(hb; 2013: autobiography)
From the inside flap:
"The high octane, no-holds-barred memoir by the legendary godfather of industrial music and Ministry founder Al Jourgensen . . . is both ugly and captivating, revealing a character who has lived a hard life his way, without compromise. Al Jourgensen, one of the most innovative and prolific artists to pick up a guitar, a mandolin, harmonica, or banjo, or to sit at a 90-channel SSI console, wanted to be a musician, yet became a rock star. And fame and fortune almost killed him. An IV drug abuser from the age of 15, Jourgensen delved deeper into heroin, cocaine and methadone and alcohol for 22 years before cleaning up, straightening out, and finding new reasons to live.
"During his career, Jourgensen has explored multiple avenues of electronic, industrial, metal, punk and even country music with Ministry, The Revolting Cocks, Lard, and others. Along the way he engaged in all of the rock 'n' roll clichés regarding decadence and debauchery. . . Despite his addiction and debauchery, he created seven seminal albums, including the hugely influential classics: 1988's The Land of Rape and Honey, 1989's The Mind is a Terrible Thing to Taste, and 1992's platinum blockbuster Psalm 69: The Way to Succeed & The Way to Suck Eggs. . ."
Review:
This is one of my all-time favorite rock biographies. Jourgensen, with the help of co-author Wiederhorn, tells his life story in an unapologetic, no-bullcrap manner, with lots of raunchy verve, humor and self-aware observations (this latter element is something that many people seem to lack in their day-to-day lives). This adds zing to this fast-moving book, which is one of the rawest, craziest autobiographies I've read.
There will likely be some tempest-in-tea-cup controversies regarding Ministry: Jourgensen not only dishes dirt about himself, but those around him - Robert Plant, Ice-T, William S. Burroughs, Henry Rollins, R. Kelly, Trent Reznor, Jello Biafra, Timothy Leary, and others, including his longtime bandmate Paul Barker.
There's lots to laugh at, lots to be horrified by and lots to admire here; if you're a fan of rock/music autobiographies, pick this up. You may not want to hang around Jourgensen when he's in full-tilt crazy mode, but he tells smart - if especially dark - entertaining stories.
Ministry is worth owning if you're not easily offended and easily grossed out, a member of the Grammar Police, or expecting detailed explanations of where some of your (possibly) favorite songs came from.
Friday, February 28, 2014
The Delicious Torment: A Tale of Submission, by Alison Tyler
(pb; 2013: sequel to Dirty Secret Love: A Tale of Submission)
Review:
Equal parts heart and carnal explicit heat, this worthwhile sequel to Dark Secret Love not only matches the genre-transcendent excellence of its source novel, but raises the emotional and sexual bar of Samantha's erotic and loving journey. Chock full of necessary mindfrak and revelations (minor and milestone) for its heroine, this dance of control and relative chaos makes for a standout read. Worth owning, this - as is its source novel.
Friday, February 21, 2014
**Two of my poems were published in Stormcloud Poets: First Anthology
Two of my poems - advent and 415 vista reunion - were published in Stormcloud Poets: First Anthology. advent is about the aftermath of a friend's death; 415 vista reunion is about the joy of hanging out with another friend after a long time apart.
Thanks, once again, to editor/author E.S. Wynn (a.k.a. Earl S. Wynn) for including my work in his 136-page poetry collection - it's an honor to work with such an accomplished and inspiring word-conjurer.
Stormclouds Poets: First Anthology purchase links are here, for its various publishing formats - electronic and hard copy.
Joyride by Stephen Crye
(pb;
1983)
From
the back cover
“Nine
teenagers venture into All Saints Hill Cemetery one evening in search of a
quiet place to get drunk, stoned, and naked. Watching from a tool shed is
Cleats, the hideously scarred caretaker who thinks the cars contain his
tormentors from six years ago. Cleats locks the gates, gathers his tools and
goes hunting. Any poor soul straying too far from the party runs into the wrong
end of a sickle, chainsaw, pick-axe, or icepick.”
Review
Joyride is
a slasher-flick book: its fast-moving, well-written scenes are cinematic, and
visually splashy in gory and non-gory ways: many of the characters are
unlikeable and lack nuance; it also has the tension, gratuitous sex and blunt
violence one would expect from such a work.
One of
the things that thrilled me about Joyride
was that its killer, Robert Atchison (a.k.a. Cleats), was not always a psycho
killer, as shown in the book’s flashback chapters. Atchison is a fully realized
person with a (semi-)relatable motive for slaughtering these often-obnoxious
and stupid adolescents.
I
enjoyed this book a lot. I would recommend it to anyone who likes slasher
movies.
Monday, February 10, 2014
The Horror Hall of Fame: The Stoker Winners edited by Joe R. Lansdale
Overall review:
Good collection of thirteen classic horror-style stories, worth owning for its standout works. I disliked a few of the stories in this book, but that's due to personal writing preferences on my part, not crappy writing on the part of the authors. Check it out.
Standout stories:
1.) "The Secret of Vinegar" - Robert Bloch: Intriguing, exotic and mostly excellent tale about an infamous old-time Los Angeles cathouse. I write "mostly excellent" because a Plot Convenient Stupid Moment [PCSM] and a predictable finish mar the work. Still a standout story, though.
2.) "Chatting with Anubis" - Harlan Ellison: Entertaining, smart, sometimes funny piece about two paleoseismologists (Wang Zicai, Amy Guiterman) who, in the course of studying a possible archeological find along a fault line, experience a life-altering events. One of my favorite pieces in this anthology.
3.) "The Night They Missed the Horror Show" - Joe R. Lansdale: Pitch bleak-humored, frak-PC-minded-readers story about two "bored" redneck racists who eschew a zombie movie, only to find themselves in increasingly nightmarish situations. One of my favorite stories in this collection.
4.) "The Box" - Jack Ketchum: Clever concept, darkly humorous work. Memorable read.
5.) "Orange is for Anguish, Blue is for Insanity" - David Morrell: One of my favorite stories in this collection. A Postimpressionist artist's work and horrific life inspires madness in those whose research delves too deeply into them. Effective-build, entertaining read, this, with an ending that's not surprising but not disappointing.
Wednesday, February 05, 2014
Right Hand Magic, by Nancy A. Collins
(pb; 2010: first novel in the Golgotham series)
From the back cover:
"Like most Manhattanites, aspiring artist Tate can't resist a good rental deal - even if it's in the city's strangest neighborhood, Golgotham. For centuries werewolves, Valkyries, centaurs, and countless other creatures have crowded these streets, where no cab will venture. Golgotham's most prominent citizens, though, are the Kymerians, a race of witches who provide humans with the charms they desire and the curses they fear.
"Tate's new landlord is a Kymerian sorcerer-for-hire named Hexe. Despite being the son of Golgotham's Witch-Queen, Hexe is determined to build his own reputation without using dark Left Hand magic or his mother's connections. As Tate is irresistibly drawn into Hexe's fascinating world, they both find that the right hand does not always know what the left hand is doing."
Review:
Right is a fast-paced, charming, clever, exotic and sometimes unpredictable urban fantasy - in a word, excellent. Its intriguing character-, location- and event-rich storyline makes this set-up book a promising start of what looks to be a wild (in the core sense of the word) series, perhaps even a genre high-bar one; given the overall excellence of Collins's past works, this seems likely. Worth owning, this.
Caveat: Readers expecting the dark edge of Collins's previous work - especially the Sonja Blue series - might be disappointed. The Golgotham series, if it maintains the feel of this first book, will be considerably lighter - almost YA light - in tone. If that doesn't sound like something you can get into, don't bother reading the series. . . or, if you really must read them despite your (potential) misgivings, borrow the books from the library or a friend. =)
Followed by Left Hand Magic.
From the back cover:
"Like most Manhattanites, aspiring artist Tate can't resist a good rental deal - even if it's in the city's strangest neighborhood, Golgotham. For centuries werewolves, Valkyries, centaurs, and countless other creatures have crowded these streets, where no cab will venture. Golgotham's most prominent citizens, though, are the Kymerians, a race of witches who provide humans with the charms they desire and the curses they fear.
"Tate's new landlord is a Kymerian sorcerer-for-hire named Hexe. Despite being the son of Golgotham's Witch-Queen, Hexe is determined to build his own reputation without using dark Left Hand magic or his mother's connections. As Tate is irresistibly drawn into Hexe's fascinating world, they both find that the right hand does not always know what the left hand is doing."
Review:
Right is a fast-paced, charming, clever, exotic and sometimes unpredictable urban fantasy - in a word, excellent. Its intriguing character-, location- and event-rich storyline makes this set-up book a promising start of what looks to be a wild (in the core sense of the word) series, perhaps even a genre high-bar one; given the overall excellence of Collins's past works, this seems likely. Worth owning, this.
Caveat: Readers expecting the dark edge of Collins's previous work - especially the Sonja Blue series - might be disappointed. The Golgotham series, if it maintains the feel of this first book, will be considerably lighter - almost YA light - in tone. If that doesn't sound like something you can get into, don't bother reading the series. . . or, if you really must read them despite your (potential) misgivings, borrow the books from the library or a friend. =)
Followed by Left Hand Magic.
Wednesday, January 29, 2014
'Salem's Lot, by Stephen King
(pb; 1975)
From the back cover:
"The town knew darkness. . . but no one dared talk about the high, sweet, evil laughter of a child. . . and the sucking sounds. . ."
Review:
'Salem's Lot is an excellent, hard-to-put-down 'Old School' (if sometimes chatty) horror novel that effectively channels the slow-build, multilayered dread and gut-wrenching terror of Bram Stoker's novel Dracula and late Sixties/early Seventies Hammer films, which are obvious (and stated) influences on Lot. The characters are interesting and relatable, with their interlocking small-town histories and reactions to Straker and Barlow's insidious takeover of their town and its surrounding area.
Great read, this - worth owning.
Side-note: two of King's stories ("Jerusalem's Lot" and "One for the Road") from his anthology Night Shift are loosely linked to this novel.
#
This novel spawned two television films and one cinematic sequel.
The first television film, which aired stateside on November 17, 1979, was directed by Tobe Hooper. Paul Monash wrote the teleplay.
David Soul played Ben Mears. Lance Kerwin played Mark Petrie. James Mason played Richard K. Straker. An uncredited Reggie Nalder played Kurt Barlow.
Bonnie Bedelia played Susan Norton. Geoffrey Lewis played Mike Ryerson. Lew Ayres played Jason Burke. Elisha Cook Jr., billed as Elisha Cook, played Gordon "Weasel" Phillips. George Dzunda played Cully Sawyer. Kenneth McMillan played Constable Parkins Gillespie. Fred Willard played Larry Crockett.
#
Larry Cohen directed and co-scripted its theatrical sequel, A Return to 'Salem's Lot, released stateside in May 1987. James Dixon, who played Rains, was Cohen's writing partner.
Michael Moriarty played Joe Weber. Ricky Addison Reed played Jeremy Weber. Samuel Fuller played Van Meer. Andrew Duggan played Judge Axel. Evelyn Keyes played Mrs. Axel. Tara Reid played Amanda. June Havoc played Aunt Clara. Ronee Blakley played Sally.
#
The second television film, based on the original novel, aired stateside on June 20, 2004. It was directed by Mikael Salomon. Peter Filardi wrote the teleplay.
Rob Lowe played Ben Mears. Dan Byrd, billed as Daniel Byrd, played Mark Petrie. Donald Sutherland played Richard Straker. Rutger Hauer played Kurt Barlow. Samantha Mathis played Susan Norton. Andre Braugher played Matt Burke. James Cromwell played Father Donald Callahan. Christopher Morris played Mike Ryerson. Robert Grubb played Larry Crockett.
From the back cover:
"The town knew darkness. . . but no one dared talk about the high, sweet, evil laughter of a child. . . and the sucking sounds. . ."
Review:
'Salem's Lot is an excellent, hard-to-put-down 'Old School' (if sometimes chatty) horror novel that effectively channels the slow-build, multilayered dread and gut-wrenching terror of Bram Stoker's novel Dracula and late Sixties/early Seventies Hammer films, which are obvious (and stated) influences on Lot. The characters are interesting and relatable, with their interlocking small-town histories and reactions to Straker and Barlow's insidious takeover of their town and its surrounding area.
Great read, this - worth owning.
Side-note: two of King's stories ("Jerusalem's Lot" and "One for the Road") from his anthology Night Shift are loosely linked to this novel.
#
This novel spawned two television films and one cinematic sequel.
The first television film, which aired stateside on November 17, 1979, was directed by Tobe Hooper. Paul Monash wrote the teleplay.
David Soul played Ben Mears. Lance Kerwin played Mark Petrie. James Mason played Richard K. Straker. An uncredited Reggie Nalder played Kurt Barlow.
Bonnie Bedelia played Susan Norton. Geoffrey Lewis played Mike Ryerson. Lew Ayres played Jason Burke. Elisha Cook Jr., billed as Elisha Cook, played Gordon "Weasel" Phillips. George Dzunda played Cully Sawyer. Kenneth McMillan played Constable Parkins Gillespie. Fred Willard played Larry Crockett.
#
Larry Cohen directed and co-scripted its theatrical sequel, A Return to 'Salem's Lot, released stateside in May 1987. James Dixon, who played Rains, was Cohen's writing partner.
Michael Moriarty played Joe Weber. Ricky Addison Reed played Jeremy Weber. Samuel Fuller played Van Meer. Andrew Duggan played Judge Axel. Evelyn Keyes played Mrs. Axel. Tara Reid played Amanda. June Havoc played Aunt Clara. Ronee Blakley played Sally.
#
The second television film, based on the original novel, aired stateside on June 20, 2004. It was directed by Mikael Salomon. Peter Filardi wrote the teleplay.
Rob Lowe played Ben Mears. Dan Byrd, billed as Daniel Byrd, played Mark Petrie. Donald Sutherland played Richard Straker. Rutger Hauer played Kurt Barlow. Samantha Mathis played Susan Norton. Andre Braugher played Matt Burke. James Cromwell played Father Donald Callahan. Christopher Morris played Mike Ryerson. Robert Grubb played Larry Crockett.
Thursday, January 16, 2014
The Night Eternal, by Guillermo del Toro and Chuck Hogan
(hb; 2011: Book Three of The Strain trilogy)
From the inside flap:
"It's been two years since the vampiric virus was unleashed in The Strain, and the entire world now lies on the brink of annihilation. There is only night as nuclear winter blankets the land, the sun filtering through the poisoned atmosphere for two hours each day - the perfect environment for the propagation of vampires.
"There has been a mass extermination of humans, the best and the brightest, the wealthy and the influential, orchestrated by the Master - an ancient vampire possessed of unparalleled powers - who selects survivors based on compliance. Those humans who remain are entirely subjugated, interred in camps, and separated by status: those who breed more humans, and those who are bled for the sustenance of the Master's vast army.
"The future of humankind lies in the hands of a rag-tag freedom fighters - Dr. Eph Goodweather, former head of the Centers for Disease Control's biological threat team; Nora Martinez, a fellow doctor with a talent for dispatching the undead; Vasiliy Fet, the colorful Russian exterminator; and Mr. Quinlan, the half-breed offspring of the Master who is bent on revenge. It's their job to rescue Eph's son, Zack, and overturn this devastating new world order. But good and evil are malleable terms now, and the Master is the most skilled at preying on the weaknesses of humans. . ."
Review:
This second sequel to The Strain starts off well enough: it's dramatic, it's apocalyptic and it's ambitious in its storyline scope. However, Night quickly succumbs to the same bullcrap writing elements that marred the first sequel, The Fall: at least one of its key characters - Dr. Eph Goodweather - is so unlikeable, hypocritical and willing to sell out the human race, I kept wondering why he was in the story at all.
I have nothing against unlikeable or complex characters, but Eph's alienating aspects go beyond the pale, as if the authors were using Eph as a shout-out to the (justifiably) cautious, asocial Robert Neville, the lead character in Richard Matheson's novella I Am Legend. If the latter is true, del Toro and Hogan have bungled it by making Eph so unlikeable and erratic he's practically useless - something Neville never was in Matheson's landmark work.
Not only that, the action scenes - normally an element I would applaud in such genre work - quickly begin to all read the same, with unnecessary, bordering-on-soap-operatic complications stalling out much of the momentum that this briefly promising work might have had.
This latter criticism wouldn't be an issue (for this reader) if del Toro and Hogan hadn't written Fall, and instead made Night the second and final book in the series, utilizing abbreviated key points featured in Fall - i.e., the Occido Lumen (the book needed to kill the Master), the vampiric takeover and the ensuing nuclear winter - and incorporated them into Strain and Night. But they didn't, and readers are left with this deeply flawed and drawn out series.
If you must read it - I only read Night to finish the series - borrow it from the library, or a friend. That way, if you like it, great! You just read a wonderful book for free! And if you dislike it, at least you were only robbed of a few hours of your time.
From the inside flap:
"It's been two years since the vampiric virus was unleashed in The Strain, and the entire world now lies on the brink of annihilation. There is only night as nuclear winter blankets the land, the sun filtering through the poisoned atmosphere for two hours each day - the perfect environment for the propagation of vampires.
"There has been a mass extermination of humans, the best and the brightest, the wealthy and the influential, orchestrated by the Master - an ancient vampire possessed of unparalleled powers - who selects survivors based on compliance. Those humans who remain are entirely subjugated, interred in camps, and separated by status: those who breed more humans, and those who are bled for the sustenance of the Master's vast army.
"The future of humankind lies in the hands of a rag-tag freedom fighters - Dr. Eph Goodweather, former head of the Centers for Disease Control's biological threat team; Nora Martinez, a fellow doctor with a talent for dispatching the undead; Vasiliy Fet, the colorful Russian exterminator; and Mr. Quinlan, the half-breed offspring of the Master who is bent on revenge. It's their job to rescue Eph's son, Zack, and overturn this devastating new world order. But good and evil are malleable terms now, and the Master is the most skilled at preying on the weaknesses of humans. . ."
Review:
This second sequel to The Strain starts off well enough: it's dramatic, it's apocalyptic and it's ambitious in its storyline scope. However, Night quickly succumbs to the same bullcrap writing elements that marred the first sequel, The Fall: at least one of its key characters - Dr. Eph Goodweather - is so unlikeable, hypocritical and willing to sell out the human race, I kept wondering why he was in the story at all.
I have nothing against unlikeable or complex characters, but Eph's alienating aspects go beyond the pale, as if the authors were using Eph as a shout-out to the (justifiably) cautious, asocial Robert Neville, the lead character in Richard Matheson's novella I Am Legend. If the latter is true, del Toro and Hogan have bungled it by making Eph so unlikeable and erratic he's practically useless - something Neville never was in Matheson's landmark work.
Not only that, the action scenes - normally an element I would applaud in such genre work - quickly begin to all read the same, with unnecessary, bordering-on-soap-operatic complications stalling out much of the momentum that this briefly promising work might have had.
This latter criticism wouldn't be an issue (for this reader) if del Toro and Hogan hadn't written Fall, and instead made Night the second and final book in the series, utilizing abbreviated key points featured in Fall - i.e., the Occido Lumen (the book needed to kill the Master), the vampiric takeover and the ensuing nuclear winter - and incorporated them into Strain and Night. But they didn't, and readers are left with this deeply flawed and drawn out series.
If you must read it - I only read Night to finish the series - borrow it from the library, or a friend. That way, if you like it, great! You just read a wonderful book for free! And if you dislike it, at least you were only robbed of a few hours of your time.
The Days of Anna Madrigal, by Armistead Maupin
(hb; 2014: Book Nine in the Tales of the City series)
From the inside flap:
"Now ninety-two, and committed to the notion of 'leaving like a lady,' Mrs. Madrigal has seemingly found peace with her 'logical family' in San Francisco: her devoted young caretaker, Jake Greenleaf; her former tenant Brian Hawkins and his daughter, Shawna; and Michael Tolliver and Mary Ann Singleton, who have known and loved Anna for nearly four decades.
"Some members of Anna's family are bound for the otherworldly landscape of Burning Man, the art community in Nevada's Black Rock Desert where sixty thousand revelers gather to construct a city designed to last only one week. Anna herself has another Nevada destination in mind: a lonely stretch of road outside of Winnemuca where the sixteen-year-old boy she once was ran away from the whorehouse he called home. With Brian and his beat-up RV, she journeys into the dusty, troubled heart of her Depression-era childhood to unearth a lifetime of secrets and dreams, and to attend to unfinished business she has long avoided."
Review:
Days, the final book in the Tales series, has all the elements that made its better entries so involving and memorable: warmth, wit, a playful sense of naughtiness, a touch of mystery and a no-bullcrap tone that makes the Tales books feel less like reading and more like revisiting - catching up with - family members who may tick you off, but are (for the most part) worth seeing again.
What especially drew me into Days was Maupin's ability to seamlessly show real world parallels - similarities and progressions - between the past and the present, within his characters' lives, as well as the world around them.
Great wrap-up to a milestone series. Worth owning, this.
From the inside flap:
"Now ninety-two, and committed to the notion of 'leaving like a lady,' Mrs. Madrigal has seemingly found peace with her 'logical family' in San Francisco: her devoted young caretaker, Jake Greenleaf; her former tenant Brian Hawkins and his daughter, Shawna; and Michael Tolliver and Mary Ann Singleton, who have known and loved Anna for nearly four decades.
"Some members of Anna's family are bound for the otherworldly landscape of Burning Man, the art community in Nevada's Black Rock Desert where sixty thousand revelers gather to construct a city designed to last only one week. Anna herself has another Nevada destination in mind: a lonely stretch of road outside of Winnemuca where the sixteen-year-old boy she once was ran away from the whorehouse he called home. With Brian and his beat-up RV, she journeys into the dusty, troubled heart of her Depression-era childhood to unearth a lifetime of secrets and dreams, and to attend to unfinished business she has long avoided."
Review:
Days, the final book in the Tales series, has all the elements that made its better entries so involving and memorable: warmth, wit, a playful sense of naughtiness, a touch of mystery and a no-bullcrap tone that makes the Tales books feel less like reading and more like revisiting - catching up with - family members who may tick you off, but are (for the most part) worth seeing again.
What especially drew me into Days was Maupin's ability to seamlessly show real world parallels - similarities and progressions - between the past and the present, within his characters' lives, as well as the world around them.
Great wrap-up to a milestone series. Worth owning, this.
Saturday, January 04, 2014
The Fall, by Guillermo del Toro and Chuck Hogan
(hb; 2010: Book Two of The Strain trilogy)
From the inside flap:
"Last week they invaded Manhattan. This week they will destroy the world.
"The vampiric virus unleashed in The Strain has taken over New York City. It is spreading and soon will envelope the globe. Amid the chaos, Eph Goodweather - head of the Centers for Disease Control's team - leads a band out to stop these bloodthirsty monsters. But it may be too late.
"Ignited by the Master's horrific plan, a war erupts between Old and New World vampires, each vying for control. At the center of the conflict lies a book, an ancient text that contains the vampires' entire history. . . and their darkest secrets. Whoever finds the book can control the outcome of the war and, ultimately, the fate of us all. And it is between these warring forces that humans - powerless and vulnerable - find themselves no longer the consumers but the consumed.
"Though Eph understands the vampiric plague better than anyone, even he cannot protect those he loves. His ex-wife, Kelly, has been transformed into a blood-crazed creature of the night, and now she stalks the city looking for her chance to reclaim her Dear One: Zack, Eph's young son.
"With the future of humankind in the balance, Eph and his team, guided by the brilliant former professor and Holocaust survivor Abraham Setrakian and exterminator Vasiliy Fet and joined by a crew of ragtag gangsters, must combat a terror whose ultimate plan is more terrible than anyone has imagined - a fate worse than annihilation."
Review:
The Fall fails to deliver on the promise of its source novel, The Strain. It starts out slow and emo-chatty (regarding Eph's family problems), as well as introducing scattershot, forgettable characters who ultimately, in the course of this second novel, are merely distractions in what should be an edgy, straightforward action book. Its storyline and action picks up near the middle of it, and the ending (much of it predictable) is decent.
This is not a badly written book, but overall it's lazy, subpar - that is to say, meh - work from two admirably ambitious, usually worthwhile writers who have put out much better product than this. I only stuck with Fall because del Toro was involved with it, and it was a relatively fast read.
Borrow from this from the library before committing cash to it. That way, if you like it, great! You've read a great book for free! And if you don't like it, you've dodged a disappointing purchase.
Followed by The Night Eternal.
From the inside flap:
"Last week they invaded Manhattan. This week they will destroy the world.
"The vampiric virus unleashed in The Strain has taken over New York City. It is spreading and soon will envelope the globe. Amid the chaos, Eph Goodweather - head of the Centers for Disease Control's team - leads a band out to stop these bloodthirsty monsters. But it may be too late.
"Ignited by the Master's horrific plan, a war erupts between Old and New World vampires, each vying for control. At the center of the conflict lies a book, an ancient text that contains the vampires' entire history. . . and their darkest secrets. Whoever finds the book can control the outcome of the war and, ultimately, the fate of us all. And it is between these warring forces that humans - powerless and vulnerable - find themselves no longer the consumers but the consumed.
"Though Eph understands the vampiric plague better than anyone, even he cannot protect those he loves. His ex-wife, Kelly, has been transformed into a blood-crazed creature of the night, and now she stalks the city looking for her chance to reclaim her Dear One: Zack, Eph's young son.
"With the future of humankind in the balance, Eph and his team, guided by the brilliant former professor and Holocaust survivor Abraham Setrakian and exterminator Vasiliy Fet and joined by a crew of ragtag gangsters, must combat a terror whose ultimate plan is more terrible than anyone has imagined - a fate worse than annihilation."
Review:
The Fall fails to deliver on the promise of its source novel, The Strain. It starts out slow and emo-chatty (regarding Eph's family problems), as well as introducing scattershot, forgettable characters who ultimately, in the course of this second novel, are merely distractions in what should be an edgy, straightforward action book. Its storyline and action picks up near the middle of it, and the ending (much of it predictable) is decent.
This is not a badly written book, but overall it's lazy, subpar - that is to say, meh - work from two admirably ambitious, usually worthwhile writers who have put out much better product than this. I only stuck with Fall because del Toro was involved with it, and it was a relatively fast read.
Borrow from this from the library before committing cash to it. That way, if you like it, great! You've read a great book for free! And if you don't like it, you've dodged a disappointing purchase.
Followed by The Night Eternal.
Friday, January 03, 2014
Night Shift by Stephen King
Overall review:
Excellent anthology, all of the stories - many of them admirably varied in their sense of horrors - have something to recommend them. This is one of my all-time favorite story anthologies.
Standout stories:
1.) "Jerusalem's Lot": An evil, haunted town repeatedly draws members of a cursed family into its Lovecraftian clutches over centuries. This is a loosely linked prequel to a later story in this anthology ("One for the Road") and the novel 'Salem's Lot.
2.) "Graveyard Shift": A Fourth of July cleaning shift at a mill goes horrifically wrong when the workers discover secret passages beneath its sub-basement.
The resulting film was released stateside on October 26, 1990. David Andrews played John Hall. Kelly Wolf played Jane Wisconsky. Stephen Macht played Warwick. Andrew Divoff played Danson. Brad Dourif played Tucker Cleveland (aka "The Exterminator"). Victor Polizos played Brogan. Robert Alan Beuth played Ippleston.
Ralph S. Singleton directed the film, from a screenplay by John Esposito.
3.) "I Am the Doorway": An astronaut's return to Earth is troubled by forces and visions alien to his nature - elements and visions which may change those around him, as well.
4.) "The Mangler": A demon-possessed industrial laundry machine - a speed ironer - turns murderous.
With a lesser writer, this would be a dumb story. With King, who ties it into timeless penned notions, it is a fun, spooky, perhaps even milestone update of an old idea. This is one of the best stories in this collection.
The resulting film was released stateside on March 3, 1995. Robert Englund played William 'Bill' Gartley. Ted Levine played Officer John Hunton. Daniel Matmor played Mark Jackson. Vera Blacker played Mrs. Adelle Frawley. Danny Keogh played Herb Diment. Ted Le Plat played Doctor Ramos. Todd Jensen played Roger Martin.
Tobe Hooper directed the film, from Stephen David Brooks (billed as Stephen Brooks) and Harry Alan Towers's (billed as Peter Welbeck) screenplay.
Two loosely linked - if linked at all - film sequels followed: The Mangler 2 (starring Lance Henriksen, a direct-to-video flick, released on February 26, 2002) and The Mangler Reborn (another direct-to-video flick, released on November 29, 2005).
5.) "The Boogeyman": A man, whose family has been slaughtered, visits a psychiatrist. Effective twist to this one.
This story has been, or is scheduled to be, filmed as a short several times.
6.) "Battleground": A hitman fights for his life against a bizarre array of enemies. Excellent, worthy of a Twilight Zone episode.
This story became the basis for the debut episode of a television series, Nightmares & Dreamscapes: From the Stories of Stephen King. It aired stateside on June 12, 2006 on the TNT network. Brian Henson directed the episode, from a teleplay by Richard Christian Matheson.
William Hurt played Jason Renshaw. Bruce Spence played Hans Morris. Mia Sara played "Beautiful Passenger".
7.) "Trucks": Another 'murderous machine'-themed tale, this time set as a pluralistic affair, with automobiles and other electronics involved. Fun, B-movie-esque work.
The resulting film, titled Maximum Overdrive and directed by Stephen King, was released stateside on July 25, 1986. Emilio Estevez played Bill Robinson. Laura Harrington played Brett. Pat Hingle played Bubba Hendershot. Yeardley Smith played Connie. John Short played Curtis. Frankie Faison played Handy. Christopher Murney played Camp Loman.
8.) "Sometimes They Come Back": A high school teacher confronts the strangely youthful bullies who murdered his brother years before. Unsettling, effective story.
The resulting television film aired stateside on May 7, 1991. Tim Matheson played Jim Norman. Brooke Adams (who also co-starred in the King-based 1983 film The Dead Zone) played Sally Norman. Robert Rusler played Richard Lawson. Robert Hy Gorman played Scott Norman. William Sanderson played "Carl Mueller (age 44)". Nicholas Sadler played Vinnie Vincent. T. Max Graham played Chief Pappas.
The telefilm was followed by two direct-to-video, loosely linked sequels: Sometimes They Come Back. . . Again (released September 3, 1996, starring Michael Gross, Alexis Arquette and Hilary Swank) and Sometimes They Come Back. . . for More (released on September 7, 1999, starring Clayton Rohner and Chase Masterson).
9.) "Strawberry Spring": A string of murders haunts a collegiate-later-family man. Especially well-written.
10.) "The Ledge": Twilight Zone-esque fusion of noir and natural horror. Excellent.
This story was incorporated into the threefold-tale film Cat's Eye, which was released stateside on April 12, 1985. Lewis Teague (who also helmed the King-based 1983 film Cujo) directed, from a screenplay from Stephen King. Drew Barrymore (who co-starred in the King-based 1984 film Firestarter) played Amanda (a.k.a. "Our Girl"), one of the characters that links the stories.
Kenneth McMillan played Cressner. Robert Hays played Johnny Norris.
11.) "Quitters, Inc.": A man, trying to quit smoking, is compelled to do so in startling ways. Distinctive, clever.
This story was also incorporated into the threefold-tale film Cat's Eye, which was released stateside on April 12, 1985.
James Woods played Dick Morrison. Alan King played Dr. Vinny Donatti.
12.) "Children of the Corn": Excellent, creepy tale about an argumentative husband and wife who, traveling through Nebraska, get trapped in a strangely empty town.
A film short, Disciples of the Crow, was made in 1983. It was based on this story.
The first resulting full-length film was released stateside on March 9, 1984. Linda Hamilton played Vicky. Peter Horton played Burt. John Franklin played Isaac. Courtney Gains played Malachai. Julie Maddalena played Rachel. Robby Kiger played Job. Anne Marie McEvoy, billed as Annemarie McEvoy, played Sarah.
Fritz Kiersch directed the film, from a script by George Goldsmith.
Seven loosely linked sequels (many, if not all of them, direct-to-video works) and one remake followed.
Sequels: Children of the Corn II: The Final Sacrifice (released stateside on January 29, 1993); Children of the Corn III: Urban Harvest (released stateside on September 12, 1995, featuring Johnny Legend as a "Derelict Man"); Children of the Corn: The Gathering (released stateside on October 8, 1996, co-starring Naomi Watts and Karen Black); Children of the Corn V: Fields of Terror (released stateside on June 21, 1998, co-starring Alexis Arquette - seen earlier in the King-based 1996 flick Sometimes They Come Back. . . Again - and Fred Williamson. David Carradine and Eva Mendes also co-starred, as well as Kane Hodder - who has played Jason in several of the Friday the 13th sequels.
The fifth sequel, Children of the Corn 666: Isaac's Return, was released on October 19, 1999, co-starring Nancy Allen - who appeared in the King-based 1976 film Carrie - and Stacy Keach. John Franklin, who made his screen debut as Isaac in the original Children, played Isaac in - and co-scripted - this sequel as well.
Children of the Corn: Revelation, the sixth sequel, was released stateside on October 9, 2001. It co-starred Claudette Mink, Michael Ironside and Kyle Cassie (who also made in an appearance in a television episode of Stephen King's Dead Zone).
A television remake of the original Children aired on stateside television on September 26, 2009. It was directed and co-scripted by Donald P. Borchers; author Stephen King was his co-screenwriter. David Anders played Burton Stanton. Kandyse McClure played Vicky Stanton. Daniel Newman played Malachai. Preston Bailey played Isaac.
The seventh sequel, Children of the Corn: Genesis, was released stateside on March 17, 2012. It co-starred Billy Drago and Duane Whitaker. As far as I know of, it isn't linked to the television remake that aired in 2009.
13.) "One for the Road": On a winter stormy night, three men (Herb Tooklander, Booth and Gerard Lumley) head out to rescue the latter man's wife and daughter - whom, unknown to Lumley, he left at the mercy of vampires.
Excellent, gripping expansion tale that builds on the history of "the 'Lot" (as seen in the earlier/first story, "Jerusalem's Lot") and, like that story, links to King's novel 'Salem's Lot.
The resulting 22-minute short film, released stateside on March 1, 2011, was directed and scripted by Paul Ward.
Reggie Bannister played Herb Tooklander. Adam Robitel played Booth. Danny O'Connor played Gerard Lumley. Audrey Walters played Janey Lumley. Sydney Ackman played Wendy. Drew Walters played Francis Lumley.
14.) "The Lawnmower Man": Fun, gleefully bloody and bizarro tale about a unique yard service company.
The resulting short film was released stateside in 1987. It was directed by James Gonis, from a script by Michael De Luca.
Andy Clark played Karras. Helen Hanft played Mrs. Parkette. E.D. Phillips played Howard Parkette. Neil Schimmer played Castonmeyer. Robert Tossberg played Bannerman.
A full-length film, linked to the story in name only, was released stateside on March 6, 1992. (King sued to have his name removed from the film.) Brett Leonard directed and co-scripted the film; his co-screenwriter was Gimel Everett.
Jeff Fahey - recently seen in the King-based television series Under the Dome - played Jobe Smith. Pierce Brosnan, who later starred in the King-based television miniseries Bag of Bones, played Dr. Lawrence Angelo. Jennie Wright played Marnie Burke. Geoffrey Lewis played Terry McKeen. Dean Norris - who co-stars with Fahey in Under the Dome - played The Director. Colleen Coffey played Caroline Angelo.
A loosely linked sequel to the film, Lawnmower Man 2: Beyond Cyberspace, was released stateside on January 12, 1996. Like its source film, it bears no relation to the King story, aside from its title reference.
Patrick Bergin played Dr. Benjamin Trace. Matt Frewer played Jobe Smith. Austin O'Brien played Peter Parkette. Ely Pouget played Dr. Cori Platt. Molly Shannon played a "Homeless Lady".
Farhad Mann directed the film, from a script by he co-authored with Michael Miner.
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