Showing posts with label David Mamet. Show all posts
Showing posts with label David Mamet. Show all posts

Wednesday, April 28, 2021

The Postman Always Rings Twice by James M. Cain

 

(hb; 1934)

Review

Postman is an excellent, no-words-wasted, twisted tale of raw sexuality, adultery and murder, with two main characters who, in spite of the seeming amorality, are relatable (at least for this reader), who aren’t evil just unhappy, and willing to do what they need to do to achieve it. Simple (but not simple-minded), entertaining and darkly clever, this is one of the best pulp novels I’ve read. Worth owning, this.

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Two film versions of Postman resulted.

The first version was released stateside on May 2, 1946. Tay Garnett directed it, from a screenplay by Harry Ruskin and Niven Busch.

John Garfield played Frank Chambers. Lana Turner played Cora Smith (in the book her married surname was Papadakis). Cecil Kellaway played Nick Smith.

Hume Cronyn played Arthur Keats. Leon Ames played Kyle Sackett. Audrey Totter played Madge Gorland. Alan Reed (who later voiced an animated Fred Flintstone) played Ezra Liam Kennedy. Jeff York played Blair.



The second version, directed by Bob Rafelson from a script by David Mamet, was released stateside on March 20, 1981.

Jack Nicholson played Frank Chambers. Jessica Lange played Cora Papadakis. John Colicos played Nick Papadakis.

Michael Lerner played Mr. Katz. John P. Ryan played Kennedy. William Traylor played Sackett. Anjelica Huston played Madge. Thomas Hill, billed as Tom Hill, played Barlow.

Monday, May 20, 2019

Hannibal by Thomas Harris

(pb; 1999: third novel in the Hannibal Lecter quadrilogy)

From the back cover

“You remember Hannibal Lecter: gentleman, genius, cannibal. Seven years have passed since Dr. Lecter escaped from custody. And for seven years he’s been at large, free to savor the scents, the essences, of an unguarded world. But intruders have entered Dr. Lecter’s sanctuary, piercing his new identity, sensing the evil that surrounds him. For the multimillionaire Hannibal left maimed, for a corrupt Italian policeman, and for FBI agent Clarice Starling, who once stood before Lecter and who has never been the same, the final hunt for Hannibal Lecter has begun. All of them, in their separate ways, want to find Dr. Lecter. And all three will get their wish. But only one willlive long enough to savor the reward.”


Review

Hannibal is part witty comedy, part travelogue and part bloody thriller. This third entry in the Hannibal Lecter quadrilogy ups the series’ humor and Grand Guignol elements, as well as Hannibal’s love of Florence, Italy─whose sensory-based glories get plenty of “air time” in this cinematic-descriptive horror work. I tired quickly of this latter element (I’m a barebones thriller reader), but I understand why Harris included these parts in the book: it is consistent with Hannibal’s sensibilities and the tone of the previous novels. I laughed quite a bit, especially during the dinner scene near the end of the book. An over-the-top work, this is worth reading, possibly worth owning if you are into the above, well-written elements.

Followed by a prequel, Hannibal Rising.

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The film version was released stateside on February 9, 2001. Ridley Scott directed the film, from a screenplay by David Mamet and Steve Zaillian.

Anthony Hopkins played Hannibal Lecter. Julianne Moore played Clarice Starling. Gary Oldman played Mason Verger. Ray Liotta played Paul Krendler. Giancarlo Giannini played Insp. Rinaldo Pazzi. 

Frankie Faison, billed as Frankie R. Faison, reprised his role of Barney from The Silence of the Lambs.