Thursday, May 08, 2025

Trailer Park Noir by Ray Garton

 

(pb; 2022)

 

From the back cover

"Welcome to Riverside Mobile Home Park, where there is plenty of shade but no escape from the heat.

"Marcus Reznick watched the love of his life blow her brains out and then dove to the bottom of a bottle of vodka. Now he’s living in Riverside Mobile Home Park and trying to pull his life together ... until a powerful temptation comes his way. Steve Regent is an internet pornographer who has moved to Riverside Mobile Home Park to work on a new website, Trailer Park Girls. He is looking for beautiful women ... but instead, he finds something very ugly.

"Sherry Manning is a drug addict living in the trailer park with her boyfriend, Andy Winchell, who is a dealer. When a friend of a friend ODs in their trailer and turns out to be the son of a powerful politician, the truth about his death is covered up in the media. But Sherry and Andy know that truth ... and she fears what might be done to silence them.

"Anna Dunfy is trying to make ends meet by doing temp jobs and stripping at night to support her mentally handicapped daughter, Kendra ... an astonishingly beautiful girl with a woman’s body, a child’s mind, and a dangerous urge to do something naughty.

"It is a run‑down little trailer park in northern California, but it could be anywhere in the United States. It is unassuming, unremarkable, and looks like a million other trailer parks. But do not let the sleepy appearance fool you. It is a nest of dark secrets, boiling lusts and murder waiting to happen."

 

 

Review

Trailer is an excellent, immediately immersive and tightly edited neo-noir with well-developed characters worth caring about and/or hissing at, a palpable-build-toward-tragedy-and-bloody-violence pace, and constant, vivid descriptions of locations, motives and especially near-X-rated sexuality. In short, it has all the makings of a top-notch Garton book. (Trailer, in its own weird, great way, put me in the mindset of William Friedkin’s 2011 film Killer Joe.)

The only thing that prevents me from listing Trailer as one of my favorite reads of 2025 (and of Garton’s work) is the near-third act transformation of one of its key characters, who goes from being a decent character wrestling with his personal devils and tragedies to an unrepentant exploiter/blackmailer. It feels forced (even with all that character’s baggage and stuff that’s going on); this hard turn into pitch-black darkness stands out all the more in Trailer because of everything else that works in this otherwise stunning-in-its-execution tale. Worth owning, despite that minor character-shift nit.






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