Showing posts with label Elizabeth E. and Thomas F. Monteleone. Show all posts
Showing posts with label Elizabeth E. and Thomas F. Monteleone. Show all posts

Monday, June 25, 2007

From The Borderlands: Stories of Terror and Madness edited by Elizabeth E. & Thomas F. Monteleone


(pb; 2003: horror story anthology)


Overall review

Exemplary anthology, originally published as Borderlands 5, with only a few clunkers in the mix. Well worth your time.


Standout stories

1. ) “All Hands” – John R. Platt: Quirky, delightful entry about a man who wakes up with a different pair of hands each day.


2.) “The Growth of Alan Ashley” – Bill Gauthier: Black-humored take on the delusion of “self-improvement” – a strange “growth” on the titular character’s body becomes imbued with increasing, dangerous importance. If this were a film short, I could see this being directed by Eraserhead-era David Lynch, or Videodrome-era David Cronenberg.


3.) “The Goat” – Whitt Pond: Heartbreaking tale about a teenage boy who’s trying to save his supposedly demon-possessed brother from their fellow townspeople.


4.) “The Food Processor” – Michael Canfield: Surrealistic tale about two brothers whose collective desire to build things conflicts with their Father’s desire that they become chefs, like him. Superior, semi-bizarre work, one that would make an excellent Tim Burton film, illustrated by Peter Max.


5.) “Storytime with the Bluefield Strangler” – John Farris: Destined-to-be-a-true-classic story about a little girl who’s being terrorized by a real-life boogeyman.


6.) “The Planting” – Bentley Little: Perverse B-movie gem about a pair of panties, a cabin and a dessicated mummy.


7.) “Infliction” – John McIlveen: Stunning, emotional tale about an ex-alcoholic tracking his runaway daughter, four years gone.


8.) “The Thing Too Hideous To Describe” – David J. Schow: Funny, ultimately sad story about a small-town monster who makes a friend. One of the most imaginative entries in this bunch.


9.) “Magic Numbers” – Gene O’Neill: The operative phrase for this one-of-a-kind work is um, wow. Memorable work.


10.) “Head Music” – Lon Prater: Another destined-to-be-a-classic tale, this one about a young man who’s drawn to a oceanborn monster in the middle of the night. Reminiscent of H.P. Lovecraft’s finer nightmares, or any issue of Creepy.


11.) “Around It Still The Sumac Grows” – Tom Piccirilli: Envy-inducing entry about a middle-aged man who returns to his high school – site of countless teenage humiliations – twenty years later.


12.) “Annabell" – L. Lynn Young: Sublime, sad work about a physically-beautiful mother who seeks to protect her deformed daughter from the barbed horrors of the world.


Solid entries

Ramis Temporalis” (Gary A. Braunbeck); “Faith Will Make You Free” (Holly Newstein); “N0072-JK1” (Adam Corbin Fusco); “Time For Me” (Barry Hoffman); “Prisoner 392” (John F. Merz); “Answering the Call” (Brian Freeman); “Smooth Operator” (Dominick Cancilla); “A Thing” (Barbara Malenky); “Slipknot” (Brett Alexander Savory); “Stationary Bike” (Stephen King).


So-so entries

Father Bob & Bobby” (Whitley Strieber); “Dysfunction” (Darren O. Godfrey); “One Of Those Weeks” (Bev Vincent).