Showing posts with label Brian Keene. Show all posts
Showing posts with label Brian Keene. Show all posts

Monday, May 07, 2012

Shivers edited by Richard Chizmar

(pb; 2002: horror anthology)

Overall review:

Good horror anthology, worth owning. There's not a stinker in the bunch, though Kelly Laymon's "Throwing Caution to the Wind," while providing the anthology with an element of whimsical diversity, doesn't belong in this collection.


Standout stories:

1.) "Fodder" - Brian Keene & Tim Lebbon: American soldiers fight a more horrific and brutal enemy than they expected. Good, entertaining story, with a funny and ominous ending.

2.) "Whisper, When You Drown - Tom Piccirilli: Unsettling, clever tale about a storm, the restless dead and seduction.


3.) "Hermanos De El Noche" - Bentley Little: A man (Brock) sets out to rescue his wife (Marnie) from the mad, nude vampires who kidnapped her. Nasty, sexual and violent work, this.


4.) "Walking with the Ghosts of Pier 13" - Brian Freeman: Melancholic, mood-effective tale that recalls the feel of America in the days immediately following 9/11 (without the jingoistic bullsh*t that usally accompanies it).


5.) "265 and Heaven - Douglas Clegg: Excellent story about a tenement apartment whose filth-encrusted interior hides a deeper, more enduring and infinitely grimmer element.


6.) "The Sailor Home from the Sea" - John Pelan: In a pub, an ex-sailor gives voice to a familiar, yet intriguing personal tale about an angry woman and an avenging sea.


7.) "Always Traveling, Never Arriving" - Robert Morrish: The true nature of carnivals and how they're perceived by outsiders ("townies") is explored in entertaining and twisty fashion.


8.) "That Extra Mile" - David Niall Wilson & Brian A. Hopkins: A long distancee runner (Scott Danning) gets visions of roadside serial murders that appear to have real world consequences. Distinctive, fresh work.


9.) "The Green Face" - Al Sarrantonio: Concise, gripping work about a man (Lanois), whose dreams of strange killings compel him to necessary action.


10.) "Tender Tigers - Nancy A. Collins: Character- and action-interesting story about a monster-hunting vampire (Sonja Blue) tries to rescue a human family from an ogre who's taken over their family.

(Sonja Blue also appears in a multi-book series, starting with Sunglasses After Dark, also available in Kindle form.)


11.) "Portrait of a Sociopath" - Edward Lee: Short, sharp and occasionally gleefully sick (but believable) story, with an effective twist.


12.) "The Other Man" - Ray Garton: An extramarital affair takes on morbid and terrifying dimensions for a cuckolded husband. Excellent, distinctive read.


13.) "The Sympathy Society" - Graham Masterton: Haunting, wow-worthy story about a grieving suicidal widower who joins a cult-like support group to help him find a semblance of peace.

Wednesday, April 11, 2012

The New Dead edited by Christopher Golden


(pb; 2010: zombie anthology)


Overall review:

Above average zombie anthology, worth owning - most of the stories are good, at least slightly different than the others.

The only stories I didn't like were: Stephen R. Bissette's "Copper" (a good idea ruined by choppy and overlong writing), Mike Carey's "Second Wind" (too chatty, rambling) and Max Brooks' "Closure, Limited: A Story of World War Z" (Brooks' use of the present tense reads too much like stage directions - it's a failed Night of the Living Dead rehash/mini-play, at best).


Standout stories:

1.) "What Maisie Knew" - David Liss: A man (Walter Molton) purchases and houses a female Reanimate, an illegally resurrected (and preserved) zombie named Maisie, for reasons that aren't entirely beneficent.

A familiar but imaginative concept highlights this solid story.


2.) "In the Dust" - Tim Lebbon: Three survivors of a zombie plague find that a military barricade trapping them in their hometown might not be a bad fate: a good read that adeptly avoids clichés even as it stays genre true, with characters worth caring about.


3.) "Life Sentence" - Kelley Armstrong: Fun creepshow of a morality tale about a dying rich man (Daniel Boyd) whose ruthless bid for a "cure" takes darker-than-expected turns.


4.) "Delice" - Holly Newstein: A voudou priestess gets revenge on a rich deviant couple: mood-effective, all-around excellent story.


5.) "The Wind Cries Mary" - Brian Keene: Wonderful, emotive genre-blender story about a man and his zombie wife. Distinctive work.


6.) "Family Business" - Jonathan Maberry: An angry teenager (Benny Imura) seeks suitable employment in a undead-impacted world, even as his older brother, Tom, tries to guide him toward certain life-changing truths.

Superb, humane and well thought-out slant on the familiar shambler-human drama.


7.) "The Zombie Who Fell From the Sky" - M.B. Homler: Hilarious, satirical story about a sudden plague, poetry and the American military. Fans of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb may especially appreciate this one.


8.) "Among Us" - Aimee Bender: Uneven but off-beat and timely (given how the meat industry packages and sells it product) - "Among Us" is also amusing, in a Douglas Adams way.


9.) "Ghost Trap" - Rick Hautala: A fisherman-diver (Jeff Stewart) discovers an especially unsettling corpse, one that may herald further, familiar tragedies.

Solid, mood-effective, with a great use of title (given its plot-based elements).


10.) "The Storm Door" - Tad Williams: Nathan Nightingale, a paranormal investigator, finds that the returning, corpse-possessing dead he's been hunting are more dangerous than he initially thought.

Good read, notably different slant on the undead theme, especially when contrasted with those seen in this collection.


11.) "Weaponized" - David Wellington: Good, interesting, reads-like-real-life (if zombies were real) tale about the war dead being used to defend our country.



Other stories:

"Lazarus" - John Connolly; "My Dolly" - Derek Nikitas; "Kids and Their Toys" - James A. Moore; "Shooting Pool" - Joe R. Lansdale; "Twittering From The Circus Of The Dead" - Joe Hill.

Tuesday, December 06, 2011

Shivers III edited by Richard Chizmar

(pb; 2004: horror anthology - prequel anthology to Shivers IV

Overall review

 Warning: (possible) minor spoilers in this review. 

 Shivers III is a decent, occasionally disappointing anthology, considering the talent involved in this endeavor. Most of the stories are either standout endeavors (see below) or not quite solid pieces that feel generic, rushed or overly long. 

 Shivers III is worth checking out from the library. Don't buy it without reading it first. 


Standout stories 

 "Underneath" - Kealan Patrick Burke: Good, entertaining tale about a nerd (Dean Lovell), a bully (Freddy Kelly) and an ugly girl (Stephanie Watts). 


 "Horn of Plenty" - Thomas F. Monteleone: A mid-level jazz band leader (George Thurston) recounts the story of his trumpet player - or "Horn Man" in jazz parlance - and a strange midnight blue horn. Good, entertaining story. 


"Becoming Men" - Douglas Clegg: In a rehabilitation camp for juvenile delinquents, inmates are spurred to action when of their own is murdered. The twist isn't unexpected, but the story is solid, attention-keeping. 


 "Flip Flap" - Elizabeth Massie: A carny midget (Mattie) and her lover, Edward, look for - and possibly uncover - a way to unsaddle Mattie of her abusive, drunken slave-master of a boyfriend. Pulpy, succinct revenge and love story. One of the best entries in this collection. 


"A Question of Doves: A Brackard's Point Story" - Geoff Cooper: Intriguing tale about a malevolent little girl, birds and strange disappearances. Excellent piece. 


"Panteon Version 2.0" - Brian Keene & Michael T. Huyck Jr.: When dead celebrities return from the dead - not as zombies, but as cognizant beings - it's the first event in a series of dark, often humorous events. Solid, entertaining work. 


"Celebrate With Us" - Paul Melniczek: The presence of spectral trick-or-treaters reminds a man (Jim) of a recent tragedy - and its belated correction. Good, engaging piece, with an effective plot wrinkle. 


"The Lingering Scent of Brimstone" - J.F. Gonzalez: A little girl (Amy Doyle) is kidnapped, and when her captor is gorily dispatched, and Emily recovered unharmed, the questions begin: who killed Amy's attacker, and why do Amy and her parents (Emily and Jeff) have missing pinkie fingers? The twisty, relatable explanation isn't unexpected, but it's well written and well-foreshadowed. Good read. 


"Run Away" - Wrath James White: A former drug addict/dealer confronts literal people-eating demons. Solid, character-interesting read. 


"Please Let Me Out" - Edward Lee: Joyce Lipnick, a wealthy businesswoman, tries to reign in her straying pretty-boy lover (Scott), with interesting results. Effective, distinctive, twisty tale. One of the best entries in this collection. 

Tuesday, May 19, 2009

Dark Hollow, by Brian Keene

(pb; 2008)

From the back cover:

"Something very strange is happening in LeHorn's Hollow. Eerie, piping music is heard late at night, and mysterious fires have been spotted deep in the woods. Women are vanishing without a trace overnight, leaving behind husbands and families. When up-and-coming novelist Adam Senft stumbles upon an unearthly scene, it plunges him and the entire town into an ancient nightmare. Folks say the woods in LeHorn's Hollow are haunted, but what waits there is far worse than any ghost. It has been summoned. . . and now it demands to be satisfied."

Review:

Kooky, outstanding horror offering, this. Told from the chatty, first-person perspective of "midlist mystery" writer Adam Senft, the novel begins in an amiable, there's-odd-things-going-on-near-the-suburbs fashion. It's not long before the odd events turn serious, grimly so -- disappearances, outbreaks of priapism among the residents of LeHorn's Hollow, and murder.

The last hundred pages, peppered with quotable, intentionally laugh-out-loud dialogue, is spooky and riveting, with over-the-top kookiness highlighting the violent, briefly-sexual, action. (At one point, Adam utters a Charles Bronson-esque action-flick line, while everything around Adam has gone bacchanal-bonkers.)

This is a distinctive, reader-absorbing work, one that fans of horror, especially those who love Sam Raimi 's Evil Dead films, ought to snap up and enjoy.

One of the funnest horror novels I've read in a long while.

Check it out!

Friday, September 15, 2006

Shivers IV edited by Richard Chizmar

(pb; 2006: horror anthology - sequel anthology to Shivers III)

Overall review

Shivers IV is an uneven anthology, with a handful of decent tales and a few excellent ones. The other entries in this twenty-story anthology are generic. Save your money for more worthwhile books.


Review, story by story

1.) “Prohibited” – Kealan Patrick Burke: A smoker ignores a “No Smoking” sign at a bus stop and finds himself targeted for nightmarish, widespread persecution. Not only did it make me think of Stephen King's “Quitters, Inc.” (for its subject matter), but this also sports the feel of one of King's Night Shift-era tales. Fun and a bit over-the-top.


2.) “Last Exit for the Lost” – Tim Lebbon: Strange entry about a middle-aged alcoholic who receives three paintings in the mail. Interesting, quirky.


3.) “The Screamers at the Window” – T.M. Wright: A spiral-structured story about a writer (Daniel), his one-eyed terrier (Magnificence) and his perky spouse (Maureen). Colorful characters, but the story doesn't go anywhere.


4.) “The Man in the Palace Theater” – Ray Garton: A homeless man, staying in an abandoned movie theater, converses with cinematic iconic ghosts. Heartwarming, sad homage to classic (pre-1960s) films, with a weak ending.


5.) “Pumpkin Witch” – Tim Curran: An abused, pumpkin-happy wife dishes out grisly payback on her husband and his crone of a mother. This would make a wonderful giallo film (preferably directed by Dario Argento or Michele Soavi), given its long-on-Halloween-mood, short-on-logic structure. It is okay, if you read this with that mindset.


6.) “LZ-116: Das Fliegenschloss” – Stephen Mark Rainey: I have no idea what this story is about. While the writing (on a technical level) was decent, it bored me immediately.


7.) “Something to be Said for the Waiting” – Brian Freeman: Too-predictable, cliched story about a man who may have murdered his family. Mercifully, this story is brief.


8.) “Jack-Knife” – Gemma Files: Mostly gripping script-form take on Jack the Ripper. Runs too long, but it has some striking scenes (especially when Jack and Mary Kelly, one of his victims, interact).


9.) “The Spook” – Randy Chandler: Chilling, analogous offering about a soldier who finds himself in the middle of an unexpected war. One of the best stories in this collection, with a great ending.


10.) “Ever After” – John R. Little: Stunning, heartbreak of a tale. An unaging man finds himself at familiar crossroads. Excellent, this.


11.) “The Bittersweet Deafening Sound of Nothing At All” – Robert Morrish: Two investors check out an abandoned haunted SoCal business campus. Good story, predictable, but otherwise engaging.


12.) “Up in the Boneyard” – Keith Minnion: Brooklyn. A pilot (Anthony Spangler) confronts a hellish white-boned horror twenty-seven floors high, once in 1913 in an aeroplane, and later, in 1986, in a condo in the same spot. Off-beat, memorable work.


13.) “Mom and Dad At Home” – Ed Gorman: Economical, predictable entry about a boy, his stay-at-home mom, and his traveling salesman dad. Anybody who's seen the 1943 film Shadow of a Doubt will recognize the set-up right away. Despite that glaring predictability, this is an okay story, saved by Gorman's consistent sense of style.


14.) “Should Old Acquaintance Be Forgot” – Bill Walker: Clever, appropriately-titled piece. A man discovers that the neighborhood bully of his childhood now works with him, more than twenty years later. The end-twist, effective as it could've been, doesn't work, though, because the author didn't foreshadow properly. Could've been good; is merely disingenuous.


15.) “In the Best Stories...” – Norman Prentiss: A man reads a questionable bedtime story to his nine-year old daughter. Author Prentiss seems to be trying for a subtler brand of horror – not boogeymen, but real life – and that's admirable. However, the story ultimately fails because the ending is too subtle, not developed enough.


16.) “Poetic Justice” – William F. Nolan: A teenage girl (Amber) talks her friend (Michelle) into murdering an “a**hole” classmate of theirs, Mike Rickard – then crazy complications ensue. This tale doesn't work because it feels rushed, largely because the three principles (Michelle, Amber, Mike) read like cardboard cut-out characters. This would be fine if this were a Grade-B slasher flick, but since it's not... Technically solid, but otherwise generic.


17.) “Dust” – Brian Keene: Post-9/11 piece about a woman grieving for her dead spouse. Different, worthwhile.


18.) “The Deer of St. Bart's” – Bev Vincent: Good story about what happens after a dean at a private school dies unexpectedly.


19.) “The Man in the Other Car” – Al Sarrantonio: A bizarre, semi-predictable, sort-of-makes-sense-but-doesn't denouement mars this could have been Twilight-Zone-worthy piece. Strange, at best.


20.) “Liturgical Music for Nihilists” – Brian Hodge: Lengthy tale about what happens when a man's corpse remains unspoiled, causing his friends to react in curious ways. Memories, messianic oddness, and dark family secrets form this work, which wasn't bad, wasn't great.