The Sandman: The Wake by Neil Gaiman and various artists

 

(1995-6, 2012 – graphic novel, collects issues 70-75 of the comic book The Sandman. “Introduction” by Mikal Gilmore. Eleventh book in the thirteen-book Sandman graphic novel series.)

 

Overall review

Wake is a solid wrap-up to the original run of The Sandman comic books (additional books within the series are later-published prequels or side stories). For the most part, it’s short and sharp (with the exception of issue 75, “The Tempest,” which runs long). Great series.

As in previous Sandman graphic novels, the artists, letterers and colorists who bring Gaiman’s transcend-the-genre writing to vivid, distinctive representation.

 

Review, issue by issue

“The Wake: Chapter One” (#70): “Dreamers, guests, celebrants and mourners” gather in the necropolis Litharge “at stony crossroads in the shadow of the Quinsy Mountains” to acknowledge Morpheus’s death. Meanwhile, his successor─the new Dream of the Endless, previously known as Daneil Hall─holds court with a select few (Cain, etc.).

 

“The Wake: Chapter Two” (#71): More conversations between the new incarnation of the Dream of the Endless and his immediate staff are shown as are other guests─a few of them cape-and-cowl types and supernatural magicians.

 

“The Wake: Chapter Three” (#72): The Wake begins in earnest. Matthew the raven decides what the next phase of his life will be. Dream of the Endless prepares to meet his siblings.

 

“The Wake: Chapter Four” (#73): In modern times, Rob Gadling─actually Morpheus’s undying drinking buddy Hob Gadling─attends a Renaissance Faire with his girlfriend (Gwen). Gadling has a conversation with one of Morpheus’s siblings, who has a pertinent question for him.

 

“Exile” (#74): An older Asian man has a dream about a desert, a kitten, and Morpheus.

 

“The Tempest” (#75): 1610 AD. Will Shakespeare writes, has conversations with his daughter (Judith) and his wife, and is visited by Morpheus.

The Sandman: Worlds’ End by Neil Gaiman and various artists

(pb; 1994, 2012: graphic novel, collects issues 51-6 of the comic book The Sandman. “Introduction” by Stephen King. Ninth book in the thirteen-book Sandman graphic novel series.)

 

Overall review:

Worlds’ End is a good, fun collection of characters (some of them previously seen in earlier Sandman stories) and variable tales they tell while they wait out a strange storm.

Again, the artists, letterers and colorists who bring Gaiman’s transcend-the-genre writing to vivid, distinctive representation. Worth owning, this. Followed by The Sandman: The Kindly Ones.

 

Review, issue by issue

“Worlds’ End: Sequences at the Inn” (#51): After a car crash in a winter storm, two motorists (Brant Tucker, Charlene Mooney) find themselves at a pub with strange-looking mythological storytellers. Each issue that follows revolves around a tale told by one of the inn guests.

 

“Cluracan’s Tale” (#52): The fairy, last seen in The Sandman: Season of Mists, speaks of what brought him here. In Cluracan’s narration, Queen Mab (of the fairy city Aurelia) sends him as envoy to a near-ruin human city to prevent a treacherous politician (Innocent XI, “Psychopomp of the Universal Aurelian Church”) from assuming more power and upsetting the balance between fairies and humans.

“Hob’s Leviathan” (#53): A young sailor (Jim) recounts his sailing adventures with Hob Gadling (The Sandman: Dream Country), rough men and wild-sized sea creatures.

 

“The Golden Boy” (#54): An older Asian man tells Brant a story about a fictional clock-fixing young man (Prez Rickard) who became a US President while being observed and possibly threatened by a creepy power broker of sorts (Boss Smiley).

 

“Cerements” (#55): A Necropolitan student of death rituals (Petrefax) tells a story about how he attended a ritual where others told curious stories about hangmen, a woman of mystical power (Mistress Veltis) as well as his own experiences within a necropolis while studying under his pale-pigment master (Kaproth), who’s also listening to Petrefax speak. Two family members of the Endless make an appearance in this issue.

 

“Worlds’ End” (#56):  The essence of the inn is revealed, as is the cause of the storm outside. Personal changes, pairings, and partings occur among some of guests.

The Sandman: The Doll's House by Neil Gaiman and various artists

(pb; 1989, 1990: graphic novel, collects issues 8-16 of the comic book series The Sandman. Third book in the thirteen-book Sandman graphic novel series.) 

Overall review

Doll’s House continues to mine the rich vein of genre fiction-fused-with-literary gold of the second Sandman volume, Preludes and Nocturnes. This time out, it’s Gaiman, Mike Dringenberg, Malcolm Jones III, Robbie Busch, Chris Bachalo, Michael Zulli, Steve Parkhouse and Dave Kean delivering the heady, less-melancholy-than-Preludes goods, with a storyline about missing entities, nightmare-led “Cereal Growers” and an unwitting, good-natured vortex.

Worth owning, this. Followed by The Sandman: Dream Country.

 

Review, issue by issue

Caveat: possible, vaguely stated spoilers for those who haven’t read Preludes and Nocturnes (Vol. 2).

“The Sound of Her Wings” (issue 8): Death, a petite, Goth-pale woman, visits her fellow godling brother (Morpheus) who’s sitting in a Parisian park, feeding pigeons. (This issue is also included in the previous Sandman graphic novel, Preludes and Nocturnes.)

 

“Tales in the Sand” (issue 9): During a male coming-of-age ritual, an elder tribesman tells a younger one about a long-ago queen (Nada) who becomes the lover of the Dream Lord, Kai’Ckul─also called Morpheus─and the tragic results of that forbidden love.

 

“The Doll’s House” (issue 10): Desire and Despair─younger siblings of Dream, Death and Destiny─speak about Nada and Morpheus. Elsewhere, Miranda Walker and her twenty-one-year-old daughter (Rose) arrive in England after a mysterious benefactor (Unity Kinkaid, an impregnated coma victim in Preludes and Nocturnes) pays for them to be flown over from the US. Lucien, in the Dreamworld, tells Dream (a.k.a. Morpheus) of four missing Major Arcana entities, among them the deeply unsettling Corinthian, a nightmare who births serial killers.

 

“Moving In” (issue 11): Rose Walker flies to Florida to find her missing twelve-year-old brother (Jed), whom she hasn’t seen in seven years. What she doesn’t know is he’s chained to a pipe in a wet, dark basement. Meanwhile, Matthew─a deceased mortal-turned-blackbird in Morpheus’s direct service─watches Rose for the Dream King: it seems Rose is a “vortex,” bound to trouble the dreams of those around her, and to draw the attentions of the four missing Major Arcana entities, particularly Glob, Brute, and Fiddler’s Green. The Corinthian continues his sleazy motel killings.

 

“Playing House” (issue 12): Hippolyta Hall, pregnant and sharing dream-space with her husband (Harold) and his strange associates, Glob and Brute, faces a harsh reality. Rose Walker and her quirky, middle-aged housemate (Gilbert) head to the state of Georgia to retrieve Jed, who’s escaped his abusive legal guardians (Clarice and her husband, Barnaby). Unfortunately for Jed, he’s just made the acquaintance of someone more sadistic.

 

“Men of Good Fortune” (issue 13): 1389, England. Morpheus befriends a man (Hob Gadling) whose pub opinion leads him to being granted eternal life─for as long as he wants it.

 

“Collectors” (issue 14): After their car breaks down, Rose Walker and Gilbert─who shows that he’s more than seems─find themselves holed up in a sleazy motel where a “Cereal Growers” (serial killers) convention is taking place. The unexpected guest of honor? The Corninthian, who may’ve brought Jed along with him.

 

“Into the Night” (issue 15): Rose Walker, still a vortex, returns to the Florida boarding house, further troubling the dreams of her housemates (Hal, “Spider Women” Chantal and Zelda, and Ken and Barbie─Gilbert disappeared after the dissolution of the Cereal Growers convention). Morpheus pulls Rose into the Dreamworld, saving her housemates. Gilbert and Matthew the blackbird talk.

“Lost Hearts” (issue 16): Morpheus reveals to Rose her anomalous nature and unintended effect as well as her fate. Gilbert, one of the missing entities, returns to Morpheus. In England, Unity Kinkaid dies of old age, altering what is to happen.

Six months pass. Rose writes in her journal, mentions her friend, Judy, who died a year prior─Judy was one of the diner customers shown in “24 Hours” (issue 6, collected in Preludes and Nocturnes). Morpheus visits Desire, confronts her/him/they about the impetuous godling’s previously secret act of treachery, connected to Unity Kinkaid’s coma pregnancy (in Preludes and Nocturnes).

Alice Cooper: The Last Temptation, by Neil Gaiman & Michael Zulli

(pb; 1994: 3-issue comic book miniseries, based on Alice Cooper's album of the same name, which was released in July 1994. Dave McKean did the cover art on both the album and the comic books.)

The plot: Steven - a scared teenager Alice Cooper wrote about in his 1975 album, Welcome to My Nightmare, and its more experimental, 2011 sequel album, Welcome 2 My Nightmare - is drawn to a mysterious theatre that appears to be a ghost building, its staged, icky horrors hosted and promoted by the equally mysterious, unnamed Showman (embodied as Alice Cooper).

The Showman's revealed horrors are based in creepshow rot and failed adulthood, something the Showman promises he can spare Steven from.

The Last Temptation is best read as a fun, s/light accompaniment to Cooper's fun, pop-catchy album: a lightweight, rock 'n' roll (and Alice Cooper-ized) work that mines many of the same themes Ray Bradbury utilized in his 1962 novel Something Wicked This Way Comes.

I wasn't impressed by Michael Zulli's (interior) artwork, but it wasn't off-putting, either. It works, for what it is, but it isn't nearly as impressive as Dave McKean's visual presence, as seen on the three comic book covers and Temptation's album cover.

The Last Temptation is worth reading, if you're a fan of Alice Cooper, or looking for mildly horrific/childhood-themed comic book amusement(s).

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This miniseries was later compiled in two different-cover graphic novels, a 1996 paperback version (The Compleat Alice Cooper: Incorporating the Three Acts of Alice Cooper: The Last Temptation) and, later, a hard cover version (The Last Temptation).