The Space Vampires by Colin Wilson

 

(pb; 1976)

From the back cover

“When Captain Carlsen entered the vast derelict spaceship, he was stunned by its awesome splendor—and shaken by the discovery of its immobilized humanoid passengers.

“Later, after three of those strange aliens had been transported to Earth, his foreboding was more than justified. The creatures were energy vampires whose seductive embraces were fatal, whose lust for vitality was boundless. As they took over the willing bodies of their victims and sexual murders spread terror throughout the land, Carlsen worked toward their destruction—even though he was erotically drawn to the most beautiful vampire of all!”

 

Review

Space is an excellent science fiction/horror novel that deftly balances the older style of classic science fiction novels of the 1950s (with its emphasis on focused and intense scientific explanations, sometimes delivered by talkative aliens), earthier pulpy thrills (R-rated sex, terror, heroes and antagonists who aren’t binary good-or-bad), and classic horror/vampiric tropes and framing. It’s a streamlined, burn-through, real-world believable and sometimes cliffhanger-ish read, one of my favorite books that I’ve read this year. Worth owning, this.

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The resulting R rated film, titled Lifeforce, was released stateside on June 21, 1985. Tobe Hooper directed it, from a screenplay by Dan O’Bannon and Don Jakoby.

Smiley's People, by John le Carré

(hb; 1979: fifth novel in the George Smiley series; third novel in the Karla trilogy)

From the inside flap:

"In Paris, a Russian woman is accosted by a Soviet agent, who offers to send her daughter West to join her. In Hamburg, a frightened Estonian emigré performs a secret mission. And in London, George Smiley - once head of British Intelligence - is called from retirement to identify the body of a former British agent. As Smiley gets involved in the tangle of events, all clues lead in one direction - to Karla, Smiley's archenemy and opposite number in Russia. This one time Karla is vulnerable. At last, after all these years, Smiley begins playing Karla's ruthless, relentless game, for that is the only way he can win."

Review:

This wrap-up of the Karla trilogy is more like Tinker, Tailor, Soldier, Spy than The Honourable Schoolboy in its scope: it focuses on a few select locales and thoroughly developed characters, as well as George Smiley's quest to destroy Karla's influence.

Exemplary read, better than Honourable (which is barely referenced in Smiley's), and great finish to the Karla-Smiley chess match.

Check it out.

Followed by The Secret Pilgrim.

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The resulting television mini-series, bearing the same title, aired in England on September 20, 1982. It first aired stateside on October 25, 1982.

Alec Guinness resumed his role of George Smiley. Bernard Hepton resumed his role of Toby Esterhase. Anthony Bate resumed his role of Sir Oliver Lacon. Michael Byrne played Peter Guillam. Bill Paterson played Lauder Strickland. Andy Bradford played Ferguson. Barry Foster played Saul Enderby.

Eileen Atkins played Madame Ostrakova. Tusse Silberg played Alexandrea Ostrakova. Vladek Sheybal played Otto Leipzig. Ingrid Pitt played Elvira. Curd Jürgens played The General. Michael Lonsdale played Anton Grigoriev. Michael Gough played Mikhel. Paul Herzberg played Villem Craven.

Lucy Fleming played Molly Meakin. Julia McCarthy played Millie McCraig.

An uncredited Alan Rickman played Mr. Brownlow.

Patrick Stewart, this time credited, reprised his role of Karla.

Simon Langton directed the six-episode mini-series, from a screenplay by co-authored by book author John le Carré and John Hopkins.

Tinker, Tailor, Soldier, Spy, by John le Carré

(hb; 1974: third novel in the George Smiley series; first novel in the Karla trilogy)

From the inside flap:

"London. It has become evident beyond all question that somewhere at the very highest levels of British Intelligence there stands a double agent -- a 'mole' implanted deep in its fabric, perhaps decades ago, by Moscow Centre. And it is evident as well that he can be one of five men -- brilliant, complicated men, proven in action, men who have worked closely together through the years, respecting each other, depending on each other, despite abrasive clashes of temperament and painful differences of caste and sensibility, despite the central imperative of their profession to trust no one. . .

"It is George Smiley, one of the five, perhaps the most brilliant and complicated of them all, who is tapped to dig out the mole and destroy him. 'You'll take the job, clean the stables?' the man from Whitehall says to him. 'Go backwards, go forwards, do whatever is necessary?' And so Smiley embarks on his blind night walk, retracing path after path into his own past -- its aliases, covers, sleights of hand -- burrowing into the dust of unresolved episodes, among them the 'mad' twilight of his old chief, Control; the two Czech bullets in Jim Prideaux's back; the dissensions that have torn apart the Circus (as Intelligence Headquarters is ambivalently called); the vagaries of his own so beautiful, so well-connected wife. . ."

Review:

The shooting of a 'Circus' agent, Jim Prideaux, in Czechoslavakia exposes the existence of a high-level Russian mole inside the British agency. As he did with the murders of the previous Smiley novels, George Smiley must sift through varied and often duplicitous personalities, recorded and current conversations, and secret paperwork spanning four decades to unearth who that agent is.

And he must do it without official government approval, without alarming the mole, or his Russian controller, Karla.

Tinker is an improvement over A Murder of Quality in that le Carré's material this time out is less ponderous (i.e., not set in a stuffy English school), with larger ramifications if Smiley, reeling from multiple personal betrayals, fails.

Excellent read, worth checking out: a great set-up for the next Smiley novel, The Honourable Schoolboy.

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The resulting television mini-series, bearing the same title, aired in England on September 10, 1979. It first aired stateside on September 29, 1980.

Alec Guinness played George Smiley. Michael Jayston played Peter Guillam. Anthony Bate played Sir Oliver Lacon. George Sewell played Mendel. Ian Richardson played Bill Haydon.

Bernard Hepton played Toby Esterhase. Hywel Bennett played Ricki Tarr. Terence Rigby played Roy Bland. Ian Bannen played Jim Prideaux. Michael Aldridge played Percy Alleline.

Alec Sabin played Fawn. Alexander Knox played Control. Duncan Jones played Roach. Daniel Beecher played Spikely.

An uncredited Patrick Stewart played Karla (aka "Gastman").

John Irvin directed the seven-episode mini-series, from a screenplay by Arthur Hopcraft.

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A theatrical remake of the 1979 mini-series is scheduled for stateside release on November 18, 2011.

Gary Oldman played George Smiley. Mark Strong played Jim Prideaux. Tom Hardy played Ricki Tarr. Benedict Cumberbatch played Peter Guillam. Kathy Burke played Connie Sachs. David Dencik played Esterhase.

Katrina Vasilieva played Ann Smiley.

Colin Firth is listed in the film credits, but there's no character name attached to his role. Such is the case for Ciarán Hinds, also.

The film was directed by Tomas Alfredson, from a script by Bridget O'Connor and Peter Straughan.

Dune by Frank Herbert

(hb; 1965: first book in the Dune Chronicles)

From the back cover

"Set in the far future amidst a sprawling feudal interstellar empire where planetary dynasties are controlled by noble houses that owe an allegiance to the imperial House Corrino, Dune tells the story of young Paul Atreides (the heir apparent to Duke Leto Atreides and heir of House Atreides) as he and his family accept control of the desert planet Arrakis, the only source of the 'spice' melange, the most important and valuable substance in the cosmos. The story explores the complex, multi-layered interactions of politics, religion, ecology, technology, and human emotion as the forces of the empire confront each other for control of Arrakis."


Review

Dune is rich in political intrigue, treachery, oracular mysticism, lust, loyalty, love, jihad and societal upheaval, as well as many interesting, often conflicted characters. What makes Dune great is how it's simultaneously personal and emotional, yet coolly distant in an intellectual way, without compromising either of the elements, tracking the course of an empire over three or so years – Herbert manages this balancing act by focusing on the characters, while making them aware of their importance (or lack thereof) in the struggles and violence that consumes them.

This is one of my all-time favorite books. It has been since I read it as a boy (approximately thirty years ago); I've reread it several times since, and every time I read it, I get something completely new out of it – there are so many levels on which to take this landmark work that I foresee more readings of this personal magnitude in the years to come.

Followed by Dune Messiah.

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Dune has been filmed twice.

The first film version was released stateside on December 14, 1984.

Kyle MacLachlan played Paul Atreides. Jürgen Prochnow played Duke Leto Atreides.  Francesca Annis played Lady Jessica.  Alicia Witt, billed as Alicia Roanne Witt, played Alia. 

Richard Jordan played Duncan Idaho.  Patrick Stewart played Gurney Halleck.  Linda Hunt played Shadout Mapes.  Freddie Jones played Thufir Hawat.  Dean Stockwell played Doctor Wellington Yueh.  Max von Sydow played Doctor Kynes.  Jack Nance played Nefud.

Sean Young played Chani.  Everett McGill played Stilgar. 

Kenneth McMillan played Baron Vladimir Harkonnen.  Sting played Feyd Rautha.  Brad Dourif played Piter De Vries.  Paul L. Smith, billed as Paul Smith, played The Beast Rabban.

José Ferrer played Padishah Emperor Shaddam IV.  Virginia Madsen played Princess Irulan.

 David Lynch scripted and direct the film.  Lynch also - uncredited - played a "Spice Worker".

If you see this film, make sure you see the three-hour/Director's Cut version, which makes more sense than the initial/studio-cut version of the film.

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The second version began airing stateside as a three-part television miniseries on December 3, 2000.

Alec Newman played Paul Atreides/Muad'Dib, a role he reprised in the 2003 television miniseries sequel, Children of Dune.  William Hurt played Duke Leto Atreides.  Saskia Reeves played Lady Jessica Atreides.

P.H. Moriarty played Gurney Halleck.  James Watson played Duncan Idaho.  Karel Dobrỳ played Dr. Pardot Kynes.

Uwe Ochsenknecht played Stilgar.  Barbora Kodetová played Chani.

Ian McNeice played Baron Vladimir Harkonnen.  Matt Keeslar played Feyd-Rautha Harkonnen.  László I. Kish played Glossu Rabban.

Giancarlo Giannini played Padishah - Emperor Shaddam Corrino IV.  Julie Cox played Princess Irulan Corrino. 

John Harrison scripted and directed the miniseries.