The Final Conflict by Gordon McGill

 

(pb; 1980: movie tie-in novel, based on Andew Birkin’s screenplay. Third book in The Omen pentalogy.)

From the back cover

“Around the globe, drought, famine, and flood are striking down helpless millions. And everywhere there is trouble, Damien Thorne’s followers can be found─almost before disaster strikes─ready to offer aid to the pitiful survivors.

“Damien, the handsome, thirty-two-year-old head of one of the world’s most powerful corporations and certain to be president of the United States by the time he’s forty, Damien, believed to be the son of Satan, who is relentlessly reaching out to claim the Earth for the forces of darkness. . .

“Now is the time of prophecy, the beginning of the end for mankind. But where is the promised Messiah to save the world from ultimate evil. . .?”

Review

Final is a solid second book sequel to David Seltzer’s The Omen. Like its predecessor movie tie-in novel, Joseph Howard’s Damien—Omen II, it has the same virtues and play-it-safe drawbacks of its subgenre: Final is well-written, the characters and their relationships are well-sketched, its pacing is a deft, series-consistent balance of backstory, characterization, action, and horrifying death scenes. Despite that, the book adds little to the story or characters, although its tone is more perverse (e.g., Damien’s Black Chapel inside his Pereford house, where he was raised by Robert and Katherine Thorn), and McGill, when writing about one of The Omen’s satanic priests, calls him “Father Tassone” (Edgardo Emilio Tassone), Seltzer’s book-version name for the priest. In the 1976 film version of The Omen, Tassone was called Father Brennan.

One obvious thing─possibly an egregious flaw─is that most of the priests in the movie tie-in sequels (aside from Carl Bugenhagen, who died in Damien) think they need to stab Damien with one of the Crucifixion-hilted daggers, when they need to use seven, in a cross-like pattern. How did that vital information escape the priests’ attention?

Final’s ending has an abrupt, low-budget B-movie finish, appropriate when one considers the hard-cut, not-quite-choppy cinematic feel of Final. While not a standout entry in its series or subgenre, it’s modestly entertaining, a good writer toeing the line of his work-for-hire subgenre.

Followed by Gordon McGill’s Omen IV: Armageddon 2000, a non-movie tie-in, and related to the 1991 television movie (Omen IV: The Awakening) in series name only (their storylines are completely different).

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Final's film version, bearing the same title, was released stateside on March 20, 1981. Graham Baker directed it, from a screenplay by Andrew Birkin.

Sam Neill played Damien Thorne. Lisa Harrow played Kate Reynolds. Barnaby Holm played Peter Reynolds.

Rossano Brazzi played DeCarlo.

Don Gordon played Harvey Dean. Leueen Willoughby played Barbara Dean.

Legion by William Peter Blatty

(pb; 1983: sequel to The Exorcist) 

 From the inside flap

"A young boy, a deaf-mute, is found horribly murdered in a mock crucifixion. The kindly, aging detective assigned to the case sees it not only as a crime -- one that calls for all his skill and intuition as an investigator -- but as part of a a larger and more baffling mystery: whether or not a good god can exist if He tolerates such monstrous evil. Is the murderer the elderly woman who witnessed the crime? A neurologist who can no longer bear the pain life inflicts on its victims? A psychiatrist with a macabre sense of humor and a guilty secret? A mysterious mental patient, locked in silent isolation? 

 "As Lieutenant Kinderman follows a bewildering trail that links all these people, he confronts a new enigma at every turn. Why does each victim suffer the same dreadful mutilations? Why are two of the victims priests? Is there a connection between these crimes and another series of murders that took place twelve years ago -- and supposedly ended with the death of the killer?" 

Review

Twelve year after the events of The Exorcist -- Regan MacNeil's little-known demonic possession; the murder of Burke Dennings; and Damien Karras's suicide on the steep M Street/"Hitchcock Steps" -- multiple homicides rock the Georgetown area. The murders are beyond-bizarre weird in their one-killer-consistent M.O.s; a gleefully-macabre wit is at bloody work here. Even more bizarre, their M.O.s are almost dead-on replications of the Gemini (read: Zodiac) Killer, who died years ago. The more Lt. William Kinderman (still ruminating long on Natural, philosophical and religious tangents relating to the nature of evil) learns about the murders, the more they become linked to the Dennings/Karras deaths, cases that were filed away, but never officially solved: these new victims were not chosen at random, it seems. 

 Father Joseph Dyer, friend of Karras and Kinderman in The Exorcist, indirectly aids Kinderman in his investigation. As Kinderman closes in on the killer, the more dangerous -- and crazier -- his life gets, as do the lives of those around him. Blatty once again has crafted a novel that is landmark in its execution. Interplays of warmth (especially relating to Kinderman's interactions with others) dispel much of the cold, alien darkness of the murders, past and present. A sly, macabre wit not only informs the killer's M.O., but the novel itself . 

One nit: Kinderman's ruminations run overlong at times. These ruminations relate to the events of Legion, lending often intuitive and key points (and Kinderman's personality) to the mood of the novel, but a lot of it could've been trimmed, without hurting the overall effect of the novel. That minor nit aside, this spin-off novel not only continues the story begun in The Exorcist, but fully mutates into its own, distinctive work -- an equally-excellent, equally-shocking-blow-to-the-plexus sequel that is ultimately a crime and redemption tale. 

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Novel-author Blatty directed and scripted the resulting film, The Exorcist III, released stateside on August 17, 1990.

George C. Scott played Lt. William Kinderman. Ed Flanders played Father Joseph Dyer. Brad Dourif provided the voice for The Gemini Killer. Jason Miller, who played Father Damien Karras in The Exorcist, played Patient X. Nicol Williamson played Father Morning. Scott Wilson played Dr. Temple. Don Gordon played Ryan.