Dead-Bang by Ed Naha

 

(1989: movie tie-in, based on Robert Foster and Jerry Beck’s screenplay)

From the back cover

“Detective Beck thought he’d seen it all, until now.

“A quick stop market on a deserted street. A trigger-happy killer with a strange tattoo. A brutal double-shooting, and a cop murdered.

“It’s more than just a robbery gone awry. For L.A. detective Jerry Beck, it’s the start of a pursuit that will take him halfway across the country—and into the soul of hatred and fear. Where a ruthless army of conspirators would rather die than surrender.

“Based on the real-life experience of a Los Angles homicide detective [Jerry Beck], Dead-Bang is a the exciting story of a dangerous and frightening manhunt. . .”

 

Review

Dead-Bang is a straightforward, starkly and solidly written mission-bent-rogue-cop pursuing what appears to be questionable case book, in this instance a cop-killer with ties to a conspiracy-minded white supremacy group. It sports an effective twist near the end, making it memorable for a brief second, but otherwise don’t expect too much (aside from a fast, entertaining read) from this movie tie-in novel.

The John Frankenheimer-directed film on which it’s based was released stateside on March 24, 1989. Don Johnson played Det. Jerry Beck.

The Island of Doctor Moreau by H.G. Wells

(hb; 1896)

From the inside flap:

"[This] is the story of [Edward] Prendick, a common man, who is shipwrecked on a mysterious island populated by Moreau, a scientist and Montgomery, his drunken assistant, a disgraced doctor. Growing suspicious of Moreau's experiments, Prendick discovers Moreau is creating strange, human-like cratures from animals. Wolves, dogs, pumas, oxen and other animals have been transformed by Doctor Moreau's skillful hands and brilliant mind into Beast People, capable of speech and thought.

"Following a shocking sequence of events Prendick is left alone with Moreau's creations, as they revert back to their animal state. . ."



Review:

Wells's fast-paced novel is immediately gripping and timeless, perfectly balancing the action/science fiction aspects of the tale, the emotions of its lead protagonist (Prendick, whose panic suffuses the work) and its horrific men should not play God with nature theme.

True to Frankensteinean form, Doctor Moreau is a curious and barbaric man, often more cruel and perverted than the Beast People he created and brainwashed. And this reader could practically smell Montgomery's desperate, acrid alcoholic sweat, as he, caught in his own fugue-panic, further enables Moreau's escalating (and equally desperate) atrocities.

One of my all-time favorite novels, this: own it, already.

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Seven films have resulted from this novel.

The first, The Island of the Lost, was released in 1921.

This German-language film was directed by Urban Gad, from a screenplay by Hans Berhendt and Bobby E. Lüthge.

Fritz Beckmann played Jim. Hans Berhendt (who also co-scripted the movie) played Pat Quickly. Alf Blutecher played Robert Marston. Tronier Funder played Dr. Ted Fowlen. Ludmilla Hell played Evelyn Wilkinson.

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The second version, Island of Lost Souls, was released stateside in December 1932.

Charles Laughton played Dr. Moreau. Richard Arlen played Edward Parker. Leila Hyams played Ruth Thomas. Bela Lugosi played "Sayer of the Law". Kathleen Burke played "The Panther Woman - Lota". Arthur Hohl played Mr. Montgomery. Tetsu Komai played M'ling. George Irving played "The Consul".

Erle C. Kenton directed the film, from a script by Waldemar Young and Philip Wylie.

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Terror Is A Man was the third cinematic version of Wells's novel, though the novel was never credited as the film's source material. Terror Is A Man was released stateside in November 1959.

Francis Lederer played Dr. Charles Girard. Greta Thyssen played Frances Girard. Richard Derr played Dr. Fitzgerald. Oscar Keesee played Walter Perrera.

Geraldo de Leon directed the film, from a script by Paul Harbor.

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Tim Burton directed, scripted and starred in the 1971 shot-on-Super-8 short The Island of Doctor Agor. It was Burton's first film, and the fourth cinematic adaptation of this Wells novel.

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The Twilight People was released stateside in January 1973. The film did not cite Wells's novel as a source, though this appears to be the case.

John Ashley played Matt Farrell. Pat Woodell played Neva Gordon. Jan Merlin played Steinman. Charles Macauley played Dr. Gordon. Pam Grier played "Ayesa, the Panther Woman". Ken Metcalfe played "Kuzma, the Antelope Man". Kim Ramos played "Primo, the Ape Man".

Eddie Romero, who also co-scripted the film with Jerome Small, directed this fifth film version of Wells's novel.

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The sixth version, The Island of Doctor Moreau, was released stateside on July 13, 1977. Don Taylor directed the film, from a screenplay by Al Ramrus and John Herman Shaner.

Burt Lancaster played Dr. Paul Moreau. Michael York played Andrew Braddock. Nigel Davenport played Montgomery. Barbara Carrera played Maria. Richard Basehart played "Sayer of the Law". Nick Cravat played M'ling.

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The seventh (and latest) cinematic adaptation, The Island of Doctor Moreau, was released stateside on August 23, 1996.

David Thewlis played Edward Douglas. Marlon Brando played Dr. Moreau. Fairuza Balk played Aissa. Val Kilmer played Montgomery. Ron Perlman played "Sayer of the Law". Marco Hoffschneider played M'ling. Temuera Morrison played Azazello. Mark Dascascos played Lo-Mai.

John Frankenheimer, who replaced an uncredited/fired Richard Stanley, directed the film, from a script by Richard Stanley and Ron Hutchinson.

The Holcroft Covenant by Robert Ludlum

(hb; 1978) 

 From the inside flap

"March, 1945. From all over war-devastated Europe, by plane and ship and submarine, are secretly dispatched shipments of precious cargo. Children. German children. To nations everywhere. These are die Sonnenkinder, children who will come of age and in the 1970s carry out their preordained mission -- the establishment of the Fourth Reich. Everywhere.

"Noel Holcroft, an American architect, is flown to Geneva and shown an extraordinary document drawn up by three men more than thirty years ago, each a member of the Third Reich's High Command -- one of them Noel's long-forgotten, natural father. The three men, appalled by the revealed horrors of the Nazi machine, have created a covenant, and executed a massive theft. The sum of $780,000,000.00 was stolen from the German coffers, and in atonement for Hitler's crimes these monies are to be used to aid the survivors and descendants of those trapped in the Holocaust. All that's necessary to release the funds is Holcroft's signature and the signature of the other two heirs. They must be found. 

 "But the document is a lie. The millions are to be the economic foundation of a vast and ruthless plan that will politically shape governments across the world, a plan so brilliantly conceived it cannot fail. The other heirs are waiting: they know the true intention. Noel does not. In signing the covenant, Holcroft will in effect be signing his own death warrant just as he is signing away the future of free people everywhere. Yet even when he finds out what the document really is, even when he discovers who is enemies are and what power lies in their hands, he determines to aid in the release of the funds, for ironically it is the only chance to stop the plan and the men who are determined to carry it out." 

 Review

Ludlum's trademark conspiratorial and labyrinthine plotting/twists/characterization, masterful bursts of violence and action, and reader-compelling prose made this near impossible to set down. Great, fast read despite its bulk. Worth owning, this. 

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The film version was released stateside on October 18, 1985. The Holcroft Covenant was directed by John Frankenheimer, who also voiced -- uncredited and unseen -- the character Bernie Sussman. The film was co-scripted by George Axelrod, Edward Anhalt and John Hopkins.

  Michael Caine played Noel Holcroft. Victoria Tennant played Helden von Tiebolt/Helden Tennyson. Anthony Andrews played Johann von Tiebolt/John Tennyson. Lilli Palmer played Althene Holcroft. Michael Lonsdale played Ernst Manfredi. Shane Rimmer played Lt. Miles. Bernard Hepton played Commander Leighton. Richard Münch, billed as Richard Munch, played Oberst. Mario Adorf played Erich Kessler/Jürgen Mass. Carl Rigg played Anthony Beaumont. Alexander Kerst played Gen. Heinrich Clausen. Michael Wolf played Gen. Erich Kessler. Hugo Bower played Gen. Wilhelm von Tiebolt. 

52-Pick-Up, by Elmore Leonard

(pb; 1974)

From the back cover

"Detroit businessman Harry Mitchell was having a mid-life crisis. He had an attractive wife at home. He had a voluptuous girlfriend on the side. And now he had a problem with porno movies.

"He was in one.

"A man with a stocking over his head and a .38 in his hand wanted a hundred grand to keep Harry's picture out of circulation. But the hoods behind this blackmail scam made a big mistake when they fingered Harry Mitchell for their pigeon.

"Because Harry Mitchell was the type of guy who played every game by nobody's rules but his own. And the more they got him mad, the more certain it was that the only pay-off Harry planned was getting even."


Review

Taut, plot corkscrew-y, riveting, edgy crime thriller, with characters and a denouement you're not likely to forget any time soon.

Excellent work from a top-notch writer.

Check this out.

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The film version was released stateside on November 7, 1986.

Roy Scheider played Harry Mitchell. Ann-Margaret played Barbara Mitchell. Kelly Preston played Cini.

John Glover played Alan Raimy. Robert Trebor played Leo Franks. Clarence Williams III played Bobby Shy. Vanity played Doreen. Lonny Chapman played Jim O'Boyle. Doug McClure played Mark Arveson.

Ron Jeremy (billed as Ron Jeremy Hyatt) played "Party Goer". Other porn star "Party Goer" cameos included: Amber Lynn, Tom Byron, Sharon Mitchell and Herschel Savage (billed as Harvey Cowen).

John Frankenheimer directed the film, from a screenplay by book author Elmore Leonard and John Steppling.