Showing posts with label Jack Nicholson. Show all posts
Showing posts with label Jack Nicholson. Show all posts

Wednesday, April 28, 2021

The Postman Always Rings Twice by James M. Cain

 

(hb; 1934)

Review

Postman is an excellent, no-words-wasted, twisted tale of raw sexuality, adultery and murder, with two main characters who, in spite of the seeming amorality, are relatable (at least for this reader), who aren’t evil just unhappy, and willing to do what they need to do to achieve it. Simple (but not simple-minded), entertaining and darkly clever, this is one of the best pulp novels I’ve read. Worth owning, this.

#

Two film versions of Postman resulted.

The first version was released stateside on May 2, 1946. Tay Garnett directed it, from a screenplay by Harry Ruskin and Niven Busch.

John Garfield played Frank Chambers. Lana Turner played Cora Smith (in the book her married surname was Papadakis). Cecil Kellaway played Nick Smith.

Hume Cronyn played Arthur Keats. Leon Ames played Kyle Sackett. Audrey Totter played Madge Gorland. Alan Reed (who later voiced an animated Fred Flintstone) played Ezra Liam Kennedy. Jeff York played Blair.



The second version, directed by Bob Rafelson from a script by David Mamet, was released stateside on March 20, 1981.

Jack Nicholson played Frank Chambers. Jessica Lange played Cora Papadakis. John Colicos played Nick Papadakis.

Michael Lerner played Mr. Katz. John P. Ryan played Kennedy. William Traylor played Sackett. Anjelica Huston played Madge. Thomas Hill, billed as Tom Hill, played Barlow.

Wednesday, March 24, 2021

The Missouri Breaks by Thomas McGuane

 

(pb; 1976: screenplay)

From the back cover

“Marlon Brando is a hired gun.

“Jack Nicholson is a horse thief.

“One of them is out to kill─and the other is not about to die.”

 

Review

McGuane’s screenplay is simple, offbeat, character- and genre-resonant, one that is true to the spirit of iconic Westerns, paced by its familiar-but-memorable character’s actions and personalities, especially its two leads (Tom Logan and Robert Lee Clayton).  While there’s a dark thread running through it, there is little onscreen violence, and its dialogue is often sly (especially between Logan, Clayton, and Lloyd). This is a great script for a movie that was mostly faithful to its written scenes. Worth reading and seeing, this.

#

The PG-rated film was released stateside on May 19, 1976. Arthur Penn directed it from, as indicated above, a screenplay by Thomas McGuane and, according to IMDb, an uncredited Robert Towne (who may’ve edited the screenplay during shooting).

Jack Nicholson played Tom Logan. Marlon Brando played Robert Lee Clayton. Kathleen Lloyd, in her theatrical film debut, played Jane Braxton. John McLiam played David Braxton.

Harry Dean Stanton played Calvin. John P. Ryan, billed as John Ryan, played Si. Randy Quaid played Tod La Frambois (a.k.a. “Little Tod”). Frederic Forrest played Cary.

Sam Gilman played Hank Rate. Richard Bradford played Pete Marker. Hunter von Leer played Sandy. Virgil Frye played Woody. R.L. Armstrong played Bob.

Monday, August 11, 2008

The Last Detail by Darryl Ponicsan


(hb; 1970)

Review

In Norfolk, Virginia, two “lifer” Naval Petty Officers─Billy James Buddusky (a.k.a. “Billy Bad-Ass”), a book- and street-smart Polack with a temper, and Richard Mulhall (a.k.a. Mule), a black mostly level-headed man─pull “chaser” duty (escorting a fellow Navy man to the brig), a job considered to be choice work. Their prisoner, Lawrence Meadows, an eighteen-year-old, kind-hearted kleptomaniac, has stolen forty dollars from a charity box in commissary store. Because that charity box is favored a high-ranking officer’s wife, Meadows has been sentenced to a eight-year sentence in a Portsmouth, New Hampshire brig.

A fatalistic aura hangs heavy over this sometimes-hilarious, often heartbreaking story about three men who, for all their differences, become friends. It’s not just another detail for any of them─for Meadows, who’s inexperienced in worldly matters (“booze and broads”), it’s his first and (for a while) his last chance to enjoy relative freedom. For Buddusky and Mulhall it’s a disruption of their comfortable routine.

Unpredictable, full of wild behavior and sharp/raw dialogue, this is an exhilarating blast of a read. The ending is not Hollywood happy but it does not need to be because the heart of this novel is its memorable characters and their life-changing interactions. Great stuff, this. Followed by a sequel penned by Ponicsan, Last Flag Flying.

#

The Last Detail was released stateside on December 12, 1973. Hal Ashby directed it, from Robert Towne’s screenplay.

Jack Nicholson played “SM1 Billy ‘Bad Ass’ Buddusky.” Otis Young played “GM1 ‘Mule’ Mulhall.” Randy Quaid played Seaman Larry Meadows.

Clifton James played “M.A.A.” Carol Kane played a “Young Whore.” Michael Moriarty played a “Marine O.D.” Nancy Allen played Nancy. Gilda Radner played "Nichiren Shoshu Member." Director Hal Ashby played "Bearded Man at Bar in Darts Scene" (an uncredited role).




Tuesday, December 18, 2007

How to... Make Love Like a Porn Star: A Cautionary Tale, by Jenna Jameson with Neil Strauss

(hb; 2004: autobiography)

From the inside flap:

"In the underbelly of Las Vegas, a cesspool of warring biker gangs and seedy strip clubs transformed the gawky, brace-faced Jenna Massouli into the bombshell Jenna Jameson. Today, Jenna Jameson is the biggest star in the history of adult movies, consistently ranked as one of the most beautiful women alive. But behind the glamour and the meteoric rise to fame was a path paved with tragedy and heartbreak. As a teenager drawn into a chaotic world ruled by rape, abuse, and murder, Jenna plunged into a downward spiral of addiction, even as she became one of the most photographed women in adult magazines.

"Determined to overcome this past, Jenna rebounded in the adult-film business, where she encountered sadistic directors, experienced lovers of both sexes, amorous celebrities (from Howard Stern to Marilyn Manson to Tommy Lee), bitter rival starlets, and finally, glory, as she went on to become the biggest porn star the world has ever seen. But her struggle for happiness did not end when the accolades began. For years she wrestled with her resentment at her estranged father, the loneliness of growing up from the age of two without a mother, and her enduring childhood desire to find a man who give her the security and love she never had."

Review:

Jameson's autobiography is an uneven read.

For the most part, it's interesting, particularly when she's talking about: the dos and don'ts of working in "the [adult film] industry"; her encounters with mainstream celebrities (including Nicolas Cage, Jack Nicholson, Pantera, Nikki Sixx, Bruce Willis and David Lee Roth); her struggle to deal with being raped, once by a bunch of high school boys, and later by a creepy German motorcycle gang member (called The Preacher); her father and brother; and her battles with drug addiction.

When Jameson, helped and edited by co-author Strauss, is talking about the above subjects, her narrative is informative, well-written, and engaging. In the middle of the book she has a dialogue with her brother, Tony, about minute bullshit abuses she and Tony had to put up with (from other folks), and her search for the right mate (she found him in a fellow industry worker). It's then that her book bogs down, which almost caused me to put this book down twice. But then an interesting bit would show up, and I'd soldier on.

One thing that was really interesting was how Jameson, who now owns her own production company, refused to condemn the porn business, unlike Traci Elizabeth Lords, who blasted it in her autobio, Underneath it All. In remaining porn-positive, Jameson provides an equally level-headed, if promo-savvy, counterpoint to Lords' negative experiences.

Co-author Strauss did a better job working with Motley Crue on The Dirt. I can only hope he did the same with Marilyn Manson, in Manson's autobio, The Long Hard Road Out of Hell.

Unless you're curious about the workings of "the industry," a die-hard Jameson fan, or wondering which celebrity names get dropped, don't read this.

Monday, February 12, 2007

Prizzi’s Honor, by Richard Condon

(hb; 1982: first book in the Prizzi quadrilogy)

From the inside flap:

“Charley Partanna is the sottocapo of the powerful Prizzis, a ‘Prince of Murderers’ who made his bones at the age of thirteen with his first hit. Irene Walker, ex-prostitute, ex-mob courier, is now a beautiful Los Angeles ‘tax consultant’ whose desk and ledgers hide her true identity as a freelancer of the deadliest kind.

“Charley and Irene meet. He falls helplessly in love with her, and she with him. Together, caught in the intensely brutal, intensely ‘moral’ world of the Mafia, they make love and war, until Charley’s betrayal of ‘Prizzi’s honor’ leads him inexorably to the ultimate betrayal.”

Review:

Wryness accents this jet black comedy of romantic terrors, where an atypical code of righteousness is held in esteem, even trumping one’s relations with his (or her) non-Family family. Both “straight” (non-Mob) and Mob society are slyly skewered by Condon, whose characters’ personalities shape the novel’s driving drama and intermittent action. Difficult to put down, this, between the effective humor and dialogue, relatable characters, and heartfelt (if sometimes shady) drama.

One of the best comedic books I’ve ever read about the Mafia – easily worth your time.

Followed by Prizzi’s Family.

Prizzi's Honor, the film, was released stateside on June 14, 1985. Jack Nicholson played Charley Partanna. Kathleen Turner played Irene Walker. Anjelica Huston played Maerose Prizzi. John Randolph played Angelo "Pop" Partanna. William Hickey played Don Corrado Prizzi. Robert Loggia played Eduardo Prizzi.

CCH Pounder (billed as C.C.H. Pounder) played Peaches Altamont. Lawrence Tierney played Lt. Hanley.

The film was co-scripted by author Richard Condon and Janet Roach. John Huston directed it.