The Dishwasher by Dannie M. Martin (a.k.a. Dannie Martin)

(hb; 1995)

From the inside flap

“’The Dishwasher’ of the title is Bill Malone, a stoic, tough-as-nails ex-con who just finished a stretch of fourteen hard years in prison for bank robbery. What he wants more than anything is peace and refuge from the chaos and mortal danger of penitentiary life. Release in Fresno, he quickly finds a room at the Star Motel on the edge of town and a job as a dishwasher at Ferrarro’s restaurant. The motel owner is Bail, a retired exotic dancer and wife of Tough Tony, Malone’s friend from the joint. Gail and her ravingly nubile thirteen-year-old daughter, June, take Malone under their wing; Leona, a bluntly sensual black waitress, ministers to Malone’s aching need for sex. He seems finally to have arrived at a safe place.

“The safety disappears at once when Malone is forced to take brutal revenge against a Mexican drug dealer who rapes June. That moment of explosive violence sets him on an inexorable collision course with the Sandinos, a dysfunctional Mafia family in stark decline. Somebody is going down─and Malone is determined to stand his ground.”

Review

Dishwasher is an impressive first novel, moving along at a streamlined clip, with well-written and interesting characters, a consistently sharp, brutal tone (effectively balanced with an underlying sense of kindness and respect). Martin takes a familiar ex-con-pulled-back-in setup and works it in a way that is fresh and new. This is an excellent book, one worth owning, especially if you are a fan of Edward Bunker’s writings.

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Dishwasher is the basis for the notably different 2014 film A Bluebird in My Heart, scripted and directed by Jérémie Guez.

Roland Møller played Danny. Lola la Lann played Clara. Veerlee Baëtens played Laurence. Lubna Azabal played Nadia. Jonathan Robert played “Young Dealer.” Steven Struyven played “Homeless Guy.” Bashkim Topojani played “Mean Guy.”

Firefox by Craig Thomas

(pb; 1977: first book in the Mitchell Gant quadrilogy)

From the back cover

“Firefox. Code name for the deadliest warplane ever built., the Soviet Mig-31. Its lethal weapons system is controlled by pilot thought-impulses. So invincible it could wipe America out of the skies.”

Review

The first Firefox novel is a gripping, tightly written action thriller that got this reader from its first word to its last. One of the admirable things about it is how Thomas keeps the technical information balanced, interesting enough─I would guess─to maintain the interest of tech-heads, but brief and mainstream enough that an average reader like myself would get [and enjoy] the gist of it. This is a fun, Cold War-era blast of sweaty-PTSD prose, a good kick-back-for-a-couple-of-hours book.

Followed by Firefox Down!

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The resulting film was released on June 16, 1982. Clint Eastwood directed and starred in the film (he played the main character, Mitchell Gant). The screenplay was written by Alex Lasker and Wendell Wellman.

Freddie Jones played Kenneth Aubrey. Nigel Hawthorne played Pyotor Baranovich.

Kenneth Colley played Colonel Kontarsky. Klaus Löwitsch, billed as Klaus Lowitsch, played General Vladimirov. David Huffman played Captain Buckholz. Warren Clarke played Pavel Upenskoy. 

After the Funeral (a.k.a. Funerals are Fatal) by Agatha Christie

(pb; 1953)

From the back cover

“The bodies seem to be piling up at Enderby Hall. First the very wealthy Richard Abernethie dies suddenly. Then his sister is murdered with a hatchet. Several days later, her companion is sent a slice of wedding cake steeped in arsenic. No wonder the family solicitor calls in master sleuth Hercule Poirot.”

Review

Funeral, the thirty-first Hercule Poirot novel, is a good, fun mystery, a great way to burn a couple of hours during the afternoon. The characters are an entertaining bunch with elitist-minded quirks, and the reveals interesting, as is often the case with Christie’s writing. Worth reading.

Criminal: Coward by Ed Brubaker and Sean Phillips

(2015: graphic novel, collects issues 1-5 of the Image comic book, Criminal)

From the back cover

“The traditional heist story is turned on its head in Coward. Leo can plan the perfect score, but only if he can be convinced the job is safe, because Leo is not a shoot-first think-later type of criminal. Leo is a professional, whose biggest desire in life is not to end up exactly where he belongs: in a prison cell.”

Review

The characters and storyline are familiar, solid and pulp-true, perhaps cliché in spots (e.g., the ending). The chiaroscuro art suits the sharp, epigrammatic writing. It’s a fun, fast neo-noir comic book, one worth reading. Followed by the graphic novel Criminal: Lawless.

The Watcher in the Woods by Florence Engel Randall

(pb; 1980: YA novel)

From the back cover

“Jan had felt it the very first day, walking up to the door of the old house. She ahd known the watcher was there as they knocked and waited for old Mrs. Carstairs to come. And the little old woman, glancing at the woods, had known it was there, too.

“No one wanted to discuss it, certainly not mom or dad. Then mirrors were mysteriously broken, the TV began to transmit strange programs, and ten-year-old Ellie began hearing strange songs and receiving even stranger messages. Jan couldn’t explain it, but she was afraid.

“It hadn’t been easy for Jan, moving to this new town and starting a new school when she was almost sixteen. Meeting Mark seemed to make it better, but would he believe her if she told him about the watcher in the woods?”

Review

Watcher is a fun, sometimes rambling read, with its dread-lite atmosphere of constant paranoia and lackadaisical characters. Its use of supernatural/science fiction and mystery makes it worthwhile, but not great, stuck-at-the-DMV distraction.

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The resulting film was released stateside on October 9, 1981. John Hough and an uncredited Vincent McEveety directed it.

Bette Davis played Mrs. Aylwood. Lynn-Holly Johnson played Jan Curtis. Kyle Richards played Ellie Curtis. Carroll Baker played Helen Curtis. David McCallum played Paul Curtis. Benedict Taylor played Mike Fleming. Ian Bannen played John Keller. Georgina Hale played “Young Mrs. Aylwood.”

Sudden Impact by Joseph C. Stinson

(pb; 1983: movie tie-in)

From the back cover

“Rape─and revenge!

“There he was! She had never been able to forget his face. His face─and the leering, jeering gang who  had been with him enjoying her pain and humiliation as each one took his turn. Well, he wouldn’t get away. He deserved to die.

“This murder will only be a beginning. And Dirty Harry finds himself smack in the middle of revenge on a grand scale as he tracks the woman who is tracking the rape gang.”

Review

This is a fun─as in darkly amusing, brutal and violent─lazy afternoon book (based on Stinson’s screenplay). Stinson streamlines this short, blunt, ugly, action-dominated and not-for-the-sensitive movie tie-in into a read that one should not take seriously, lest one slip into pompousness or equally unattractive attitudes. This is not high art this is well-written pay-the-bills work.

Readers who are especially sensitive about the subject of rape (Sudden suggests that a bullet will go a long way toward alleviating post-violation suffering), occasional blue collar racism (Harry affectionately thinks of a close friend, Horace, as a “darky son-of-a-bitch”) and general Dirty Harry-isms will probably not like Sudden. If you fit that description, and read it anyway and are offended, that’s on you, no one else.

I do not know if this is a collector’s item or not, but if you find a good condition copy of Sudden for a relatively cheap price─like I did─it might be worth picking up.

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The film version─the fourth of five Dirty Harry flicks─was released stateside on December 9, 1983. Joseph C. Stinson, sometimes billed as Joseph Stinson, wrote the screenplay, based on Earl E. Smith and Charles B. Pierce’s story. An uncredited Dean Riesner also contributed to the story. Stinson also wrote Clint Eastwood's City Heat (1984) and was an uncredited writer on Eastwood's Heartbreak Ridge (1986).

Eastwood, who directed the film, played “Dirty Harry” Callahan. Sondra Locke played Jennifer Spencer. Albert Popwell, who appeared in two other Dirty Harry films as different characters (Magnum Force, 1973, and The Enforcer, 1976), played Horace King. Mark Keyloun played Officer Bennett.

Audrie Neenan, billed as Audrie J. Neenan, played Ray Parkins. Jack Thibeau played Kruger. Nancy Parsons played Mrs. Kruger. Paul Drake played Mick.

Pat Hingle, another Eastwood-flick semi-regular, played Chief Jannings. He, playing different characters, appeared in an episode of the Clint Eastwood show Rawhide (Season 7 episode 14: "The Book"; original air date: January 8, 1965). He also appeared in Hang 'Em High (1968).

Mara Corday played “Loretta—Coffee Shop Waitress.” She also appeared in four other Eastwood flicks as different characters (Tarantula, 1955, in which Eastwood played an uncredited "Jet Squadron Leader"; The Gauntlet, 1977; Pink Cadillac, 1989; and The Rookie, 1990).

The Noir Western: Darkness on the Range, 1943—1962 by David Meuel

(pb; 2015: nonfiction)

From the back cover

“Beginning in the mid-1940s, the bleak, brooding mood of film noir began seeping into that most optimistic of film genres, the western. Story lines took on a darker tone and western films adopted classic noir elements of moral ambiguity, complex anti-heroes and explicit violence.

“The noir western helped set the standard for the darker science fiction, action and superhero films of today, as well as for acclaimed TV series such as HBO Deadwood and AMC’s Breaking Bad. This book covers the stylistic shift in westerns in mid-20^th century Hollywood, offering close readings of the first noir westerns, along with revealing portraits of the eccentric and talented directors who brought the films to life.”

Review

Darkness is an excellent nonfiction read, the equivalent of a micro-course on noir westerns. A burn-through, engaging and informative book, it shines a light on lesser known and well-known directors and selected standout works they created in the titular period. These directors, writers and film technicians include: William Wellman, Raoul Walsh, André de Toth, Robert Wise, Sam Fuller, Henry King, Anthony Mann, Allan Dwan, Delmer Daves, Budd Boetticher and John Ford. These is a should-read for anyone interested in western and noir cinema, and a book worth owning.

That Was Then, This Is Now by S.E. Hinton

(pb; 1971: YA fiction)

From the back cover

“Bryon and Mark have been inseparable best friends from childhood, but now, at sixteen, they both sense they are growing apart. Bryon is disturbed by the fights and violence, yet Mark takes all of it as a matter of course─part of the life of a kid on the street. Things seem to be changing too fast for Bryon. He is in love with Cathy─growing up and beginning to care and to realize that they are no longer kids.

“When Bryon discovers that Mark is pushing dope to young kids, he mut face a decision that might destroy their longtime friendship.”

Review

That is a mostly excellent, character-focused, waste-no-words YA novel that deals with tricky-for-YA subject matter, drugs, rough living and criminal activity.Its characters are relatable,even─especially?─when they screw up. This is another genre milestone from Hinton, who specialized in writing about troubled teens and life on the wrong side of social expectations.

I wrote “mostly excellent” because Hinton’s near-the-end hyperbolic just say no take regarding a canary-in-the-coal-mine character (M&M) and LSD comes off as screedish. Other than that, this is a worthwhile and life-smart novel.

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The resulting film, That Was Then. . .This is Now, was released stateside on November 8, 1985. Christopher Cain directed it, from a screenplay by one of its stars, Emilio Estevez, who played Mark Jennings.

Craig Sheffer played Bryon Douglas. Larry B. Scott played Terry Jones. Matthew Dudley played Curly Shepard. Jill Schoelen played Angela Shepard. Kim Delaney played Cathy Carlson. Frank Howard played M&M Carlson.

Morgan Freeman played Charlie Woods. Ramon Estevez, billed as Ramon Sheen, played Mike Chambers (Ramon is Emilio Estevez’s brother).

From Dusk Till Dawn: A Screenplay by Quentin Tarantino

(pb; 1995: screenplay)

From the back cover

“You’d better hope you don’t cross paths with the infamous Gecko brothers─Richie and Seth. They’re fond of banks─robbing them, that is. They’re tough. Cool. Notorious. In From Dusk Till Dawn, we follow them as they tear a path through the heartland of America on their way to the borner. It is there, near El Paso, that they will meet up with their Mexican partners-in-crime to divvy up the loot they’ve acquired.

“Along the way, though, an innocent family will enter their lives─an ex-Baptist preacher, his teenage son, and sexy daughter. We watch as Richie and Seth enlist the family’s help in getting them safely across the border in the family’s Winnebago. When they arrive at their dreamed-about world south of the border, they are met with a terrifying twist.”

Review

Cutting to the point─there is not a lot to say about this fast-moving, character-intense heist/vampire screenplay and film, aside from: if you are a fan of Quentin Tarantino, Robert Rodriguez, or just like the 1996 film that resulted from this screenplay, chances are you’ll enjoy reading it. If you’re not, you probably won’t. Tarantino keeps the writing lean ‘n’ mean, with no lag in action, sleaziness and sketched-out character development, creating a screenplay/film that is a modern milestone in the vampire flick genre, one that brings to mind the trashy, Americanized thrills of a 1960s/1970s Hammer film. Worth reading and owning, this, if you appreciate Tarantino and Rodriguez’s work, or the film in general.

Chumpy Walnut and Other Stories by Will Viharo

(pb; 2016: story anthology)

Overall review

This excellent story twelve-story anthology shows Viharo’s range as a writer. There’s the sweet “Chumpy Walnut,” as well as atmospheric, existential vignette-plays (“Night Notes,” “The Inbetweeners,” etc.) and straightforward horror-pulp hybrids (“People Bug Me,” “Short and Choppy,” etc.). Whether you are a longtime Viharo fan, or just coming into his prolific, penned world, this a diverse story collection worth owning.

Standout stories

“Chumpy Walnut”: A young man as tall as a ruler─the kind one measures with─goes on a wild adventure in a big city where sexy dames, gangsters, kind-hearted hustlers and musically inclined adolescents run rampant. Lots of wordplay, colorful characters and dizzying action in this ultimately warm and funny novella─this brings to mind elements and characters from Hollywood films, circa 1930s to early 1950s.

“A Wrong Turn at Albuquerque”: In this one-act play, a writer gives a beautiful hitchhiker a ride, a passenger who may change his life in ways he does not expect. Entertaining, clever-conversation and smile-inducing piece.

“Night Notes”: Mood-effective story about a hotel night clerk (who wants to be a sax player) and could-be poet in the a.m. hours. Haunting, great finish.

“Coffee Shop Goddess”: Sweet, melancholic story spanning most of the 1980s. In it, a young man befriends a funny, smart woman appropriately named Lightbulbs (for the previously stated reason). This being a Viharo story, there’s plenty of era-centric pop music and film references as well as clever banter.

“People Bug Me”: An on-the-lam reporter interviews a small town shrink for an article after the shrink has been attacked by one of his patients─a teenage “lycanthrope,” according to the doctor. Then things get really weird. . . this quick-blast, fun and excellent story has a 1950s film feel: it’s a conjoining of two 1957 films─Sweet Smell of Success and I Was a Teenage Werewolf.

This story has been published twice before this. In March 2014, it was published in the fifth issue of Nightmares Illustrated. Its second time-around was in the Spring 2015 issue of Dark Corners magazine.

“Short and Choppy”: Grisly, sexually explicit tale about a dwarf (Cameron) whose hatred for his writing teacher (Sean) and lust for Sean’s wife (Sabrina) leads Cameron toward fantastic, violent acts. Excellent, black-hearted and pulpy laugh-out-loud piece.

This work appeared in the Fall 2014 issue of Dark Corners magazine.

“The Lost Sock”: Mood-effective desperation, dread, eroticism and surrealism highlight this pop culture-savvy and lust-crusty work about a down-on-his-luck man tried to locate a missing sock. Excellent, Twilight Zone-esque tale, this.

This story was originally published in the Winter 2014 issue of Dark Corners magazine.

The River at Night by Erica Ferencik

(hb; 2014)

From the inside flap

“Winfred Allen needs a vacation.

“Stifled by a soul-crushing job, devastated by the death of her beloved brother, and lonely after the end of a fifteen-year marriage, Wini is feeling vulnerable. So when her three best friends insist on a high-octane getaway for their annual girls’ trip, she signs on despite her misgivings.

“What starts out as an invigorating hiking and rafting excursion in the remote Allagash Wilderness soon becomes an all-too-real nightmare: a freak accident leaves the women stranded, separating them from their raft and everything they need to survive. When night descends, a fire on the mountainside lures them them to a ramshackle camp that appears to be their lifeline. But as Wini and her friends grasp the true intent of their supposed saviors, long-buried secrets emerge and lifelong allegiances are put to the test. To survive, Wini must reach beyond the world she knows to harness an inner strength she never knew she possessed.”

Review

River is an immersive, excellent female-centric thriller that is near-impossible to set down. The characters are deftly sketched out, as are their histories, and River’s setup and pacing makes it a great, lazy afternoon read. Check this out!

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According to the May-June 2019 issue of Scream magazine, River is the basis for a forthcoming film, to be co-written with Kevin Williamson, screenwriter of the Scream quadrilogy, and possibly directed by Eli Roth.