(pb; 2007: graphic novel. “Quasi-sequel” to Cox’s 1984 film Repo Man)
From
the inside flap
“Ten
years after Repo Man I became interested in the idea of a sequel. . .
“Specifically─what
had happened to Otto, during his ten-year absence from Earth? And what would he
make of the changes which had taken place in his absence? Otto, it would
appear, had been held prisoner, in great luxury, on the planet Mars. Now he has
returned to Earth, and changed his name─to Waldo. – Alex Cox, Writer/Director
of Repo Man
Review
When
reading this offbeat “quasi-sequel” to the 1984 film Repo Man, it is best to
not expect a straight-ahead storyline. True, there are returning characters (Otto/Waldo’s
parents; Beatrice Joanna, his mohawk-sporting acquaintance), but they are included
largely to keep a Repo-like feel to this spiral of a follow-up tale,
which also keeps with themes and elements from its source film: predatory,
soulless capitalism and religion; car-based jobs; unease and ennui; familial/generational
disconnection─although, as in Repo, Otto/Waldo has some allies who are reliable
guides for his journey toward reintegration/healthy wholeness. . . if only he accepts
what they’re offering.
Is Waldo
as good as Repo? It’s hard for me to judge, because Repo is
burned into my brain while Waldo─its own spin-off creature─bears a
faint resemblance to the 1984 film that spawned it, in terms of Otto/Waldo’s
trajectory, and how it’s framed. I can safely say it’s character-progressive
and different.
In
terms of giving readers a lot to think about (beyond its loopy L.A. feels
like a broke prison vibe), Waldo succeeds.
If read
with the above awareness, Waldo has a shot of not disappointing its
film-based readers. It’s as sharp as, and tone-true to, Repo and its
characters, but it feels like a less angry, yearning work (Otto/Waldo wants to belong
to something less destructive. . . y’know, settle down). I don’t re-read most
books (unless it’s a decade or three later)─I plan to re-read Waldo sooner
than that, and that’s a good thing.
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