Scary Book: Insects by Kazuo Umezu

 

(pb; 2003, 2006: second volume in Umezu’s Scary Book manga series. Japanese-to-English translation by Kumar Sivasubramanian; lettering and retouch by Kathryn Renta. Followed by Scary Book: Faces.)

 

From the back cover

“Kazuo Umezu, ‘The Stephen King of manga,’ returns with the second frightening volume of Scary Book. In ‘Butterfly Grave,’ a young woman, Megumi, is paralyzed by an inexplicable, devastating fear of butterflies, a phobia brought on by the mysterious and untimely death of her mother when Megumi was still an infant. Upon visiting her mother’s grave years after her death, Megumi becomes haunted by a black butterfly that only she can see and which seemingly causes waves of destruction and misery to Megumi’s family and friends wherever it appears. But when Megumi’s father decides to remarry. Megumi begins to fear that her new mother is turning into the very thing she dreads most.”

 

Review

As with the first Scary Book (Reflections), manga/J-horror fans may easily find much to enjoy in this second volume of Umezu’s Scary Book trilogy. The artwork is mainstream manga-realistic, plausibly slipping into its characters’ visualized mindsets and realities (veering between horror, silliness and bloody violence), its writing mostly solid, entertaining, at least until its last third.

Unlike Insects, this second volume is one 227-page story (“Butterfly Grave”), a mix of The Babadook (2014; director/screenwriter: Jennifer Kent), J-horror manga and Alfred Hitchcockian psychological mystery and intrigue. It’s Babadook-esque in that Megumi is often irritating and bizarre in her loud, violent constant-panic-mode behavior (like young Samuel in Babadook). It’s Hitchcockian in that as the story progresses, it seems Megumi’s off-putting behavior might be justified by the seeming intentions of some around her, who might not wish the best for her.

As noted before, Insects has a good, entertaining, steady build storyline for the most part. Near the end Megumi’s seemingly irrational flights of nightmare and its Reveal/climax scenes run a bit long. Still, it’s a fast, worthwhile read, one worth checking out. Followed by Scary Book: Faces.

The Town of Pigs by Hideshi Hino

 

(pb; 1983, English translation 2022: manga)

 

From the back cover

“One night, under a blood red moon glimmering with demonic beauty, a group of devilish creatures armed with axes and spears came riding into a quiet city on horseback.

“One by one, they loaded the villagers up into cages and carried them off without any explanation. . . I barely managed to escape alive.”

 

Review

This 185-page manga, with little-to-no explanation for its immediate, violent and gory events and its bizarre, character-centric end-twist, is a blast of a read, with great artwork, a confident tone (it doesn’t spoon feed anything to its readers) and overall impressive delivery. Great read, might be puzzling for those who aren’t big on reading between strange lines.

Scary Book: Reflections by Kazuo Umezu

 

(pb; 2003: first volume in Umezu’s Scary Book series. Japanese-to-English translation by Kumar Sivasubramanian; lettering and retouch by Kathryn Renta.)

From the back cover

“The spine-chilling influence of Japanese horror cinema has taken hold of Western audiences, with many of these terrigying films being adapted from classic manga stories. The acknowledged grandmaster of horror manga is Kazuo Umezu—known as ‘the Stephen King of manga,’ with several of his stories being adapted to film—and Dark Horse Manga is proud to bring his Scary Book horror anthology to Western readers for the first time. Reflections offers two feature-length tales of terror: ‘The Mirror,’ in which a narcissistic girl’s reflection begins to take ruthless command of her life; and ‘Demon of Vengeance,’ where a sadistic warlord bent on seeking retribution for his selfish and reckless son’s injuries finds the tables of revenge turned against him. . .”

 

Review

Manga/J-horror fans may easily find much to enjoy in this first volume of Umezu’s Scary Book trilogy. The artwork is mainstream manga-realistic, plausibly slipping into its characters’ visualized mindsets and realities (veering between horror, silliness and bloody violence), its writing solid, entertaining. “The Mirror,” less traditionally violent than its follow-up (and shorter) tale, “Demon Vengeance,” provides a leavening counterbalance to “Demon”’s grim samurai tale. An above-average work (“Mirror” runs longer than I might’ve liked), Reflections is worth checking out, possibly owning if you’re into collecting worthwhile manga. Followed by Scary Book: Insects.(2003).

Tomie by Junji Ito

 

(hb; 1987-2001 manga series, collected into the above-shown 2016 omnibus edition)

 

From the back cover

“Tomie is the girl you wish you could forget. She’s the one you shouldn’t have touched, shouldn’t have smiled at, shouldn’t have made mad. She’s oh so lovely—but you just might love her to death.”

 

Review

Ito’s first mega-successful manga series about a seemingly immortal and invincible girl you can’t kill is an unsettling, bold and often horrific work, about a bedazzling girl who seems nice for two seconds before her selfish demon side begins ruining her victims—usually anybody within her gaze and memory. While the structure of these episodic, expanding tales are essentially the same, it’s fun and interesting to see Ito’s early, emerging style and structuring (which lent itself to later, greater works) as well as the playful creativity of the myriad of ways that Tomie gets at her victims, often through initially innocuous ways. And of course the artwork is great.

Tomie has inspired nine live-action films (starting with Tomie, 1998), at least one Japanese series and scores of other directly linked multimedia/crossover works. Worth checking out, this.

Uzumaki by Junji Ito

 

(hb; 1998-1999, 2013: manga omnibus)

 

From the back cover

“Kurouzu-cho, a small fogbound town on the coast of Japan, is cursed. According to Suichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but a pattern: Uzumaki, the spiral—a hypnotic secret shape of the world. This bizarre masterpiece of horror manga is now available in a single volume. Fall into a whirlpool of terror!”

 

Review

Narrated by Kirie Goshima, a schoolgirl who witnesses the escalating, increasingly grotesque spiral-centric horrors encapsulating her village (Kurouzu-cho), Uzumaki begins with her boyfriend Suichi Saito’s father becoming obsessed with circular patterns. After Saito’s father dies under seemingly near-impossible circumstances, the strangeness begins warping the emotional, psychic and physical fabric of reality for the people in the village bordering the mysterious Dragonfly Pond—and threatening to spread its cataclysmic ends to the world beyond it.

Each book-chapter of this omnibus is truly original in its tone, artistic and visual aspects, with a finish that, despite its holy-frak-that’s-wild elements and terrors, is masterfully personal.

Uzumaki is one of my favorite all-time manga, with its Lovecraftian though distinctive blend of crazy imagery, weirdness, ickiness, horror, romance, rural life and humor, a work that’s not for the faint of heart. Worth owning, this.

Goth by Otsuichi, aka Hirotaka Adachi

 

(pb; 2002, 2005. Translated from Japanese to English by Andrew Cunningham.)

From the back cover

“Morino is the strangest girl in school—how could she not be, given her obsession with brutal murders? And there are plenty of murders to grow obsessed with, as the town in which she lives is a magnet for serial killers. She and her schoolmate will go to any length to investigate the murders, even putting their own bodies on the line. And they don’t want to stop the killers—Morino and her friend simply want to understand them.”

 

Review

Goth is an excellent, unsettling, clever and twisty work, with a world not set in our reality and a plethora of amoral characters—not only the killers, who have a youkai-like air about them—drawn to the unsmiling Yoru Morino, who’s “Goth” in the sense of her melancholic air and primarily black colors, nothing more.

Animal lovers with little stomach for occasional, semi-detailed acts of animal cruelty (early to midway through Goth) might want to skip this tightly edited book—I considered putting down the book and reading something else, but pushed through the brief scenes/descriptions, and while I won’t read this book again (nor see its resulting Shonen manga and live-action film), I’m glad I read this, and might consider checking out other Otsuiki works in the future (provided there’s no more animal cruelty in them).

Portus by Jun Abe

 

(pb; 2006: manga)

From the back cover

“Asami’s best friend Chiharu has stopped coming to school and isn’t answering her phone. It seems she’s found something that’s a little more addictive than school Art Club. But when Chiharu mysteriously commits suicide, all Asami finds in her room is a strange video game called Portus. With the help of two of her teachers, Asami hopes to solve the mystery behind her friend’s macabre death and the bizarre game itself. But is she prepared for the horrors of entering the twisted world of Portus, a game where if you lose there is no option to continue? A frightening vision of modern manga horror, Jun Abe’s Portus might put you off video games for the rest of your life.”

 

Review

Portus is a fun, fast-moving, creepy and atmospheric read about a video game with a cursed kokeshi-sourced code “world” within it, one Asami, Chiharu, and others within their social circle may not survive—highly recommended, one-book standalone story for fans of Ringu and Ju-On (with, of course, manga-true/occasional, genre-annoying in the mix). If you can put up with that latter, barely PG-13 feature, Portus might be your perfect manga choice.

Shibuya Goldfish (books 1—11) by Hiroumi Aoi

 

(pb; 2017; eleven-book manga series)

From the back cover

“High schooler Hajime Tuskiyoda went to Shibuya that day hoping only to find inspiration for his next film. He never expected to find himself smack-dab in the middle of a real-life horror movie. Without warning, schools of massive goldfish descend upon the crowded streets, and the mystified onlookers’ confusion quickly turns to terror as the fish begin to feed. From their tentative shelter, Hajime and a handful of survivors await a rescue that seems more and more unlikely as the days and hours tick by. Meanwhile, all around them, the bloody feeding frenzy begins.”

 

Review

This fast-paced, sometimes melodramatic, action-oriented, folklore-based horror-fantasy manga about bizarre, oversized, man-eating goldfishes is an above-average read for the genre (even with its occasional upskirt/low-skirt/panty shots, to further keep teenage boys’ attention), one worth reading. The characters are mostly fun and fully explored (for manga), the artwork is wow-worthy, and the twists are solid as is the ending. Worth checking out, this.

Remina by Junji Ito

 

(hb; 2005: manga)

From the back cover

“An unknown planet emerges from inside a wormhole, and its discoverer, Dr. Oguro, christens the body ‘Remina’ after his own daughter. His finding is met with great fanfare, and Remina herself rises to fame. However, the object picks up speed as it moves along its curious course, eliminating planets and stars one after another, until finally Earth itself faces extinction.  . . Is the girl Remina the true cause of the catastrophe?”

 

Review

This one-book for-mature-readers horrific science fiction manga series is excellent, gripping, its intense characters (and their actions) and storyline made more so by its stellar and disturbing artwork that highlights the escalating madness of humanity as they howl with madness, even as the devouring planet’s relentless, coming-ever-closer stare promises undeniable doom. Great read, worth owning.