consider picking it up if you’re even slightly interested in it.

Nightmare 4 was republished later in 1989 with its sequel, A Nightmare on Elm Street 5: The Dream Child, in one volume, titled The Nightmares on Elm Street: Parts 4 & 5.

Garton, whether he’s writing under his real name or Joseph Locke, is a consistently excellent and entertaining horror writer, one who’s worth your time.

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The counterpart film was released stateside on August 9, 1988. Renny Harlin directed the film, from a screenplay by Brian Helgeland, Jim and Ken Wheat (both billed as Scott Pierce).

Robert Englund played Freddy Krueger. Tuesday Knight played Kristen Parker. Ken Sagoes played Kinkaid. Rodney Eastman played Joey. Lisa Wilcox played Alice Johnson. Brooke Theiss played Debbie. Andras Jones played Rick Johnson. Danny Hassel played Dan. Nicholas Mele played "Johnson," Alice and Rick's father.

Scream queen Linnea Quigley played “Soul in Freddy’s Chest.” An uncredited Renny Harlin played “Student in Classroom.” New Line producer Robert Shaye, billed as L.E. Moko, played “Lecturer.”

Friday, January 03, 2014

Night Shift by Stephen King


(hb; 1976, 1977, 1978: horror story anthology.  Introduction by John D. MacDonald)


Overall review:

Excellent anthology, all of the stories - many of them admirably varied in their sense of horrors - have something to recommend them.  This is one of my all-time favorite story anthologies.


Standout stories:

1.)   "Jerusalem's Lot":  An evil, haunted town repeatedly draws members of a cursed family into its Lovecraftian clutches over centuries.  This is a loosely linked prequel to a later story in this anthology ("One for the Road") and the novel 'Salem's Lot.


2.)   "Graveyard Shift": A Fourth of July cleaning shift at a mill goes horrifically wrong when the workers discover secret passages beneath its sub-basement.

The resulting film was released stateside on October 26, 1990.  David Andrews played John Hall.  Kelly Wolf played Jane Wisconsky.  Stephen Macht played Warwick.  Andrew Divoff played Danson.  Brad Dourif played Tucker Cleveland (aka "The Exterminator").  Victor Polizos played Brogan.  Robert Alan Beuth played Ippleston. 

Ralph S. Singleton directed the film, from a screenplay by John Esposito.


3.)   "I Am the Doorway":  An astronaut's return to Earth is troubled by forces and visions alien to his nature - elements and visions which may change those around him, as well.


4.)   "The Mangler":  A demon-possessed industrial laundry machine - a speed ironer - turns murderous.

With a  lesser writer, this would be a dumb story.  With King, who ties it into timeless penned notions, it is a fun, spooky, perhaps even milestone update of an old idea.  This is one of the best stories in this collection.

The resulting film was released stateside on March 3, 1995.  Robert Englund played William 'Bill' Gartley.  Ted Levine played Officer John Hunton.  Daniel Matmor played Mark Jackson.  Vera Blacker played Mrs. Adelle Frawley.  Danny Keogh played Herb Diment.  Ted Le Plat played Doctor Ramos.  Todd Jensen played Roger Martin. 

Tobe Hooper directed the film, from Stephen David Brooks (billed as Stephen Brooks) and Harry Alan Towers's (billed as Peter Welbeck) screenplay.

Two loosely linked - if linked at all - film sequels followed: The Mangler 2 (starring Lance Henriksen, a direct-to-video flick, released on February 26, 2002) and The Mangler Reborn (another direct-to-video flick, released on November 29, 2005).


5.)  "The Boogeyman":  A man, whose family has been slaughtered, visits a psychiatrist.  Effective twist to this one.

This story has been, or is scheduled to be, filmed as a short several times.


6.)  "Battleground":  A hitman fights for his life against a bizarre array of enemies.  Excellent, worthy of a Twilight Zone episode.

This story became the basis for the debut episode of a television series, Nightmares & Dreamscapes: From the Stories of Stephen King.  It aired stateside on June 12, 2006 on the TNT network.  Brian Henson directed the episode, from a teleplay by Richard Christian Matheson.

William Hurt played Jason Renshaw.  Bruce Spence played Hans Morris.  Mia Sara played "Beautiful Passenger". 


7.)   "Trucks":  Another 'murderous machine'-themed tale, this time set as a pluralistic affair, with automobiles and other electronics involved.  Fun, B-movie-esque work.

The resulting film, titled Maximum Overdrive and directed by Stephen King, was released stateside on July 25, 1986.  Emilio Estevez played Bill Robinson.  Laura Harrington played Brett.  Pat Hingle played Bubba Hendershot.  Yeardley Smith played Connie.  John Short played Curtis.  Frankie Faison played Handy.  Christopher Murney played Camp Loman.


8.)   "Sometimes They Come Back":  A high school teacher confronts the strangely youthful bullies who murdered his brother years before.  Unsettling, effective story.

The resulting television film aired stateside on May 7, 1991.  Tim Matheson played Jim Norman.  Brooke Adams (who also co-starred in the King-based 1983 film The Dead Zone) played Sally Norman.  Robert Rusler played Richard Lawson.  Robert Hy Gorman played Scott Norman.  William Sanderson played "Carl Mueller (age 44)".  Nicholas Sadler played Vinnie Vincent.  T. Max Graham played Chief Pappas.

The telefilm was followed by two direct-to-video, loosely linked sequels: Sometimes They Come Back. . . Again (released September 3, 1996, starring Michael Gross, Alexis Arquette and Hilary Swank) and Sometimes They Come Back. . . for More (released on September 7, 1999, starring Clayton Rohner and Chase Masterson).


9.)   "Strawberry Spring":  A string of murders haunts a collegiate-later-family man.  Especially well-written.


10.)   "The Ledge": Twilight Zone-esque fusion of noir and natural horror.  Excellent.

This story was incorporated into the threefold-tale film Cat's Eye, which was released stateside on April 12, 1985.  Lewis Teague (who also helmed the King-based 1983 film Cujo) directed, from a screenplay from Stephen King.  Drew Barrymore (who co-starred in the King-based 1984 film Firestarter) played Amanda (a.k.a. "Our Girl"), one of the characters that links the stories.

Kenneth McMillan played Cressner.  Robert Hays played Johnny Norris. 


11.)   "Quitters, Inc.":  A man, trying to quit smoking, is compelled to do so in startling ways.  Distinctive, clever.

This story was also incorporated into the threefold-tale film Cat's Eye, which was released stateside on April 12, 1985.

James Woods played Dick Morrison.  Alan King played Dr. Vinny Donatti.


12.)   "Children of the Corn": Excellent, creepy tale about an argumentative husband and wife who, traveling through Nebraska, get trapped in a strangely empty town. 

A film short, Disciples of the Crow, was made in 1983.  It was based on this story.

The first resulting full-length film was released stateside on March 9, 1984.  Linda Hamilton played Vicky.  Peter Horton played Burt.  John Franklin played Isaac.  Courtney Gains played Malachai.  Julie Maddalena played Rachel.  Robby Kiger played Job.  Anne Marie McEvoy, billed as Annemarie McEvoy, played Sarah.

Fritz Kiersch directed the film, from a script by George Goldsmith.

Seven loosely linked sequels (many, if not all of them, direct-to-video works) and one remake followed. 

Sequels: Children of the Corn II: The Final Sacrifice (released stateside on January 29, 1993); Children of the Corn III: Urban Harvest (released stateside on September 12, 1995, featuring Johnny Legend as a "Derelict Man"); Children of the Corn: The Gathering (released stateside on October 8, 1996, co-starring Naomi Watts and Karen Black); Children of the Corn V: Fields of Terror (released stateside on June 21, 1998, co-starring Alexis Arquette - seen earlier in the King-based 1996 flick Sometimes They Come Back. . . Again - and Fred Williamson.  David Carradine and  Eva Mendes also co-starred, as well as Kane Hodder - who has played Jason in several of the Friday the 13th sequels. 

The fifth sequel, Children of the Corn 666: Isaac's Return, was released on October 19, 1999, co-starring Nancy Allen - who appeared in the King-based 1976 film Carrie - and  Stacy Keach.  John Franklin, who made his screen debut as Isaac in the original Children, played Isaac in - and co-scripted - this sequel as well.

Children of the Corn: Revelation, the sixth sequel, was released stateside on October 9, 2001.  It co-starred Claudette Mink, Michael Ironside and Kyle Cassie (who also made in an appearance in a television episode of Stephen King's Dead Zone).

A television remake of the original Children aired on stateside television on September 26, 2009.  It was directed and co-scripted by Donald P. Borchers; author Stephen King was his co-screenwriter.  David Anders played Burton Stanton.  Kandyse McClure played Vicky Stanton.  Daniel Newman played Malachai.  Preston Bailey played Isaac. 

The seventh sequel, Children of the Corn: Genesis, was released stateside on March 17, 2012.  It co-starred Billy Drago and Duane Whitaker.  As far as I know of, it isn't linked to the television remake that aired in 2009.


13.)  "One for the Road": On a winter stormy night, three men (Herb Tooklander, Booth and Gerard Lumley) head out to rescue the latter man's wife and daughter -  whom, unknown to Lumley, he left at the mercy of vampires.

Excellent, gripping expansion tale that builds on the history of "the 'Lot" (as seen in the earlier/first story, "Jerusalem's Lot") and, like that story, links to King's novel 'Salem's Lot.

The resulting 22-minute short film, released stateside on March 1, 2011, was directed and scripted by Paul Ward.

Reggie Bannister played Herb Tooklander.  Adam Robitel played Booth.  Danny O'Connor played Gerard Lumley.  Audrey Walters played Janey Lumley.  Sydney Ackman played Wendy.  Drew Walters played Francis Lumley.


14.)  "The Lawnmower Man":  Fun, gleefully bloody and bizarro tale about a unique yard service company.

The resulting short film was released stateside in 1987.  It was directed by James Gonis, from a script by Michael De Luca.

Andy Clark played Karras.  Helen Hanft played Mrs. Parkette.  E.D. Phillips played Howard Parkette.  Neil Schimmer played Castonmeyer.  Robert Tossberg played Bannerman.

A full-length film, linked to the story in name only, was released stateside on March 6, 1992.  (King sued to have his name removed from the film.)  Brett Leonard directed and co-scripted the film; his co-screenwriter was Gimel Everett.

Jeff Fahey - recently seen in the King-based television series Under the Dome - played Jobe Smith.  Pierce Brosnan, who later starred in the King-based television miniseries Bag of Bones, played Dr. Lawrence Angelo.  Jennie Wright played Marnie Burke. Geoffrey Lewis played Terry McKeen.  Dean Norris - who co-stars with Fahey in Under the Dome - played The Director.  Colleen Coffey played Caroline Angelo.

A loosely linked sequel to the film, Lawnmower Man 2: Beyond Cyberspace, was released stateside on January 12, 1996.  Like its source film, it bears no relation to the King story, aside from its title reference.

Patrick Bergin played Dr. Benjamin Trace.  Matt Frewer played Jobe Smith. Austin O'Brien played Peter Parkette.  Ely Pouget played Dr. Cori Platt.  Molly Shannon played a "Homeless Lady".

Farhad Mann directed the film, from a script by he co-authored with Michael Miner.

Monday, May 18, 2009

Behind the Mask of the Horror Actor, by Doug Bradley

(pb; 1996, 2004: cinema/biography)

From the back cover:

"Doug Bradley -- the actor who portrays the terrifying Pinhead in Clive Barker's Hellraiser film series -- provides his own unique and personal perspective on cinema monsters and the men who play them. He also briefly examines the cultural and dramatic history of the mask, from cave art through Greek theater to trick-or-treat.

"In addition to the classic horror actors Lon Chaney and Boris Karloff, Bradley covers such unforgettable characters as The Wolf Man, The Phantom of the Opera and The Hunchback of Notre Dame in detail. He also discusses the European tradition, such as Jean Marais' Beast in La Belle et la Béte, the work of Vincent Price and the Hammer films of the fifties and sixties.

"Bringing the subject up to date is the resurgence of interest in modern-day movie monsters, which has spawned recent horror hits Halloween: Resurrection, Freddy Vs Jason and The Texas Chainsaw Massacre remake, among others. With commentary from the actors behind The Texas Chainsaw Massacre's Leatherface, Freddy from A Nightmare on Elm Street, Jason from Friday the 13th and Michael from Halloween, along with his own experience of the creation of Pinhead, Bradley creates a vivid picture of exactly how it feels to be the man behind the mask."

Review:

With warmth, dry wit and knowledge born of long experience, Bradley charms as he writes about how the job of acting came to be, and how it changed as it went from shamanistic showmanship to plays to Christianized rites, then back to plays, to movies (which have visually and stylistically evolved with CGI and other technologies).

His first few chapters, about cave art, the all-important development and meanings of masks, and the evolution of plays are well-written and informed. Bradley regularly cites his information sources and goes out of his way to state that he isn't an expert on these things. What he knows is acting, and the long hours masked horror actors, as well as make-up and special effects artists, put into creating the molded illusions known as cinematic monsters.

Following chapters about workaholics Lon Chaney and Jean Marais, alcoholic Lon Chaney Jr. (sometimes billed as Lon Chaney), "easy-going and patient to a fault" Boris Karloff, and patron-of-the-arts Vincent Price are entertaining, with fun anecdotes thrown into the informative recollections.

Interview bits in following chapters are made up of: Gunnar Hansen (actor who played Leatherface in the original Texas Chainsaw Massacre); stuntman Kane Hodder (who played Jason Voorhees in several Friday the 13th films, Parts VII: The New Blood through Jason X); Robert Englund (who played Freddy Krueger in the Nightmare on Elm Street films. . . quick side-note: Englund and Doug Bradley co-starred in Killer Tongue).

These interviews, coupled with Bradley's kind, practical and clever observations (one chapter is titled "Finding Pinhead Or. . .With Nails and I"), makes this an utter joy to read. I plan to own this, soon.

Clive Barker's short introduction is as warm and smart as Bradley's book. (Barker and Bradley have been friends with, and worked with, each other since they went to High School together, so Barker, like Bradley, should know what he's writing about.)

Check this out!