(eBook; 2015: erotic novella)
From the back cover:
"Two people lost and alone in life searching for answers…
"One haunted amusement park with a dark history…
Maddox visits abandoned sites to take photographs and figure out his future. He haunts the places that are monuments to the way he feels inside. Stark, empty, raw. And Olyvia searches for answers to her own painful loss by hunting ghosts. Trying to comfort herself by seeking proof of an afterlife.
"Maddox and Olyvia recognize kindred souls in one another. But a chance to fully explore their connection is a luxury they may not have. There’s a ghost stalking Screamland hell-bent on revenge. And it’s targeting them."
Review:
Haunted is an entertaining, mood-effective (romantic, lusty and spooky) read that is not only sexy, but smart, with engaging writing and engaging characters whose past tragedies are reader-hooking and emotional but not lust-simple or bathetic. The storyline probably won't surprise you, but Marsden's overall excellence as an author and the sometimes-humorous, always-on-the-mark dialogue renders any criticism of the storyline moot. If you're looking for an all-around worthwhile romantic, atmospheric and mature (in multi-layered senses of the word) work, Haunted fits that bill.
This novella is available on the Amazon site and Smashwords (which has more format options than Amazon), as well as other sites.
Showing posts with label Sommer Marsden. Show all posts
Showing posts with label Sommer Marsden. Show all posts
Saturday, April 11, 2015
Tuesday, February 05, 2013
Coming Together: Hungry for Love, edited by Sommer Marsden
(pb; 2012: erotica / zombie anthology. Foreword by Thomas Roche)
From the back cover:
"Why should the zombie apocalypse be the time to think about romance? Like flesh for zombies, romance is the stuff of life for the living. We shamble through life searching desperately for it, and nothing but love fills our need.
"In the pages of Hungry for Love, people find each other and love each other in a world of contagion, consumption and consumerism gone mad.
"Coming Together is about giving. . . and about sex (a powerful combination in any venue). Each book in the series benefits a different charity. Join us in doing good while being bad, and celebrate the diversity of life!"
Overall review:
Marsden has fashioned a solid, diverse collection of zombies-and-sex tales.
A few of the stories didn't grab me - two ran too long (Kiki Howell's "Zombie Factory" and t'Sade's "Love Never Dies") and one of the stories (Erzabet Bishop's "Dark Hunger") was too predictable.
Even these flawed pieces had something to recommend them, as rough-write works - they merely needed to be whittled down slightly, or the author could have thrown an unfamiliar mini-twist into her shambling lust mix, to help distinguish it from other seen-this-before stories.
Hungry for Love is worth owning - for its charitable aims, and its published delivery.
Standout stories:
1.) "My Name is Brighton" - Alana Noël Voth: A date rape victim-turned-zombie seeks out one of the men (Paul) who used her - without being aware that he had done so.
More horror story than plot-lite sex work, this excellent, sympathetic and character-veracious tale is one of the best stories in this anthology.
2.) "Meat" - Bobby Diabolus: A bite-infected man goes through various stages of evolving desire, while looking for his raw, sexy ex-lover (Honey).
"Meat" is an interesting story that ably balances the emotional and carnal aspects of its lead character, without tipping into unintentional pornoriffic parody, emotive abstraction or zombie clichés.
This original, first person-POV tale vaguely echoes David Cronenberg's "Venereal Horror" films (e.g., Rabid, 1977; The Brood, 1979; Videodrome, 1983; The Fly, 1986 remake; eXistenZ, 1999).
3.) "Annie Morgan" - Armand Rosamilia: Especially good piece about a mercurial, promiscuous woman confronting something more potent than undead attackers.
4.) "Queer Zombie Disco" - Kirsty Logan: Offbeat tune-based horror sex tale.
5.) "Screen Siren" - Annabeth Leong: Hollywood-skewering, imaginative piece about a Z-grade movie director (Sam) and an undead, sentient actress.
This is one of the best entries in this collection.
Other stories:
"You Make a Dead Man Come" - Sommer Marsden; "Last Man on Earth" - Blacksilk; "The Tenderest Meat" - Elise Hepner; "Zombie Goddess" - Sadey Quinn; "Zombie Apocalypse: First Responder" - Kissa Starling; "Head Full of Zombie" - Alison Tyler; "Dead in the Water"- Lynn Townsend; "Little Deaths" - Cora Zane; "You Look Better Dead" - Jeffrey L. Shipley
From the back cover:
"Why should the zombie apocalypse be the time to think about romance? Like flesh for zombies, romance is the stuff of life for the living. We shamble through life searching desperately for it, and nothing but love fills our need.
"In the pages of Hungry for Love, people find each other and love each other in a world of contagion, consumption and consumerism gone mad.
"Coming Together is about giving. . . and about sex (a powerful combination in any venue). Each book in the series benefits a different charity. Join us in doing good while being bad, and celebrate the diversity of life!"
Overall review:
Marsden has fashioned a solid, diverse collection of zombies-and-sex tales.
A few of the stories didn't grab me - two ran too long (Kiki Howell's "Zombie Factory" and t'Sade's "Love Never Dies") and one of the stories (Erzabet Bishop's "Dark Hunger") was too predictable.
Even these flawed pieces had something to recommend them, as rough-write works - they merely needed to be whittled down slightly, or the author could have thrown an unfamiliar mini-twist into her shambling lust mix, to help distinguish it from other seen-this-before stories.
Hungry for Love is worth owning - for its charitable aims, and its published delivery.
Standout stories:
1.) "My Name is Brighton" - Alana Noël Voth: A date rape victim-turned-zombie seeks out one of the men (Paul) who used her - without being aware that he had done so.
More horror story than plot-lite sex work, this excellent, sympathetic and character-veracious tale is one of the best stories in this anthology.
2.) "Meat" - Bobby Diabolus: A bite-infected man goes through various stages of evolving desire, while looking for his raw, sexy ex-lover (Honey).
"Meat" is an interesting story that ably balances the emotional and carnal aspects of its lead character, without tipping into unintentional pornoriffic parody, emotive abstraction or zombie clichés.
This original, first person-POV tale vaguely echoes David Cronenberg's "Venereal Horror" films (e.g., Rabid, 1977; The Brood, 1979; Videodrome, 1983; The Fly, 1986 remake; eXistenZ, 1999).
3.) "Annie Morgan" - Armand Rosamilia: Especially good piece about a mercurial, promiscuous woman confronting something more potent than undead attackers.
4.) "Queer Zombie Disco" - Kirsty Logan: Offbeat tune-based horror sex tale.
5.) "Screen Siren" - Annabeth Leong: Hollywood-skewering, imaginative piece about a Z-grade movie director (Sam) and an undead, sentient actress.
This is one of the best entries in this collection.
Other stories:
"You Make a Dead Man Come" - Sommer Marsden; "Last Man on Earth" - Blacksilk; "The Tenderest Meat" - Elise Hepner; "Zombie Goddess" - Sadey Quinn; "Zombie Apocalypse: First Responder" - Kissa Starling; "Head Full of Zombie" - Alison Tyler; "Dead in the Water"- Lynn Townsend; "Little Deaths" - Cora Zane; "You Look Better Dead" - Jeffrey L. Shipley
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