Unmasked, by Kane Hodder and Michael Aloisi

(hb; 2011: biography/nonfiction.  "Foreword" by Adam Green)


From the inside flap:

"Kane Hodder.  To fans, this name is synonymous with horror, an icon on the level of Bela Lugosi, Boris Karloff and Vincent Price.  Kane has appeared as a stunt man and actor in more than two hundred television shows and movies, in a career spanning over thirty years.  His role as Jason Voorhees in four consecutive films of the Friday the 13th series came to define the character feared by millions of fans the world over.  The man behind the hockey mask would seal his fate as horror royalty years later by starring as the monster Victor Crowley in the Hatchet series.

"Unmasked documents the unlikely true story of a boy who was taunted and beaten relentlessly by bullies throughout his childhood.  Kane only escaped his tormentors when he moved to a tiny island in the South Pacific where he lived for all of his teen years.  After living shirtless in a jungle for  awhile, he headed back to America where he fell in love with doing stunts. . . only to have his love burn him, literally.  For the first time ever, Kane tells the true story of the horrific burn injury that nearly killed him at the start of his career.  The entire. . . story of his recovery, the emotional and physical damage it caused and his fight to break back into the industry that almost killed him. . . and triumphant rise to become a film legend are told in Kane's own. . . voice."


Review:

Fun, interesting, warm and blunt read that may disturb readers who aren't into horror films (particularly slasher films) or are afraid of their own darkness - it may, however, prove engrossing for those who are into Kane's oeuvre, gore and monster flicks, and behind-the-scenes takes on cinematic stunt work. 

Worth owning, this.

Vincent Price Presents, by various writers and artists

(graphic novel; 2010. Introduction by Roger Corman)

From the back cover:

"The Gothic horror tradition of film icon Vincent Price is revived in these twisted comic book one-shots that transplant the best of the horror genre into innovative and bizarre landscapes for a new generation of Vincent Price fans. Vincent Price serves as iconic host and muse for these unforgettable stories, which include horrific transformations, twisting plots, perversions of science, labyrinthine castles, Gothic dread, surreal revelations, and a little unexpected genre-bending. With an introduction by film legend and Vincent Price collaborator, Roger Corman.


Overall review:

This graphic novel, put out by Blue Water Comics, is an okay quadrilogy of Price-referencing stories, with mostly-good artwork and a pleasant, brief introduction by Roger Corman.

Though Vincent Price Presents isn't worth its cover price ($17.99), it may prove a fun, second-hand read for Price and horror fans for a buck or two.



Review, story by story:

1.) "Canus" - Darren G. Davis & Chad Helder: A tween boy's birthday brings new anxieties - in the form of the titular cyborg dog - and, along with it, new opportunities.

Good tale and artwork here, excellent ending.


2.) "Road Rage" - Darren F. Davis, Paul Salamoff & Patrick Broderick: An arrogant advertising executive (Glen Manning) causes a car accident, then flees the scene of it, setting in motion further violence. This otherwise solid morality tale is ruined by a gotcha/forced "twist". Sloppily constructed hack work, at best, with good artwork.


3.) "Here To There" - Scott Davis and Rey Armenteros: Casey Morrow, a celebrated writer with a decade-long case of writer's block - born of unrealistic expectations - goes through another day of driving his cab, and discovers a secret undercurrent to his life.

Solid story with some quotable lines and okay artwork, this.


4.) "Rue Morgue High" - Chad Helder and Derliz Santacruz: An insane, malevolent nerd with wild psychic abilities (Edwin) torments his more popular step-brother (Fred) with visions and killings drawn from Edgar Allan Poe's "first tale of ratiocination", Murder in the Rue Morgue.

Interesting, mostly good story with good artwork and a meh finish.

Behind the Mask of the Horror Actor, by Doug Bradley

(pb; 1996, 2004: cinema/biography)

From the back cover:

"Doug Bradley -- the actor who portrays the terrifying Pinhead in Clive Barker's Hellraiser film series -- provides his own unique and personal perspective on cinema monsters and the men who play them. He also briefly examines the cultural and dramatic history of the mask, from cave art through Greek theater to trick-or-treat.

"In addition to the classic horror actors Lon Chaney and Boris Karloff, Bradley covers such unforgettable characters as The Wolf Man, The Phantom of the Opera and The Hunchback of Notre Dame in detail. He also discusses the European tradition, such as Jean Marais' Beast in La Belle et la Béte, the work of Vincent Price and the Hammer films of the fifties and sixties.

"Bringing the subject up to date is the resurgence of interest in modern-day movie monsters, which has spawned recent horror hits Halloween: Resurrection, Freddy Vs Jason and The Texas Chainsaw Massacre remake, among others. With commentary from the actors behind The Texas Chainsaw Massacre's Leatherface, Freddy from A Nightmare on Elm Street, Jason from Friday the 13th and Michael from Halloween, along with his own experience of the creation of Pinhead, Bradley creates a vivid picture of exactly how it feels to be the man behind the mask."

Review:

With warmth, dry wit and knowledge born of long experience, Bradley charms as he writes about how the job of acting came to be, and how it changed as it went from shamanistic showmanship to plays to Christianized rites, then back to plays, to movies (which have visually and stylistically evolved with CGI and other technologies).

His first few chapters, about cave art, the all-important development and meanings of masks, and the evolution of plays are well-written and informed. Bradley regularly cites his information sources and goes out of his way to state that he isn't an expert on these things. What he knows is acting, and the long hours masked horror actors, as well as make-up and special effects artists, put into creating the molded illusions known as cinematic monsters.

Following chapters about workaholics Lon Chaney and Jean Marais, alcoholic Lon Chaney Jr. (sometimes billed as Lon Chaney), "easy-going and patient to a fault" Boris Karloff, and patron-of-the-arts Vincent Price are entertaining, with fun anecdotes thrown into the informative recollections.

Interview bits in following chapters are made up of: Gunnar Hansen (actor who played Leatherface in the original Texas Chainsaw Massacre); stuntman Kane Hodder (who played Jason Voorhees in several Friday the 13th films, Parts VII: The New Blood through Jason X); Robert Englund (who played Freddy Krueger in the Nightmare on Elm Street films. . . quick side-note: Englund and Doug Bradley co-starred in Killer Tongue).

These interviews, coupled with Bradley's kind, practical and clever observations (one chapter is titled "Finding Pinhead Or. . .With Nails and I"), makes this an utter joy to read. I plan to own this, soon.

Clive Barker's short introduction is as warm and smart as Bradley's book. (Barker and Bradley have been friends with, and worked with, each other since they went to High School together, so Barker, like Bradley, should know what he's writing about.)

Check this out!

They Came From Outer Space edited by Jim Wynorski

(hb; 1980: science fiction anthology. "Introduction" by Ray Bradbury.)

Overall review:

Wonderful, varied collection of classic science fiction stories that, for the most part, became worthwhile (if loosely adapted) films. This anthology is worth owning, a reminder of science fiction's modestly charming roots, as read in the pages of pulp-ish magazines. By all means, seek this anthology out.


Review, story by story:


1.) "Dr. Cyclops" - Henry Kuttner: Four scientists and their jungle guide (Paco), visiting a secretive, bespectacled scientist (Dr. Thorkel, aka Dr. Cyclops) are shrunk to pin-height, via a radium-spraying projector (called a "condensor") so Thorkel can study them. But the scientists and Paco escape into the jungle, hunted by Thorkel and his black cat, Satanas. When the shrunken scientists and their guide engage in retaliatory guerilla-warfare tactics, it's an imaginative, thrill-a-minute adventure.

The popular Dr. Cyclops (and this tale) appeared in the June 1940 issue of Thrilling Wonder Stories, along with photos of the film, which had been released stateside on April 12, 1940.

Albert Dekker played Alexander Thorkel (aka, Dr. Cyclops). Janice Logan played Mary Mitchell (cinematic counterpart to Dr. Mary Phillips). Tom Coley played Bill Stockton. Charles Halton played Dr. Rupert Bulfinch. Victor Kilian played Steve Baker. Frank Yaconeli played Pedro. Ernest B. Schoedsack directed the film.


2.) "Who Goes There?" - John W. Campbell: A recently-discovered ancient frozen alien ship awakens fresh, mutative horrors amongst human scientific-expedition members in the South Pole.

Initially chatty, but not overly so -- Campbell's characters are filling in the backstory on the ship's discovery -- the story's compelling science-fiction-based tone quickly turns paranoid, Lovecraftian-horrific, and morbidly-funny. The end-paragraph is anti-climactic and a tad pompous. (Though, admittedly, I have to take into account that this story was published in 1938, appearing in the August issue of Astounding Stories.)

Despite that minor end-flaw, this is one of my favorite science-fiction/horror stories of all time.

The (first) resulting film, re-titled The Thing From Another World, illuminated stateside movie screens on April 29, 1951. Directed by Christian Nyby and scripted by Charles Lederer, the movie bears little resemblance (aside from its setting and tone) to its source story -- notably, the monster in the movie (played by James Arness) is a Frankensteinian creation; in the source-story, the alien-monster had neck-tentacles, could mutate/reproduce asexually (incorporating and outwardly mimicking its victims' biologies/outer forms), and had three red "hateful" eyes.

Kenneth Tobey played Captain Patick Hendry. Margaret Sheridan played Nikki Nicholson. Robert Cornwaithe played Dr. Arthur Carrington. Douglas Spencer played Ned "Scotty" Scott. James Young played Lt. Eddie Dykes. Dewey Martin played Crew Chief Bob. Robert Nichols played Lt. Ken "Mac" Chapman. Paul Frees played Dr. Voorhees.

A remake, titled The Thing, was released stateside on June 25, 1982. Closer in spirit monster-wise (it maintains the mutation element of the story, if more-horrifically so), it also kept the characters' original names. (The 1951 version had completely re-named characters.)

John Carpenter directed this oh-so-paranoid graphic gem of a horror film, one of my favorite films of all time. Kurt Russell played MacReady. Wilford Brimley played Dr. Blair (he was billed as A. Wilford Brimley). T.K. Carter played Nauls (a character not in the original story). David Clennon played Palmer (another character not in the source-story). Keith David played Childs (another non-source-story character). Richard Dysart played Dr. Copper. Charles Hallahan played Vance Norris. Richard Masur played Clark. Donald Moffat played Garry. Larry J. Franco (billed as Larry Franco) played "Norwegian [Helicopter] Passenger with Rifle" -- Franco, off-screen, also served as associate producer to the film. An uncredited Adrienne Barbeau (Carpenter's wife from 1979 to 1984) was the voice for one of the computers. The film was scripted by Bill Lancaster.


3.) "Farewell to the Master" - Harry Bates: A newspaper photographer, hidden in a scientific museum, discovers that an otherworldly robot-humanoid and its ship in one of the displays isn't as still-life as it seems, when the robot (Gnut) thinks everyone has left. Intriguing, unique story with able pacing, and a great, simply-wrought end-twist/line.

The (first) resulting film, considered one of the best science fiction films of all time, was titled The Day the Earth Stood Still. Its stateside release date was September 28, 1951. Directed by the supremely-talented Robert Wise, this larger-in-scale-than-its-source-story film starred: Michael Rennie as Klaatu; Patricia Neal as Helen Benson (a character not originally in the story); Hugh Marlowe as Tom Stevens (another non-story character); Sam Jaffe as Prof. Jacob Barnhardt (another non-story character); Billy Gray as Billy Benson (another non-story character); Frances Bavier as Mrs. Barley (another non-story character); and Lock Martin as Gort (a cinematic stand-in for the robot Gnut).

(Side-note: The film was scripted by Edmund H. North, who, according to anthology editor Wynorski, "readily admits his loose adaptation of the Bates story contains many specific religious references. . . even beyond the obvious 'resurrection' sequence. For instance, when Klaatu escapes from the hospital he identifies with the man whose suit he has taken. The name is Carpenter -- one [Klaatu] adopts as his own. This too is part of the Christ parallel, a tack the original novella never explored.")

A remake was released stateside on December 12, 2008. Keanu Reeves played Klaatu. Jennifer Connelly played Helen Benson. Kathy Bates played Regina Jackson. Jaden Smith played Jacob Bensen. John Cleese played Professor Barnhardt. Jon Hamm played Michael Granier. James Hong played Mr. Wu. Script-writer David Scarpa updated Edmund H. North's 1951 screenplay. Scott Derrickson directed.


4.) "The Foghorn" - Ray Bradbury: Sad, solid tale about a lonely, last-of-its-kind sea monster who mistakes a lighthouse foghorn for a mating call. Memorable work.

The film, re-titled The Beast From 20,000 Fathoms, is a loose-as-loose-gets adaptation of its source-story. (In one of this anthology's charming introductions, "The Turkey That Attacked New York," Bradbury shows disdain for the cinematic version of his story.)

The film hit stateside screens on June 13, 1953. Paul Hubschmid (billed as Paul Christian) played Professor Tom Nesbitt. Paula Raymond played Lee Hunter. Cecil Kellaway played Prof. Thurwood Elson. Kenneth Tobey, also seen in 1951's The Thing From Another World, played Col. Jack Evans. Lee Van Cleef played Cpl. Stone. Co-screenwriter Eugène Lourié directed, from a script Fred Freiberger, Daniel James Lou Morheim (billed as Louis Morheim) and Robert Smith.


5.) "Deadly City" - Ivar Jorgenson: Four people -- a suicidal hooker (Nora Spade), a nice Everyman (Frank Black), a submissive emotional abuse victim (Minna Trimble), and a brash volatile charmer (Jim Wilson) -- wake up and band together in an seemingly-otherwise evacuated city. They're caught between a threatening, weird wailing that echoes throughout the city, and a wealthy, escaped-from-his-keepers psychopath (LeRoy Davis). How will they get out alive?

Jorgenson's writing ably balances the story's spooky/echoes-in-a-strangely-empty-city effect, its (possible) alien-invaders theme, and its civilized-man-confronted-with-savagery theme. Its characters are believably varied and flawed, its plot-flow is spine-tingling and scary, and its character-based finish is knowing, in a tragic-in-the-city way. Stunning, truly-classic story.

Resulting film facts. . .

Keeping its source-story title, this "entertaining" (according to anthology editor Wynorski) B-movie first graced stateside screens on November 7, 1954. Richard Denning played Frank Brooks. Kathleen Crowley played Nora King (a cinematic stand-in for Nora Spade). Virginia Grey played Vicki Harris (a cinematic stand-in for Minna Trimble?). Richard Reeves played Jim Wilson. Robert Roarke played "Davis, the Killer" (cinematic stand-in for LeRoy Davis). Sherman A. Rose directed, from a script by James H. Nicholson, Wyott Ordung and William Raynor. Ivar Jorgenson, the source-story's author, is billed as Paul W. Fairman in the movie's writing credits.


6.) "The Alien Machine" - Raymond F. Jones: Too many story-bogging technical details (pertaining to the titular device) made me abandon this story after two pages. Fans of "hard" (technologically-detailed) science fiction will probably appreciate this story more.

The film, titled This Island Earth, was released stateside on June 1, 1955. Rex Reason played Cal Meacham. Faith Domergue played Ruth Adams. Jeff Morrow played Exeter. Lance Fuller played Brack. Russell Johnson played Steve Carlson. Scripted by Franklin Coen and Edward G. O'Callaghan, the film was directed by Joseph Newman.


7.) "The Cosmic Frame" - Paul W. Fairman (aka, Ivar Jorgensen): When a teenage driver (John Carter) accidentally hits an extraterrestrial with his car, the situation gets quickly complicated. Fast-paced, clever story -- excellent.

The resulting film, retitled Invasion of the Saucermen, hit stateside silver screens in June 1957. It was directed by Edward L. Cahn, from a screenplay by Al Martin and Robert Gurney Jr. Steve Terrell played Johnny Carter. Gloria Castillo played Jean Hayden. Frank Gorshin played Joe Gruen. Lyn Osborn played Art Burns.


8.) "The Fly" - George Langelaan: An experiment with a matter "disintegration-reintegration" machine goes mutatively awry for a scientist (André Delambre). Tragic, tightly-written classic work.

Several films resulted from this short story.

The first version, titled The Fly, was released in the United States on July 16, 1958. Produced and directed by Kurt Neumann, the screenplay was written by James Clavell. Vincent Price played François Delambre. Al "David" Hedison played André Delambre. Herbert Marshall played Inspector Charas. Charles Herbert played Philippe Delambre. Kathleen Freeman played "Emma, the Maid".

Two sequels followed: Return of the Fly (released in the U.S. in July 1959); and Curse of the Fly (stateside release month: May 1965).

A remake of the original Fly graced American screens on August 15, 1986. David Cronenberg directed and co-scripted the film. (He also made an appearance in the film, as a gynecologist.) Jeff Goldblum played Seth Brundle (the updated stand-in for André Delambre). Geena Davis played Veronica Quaife. John Getz played Stathis Borans (a role Getz reprised in the 1989 sequel, The Fly II). Charles Edward Pogue co-scripted.


9.) "The Seventh Victim" - Robert Sheckley: Mordant, sly, word-efficacious story about a peacetime human society where government-sanctioned murder is a real-world, deadly game - either for the Hunter, or the Victim, depending on who's luckier and/or more clever. Semi-predictable twist-finish to this one, but still worth reading.

The film version, titled The Tenth Victim (aka, La Decimma vittima), was released in Italy on December 1, 1965. A stateside release followed soon thereafter, on December 20, 1965. Elio Petri directed and co-scripted the film, along with script writers Ennio Flaiano and Tonino Guerra. Marcello Mastroianni played Marcello Polletti. Ursula Andress played Caroline Meredith. Elsa Martinelli played Olga.


10.) "The Sentinel" - Arthur C. Clarke: Smart, interesting first-person narrative about a mysterious alien structure-machine that's been discovered on the moon. (Clarke, with film director Stanley Kubrick's help, later expanded this 1950 story into a novel, 2001: A Space Odyssey.)

The film, bearing the same title as the novel, was directed and co-scripted by Kubrick. It was released stateside on April 6, 1968. Keir Dullea played Dr. Dave Bowman. Gary Lockwood played Dr. Frank Poole. William Sylvester played Dr. Heywood R. Floyd. Douglas Rain voiced HAL 9000. Story and novel author Arthur C. Clarke co-scripted the film, as well.


11.) "The Racer" - Ib Melchior: Willie Connors, a driver in a highly-competitive, sadistic multi-state automotive race, gets a sudden, shocking -- and life-changing -- attack of conscience. Solid, satiric, memorable work.

Two films, loosely adapted from their source story, resulted from this work.

The first, provocatively titled Death Race 2000, graced U.S. movie screens on April 27, 1975. David Carradine played Frankenstein. Simone Griffith played Annie Smith. Sylvester Stallone played Machine Gun Joe Viterbo. Mary Woronov played Calamity Jane. Roberta Collins played Matilda the Hun. Martin Kove played Nero the Hero. Scripted by Robert Thorn and Charles (B.) Griffith; Paul Bartel directed.

The second version, Death Race, was released in America on August 22, 2008. Jason Statham played Jensen Ames. Joan Allen played Warden Hennessey. Ian McShane played Coach. Tyrese Gibson played Machine Gun Joe Mason. Natalie Martinez played Elizabeth Case. Robert LaSardo played Hector Grimm. Paul W.S. Anderson scripted and directed.


12.) “A Boy and His Dog” - Harlan Ellison: 2034. Vic (a “solo,” a single man) and Blood (a “rover,” a mutt) who share a psychic link – as do all solo/rover pairs – find themselves in worlds of trouble when Vic falls in lust with a too-good-to-be-true woman (Quilla June). Classic, black-humored finish.

(This story also appeared in Ellison's excellent 1969 story anthology, The Beast Who Shouted Love at the Heart of the World .)

The resulting film was released in America in November 1975. Don Johnson played Vic. Susanne Benton played Quilla June Holmes. Jason Robards played Lou Craddock. Tim McIntire voiced Blood. L.Q. Jones, who co-scripted the film, also co-produced, directed and played a porn actor within the film.

A remake of the film is scheduled for release in the near future. David Lee Miller, who's co-scripting the film with Harlan Ellison and original film director L.Q. Jones' input, is set to direct it.

I Am Legend, by Richard Matheson

(pb; 1954: novella)

From the back cover:

"Robert Neville is the last living man on Earth... but he is not alone. Every other man, woman and child on the planet has become a vampire, and they are hungry for Neville's blood.

"By day he is the hunter, stalking the undead through the ruins of civilization. By night, he barricades himself in his home and prays for the dawn.

"How long can one man survive like this?"

Review:

This is Matheson at his best. Neville is one of fiction's greatest anti-heroes. He vacillates between emotional extremes, sometimes tender, often brutal and gruff, as he struggles to survive, and ultimately understand, the whys of his situation.

Grim, black-humored and sometimes ironic, this is a must-read for any science fiction fan: one of my all-time favorite books.

Check this out.

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The novella has been filmed three times.

The Last Man on Earth was released stateside on March 8, 1964.

Vincent Price played Dr. Robert Morgan, the film equivalent of Robert Neville. Giacomo Rossi-Stuart played Ben Cortland.

Ubaldo Ragona and Sidney Salkow shared directing duties, co-scripting the film with William F. Leicester and book author Richard Matheson (billed as Logan Swanson).

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The second version, retitled The Omega Man, was released stateside on August 1, 1971.

Charlton Heston played Robert Neville. Anthony Zerbe played Matthias, the film equivalent of the novel's Ben Cortland. Rosalind Cash played Lisa.

Boris Sagal directed the film, from a script by John William Corrington and Joyce Hooper Corrington (billed as Joyce H. Corrington).

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The third version, titled I Am Legend, is scheduled for stateside release on December 14, 2007.

Will Smith plays Neville. Salli Richardson plays Ginny. Paradox Pollack plays Alpha. Willow Smith, daughter of Will Smith and Jada Pinkett Smith, plays Marley.

Francis Lawrence directs, from a script by Mark Protosevich and Akiva Goldsman.