Before the Chop III: LA Weekly Articles, 2014–2016 by Henry Rollins

(pb; 2017: nonfiction)

Review

Like previous Chop collections, the articles in this third volume read like tightly edited versions of Rollins’s spoken word shows: blunt, provocative, smart, self-effacing, humorous and enthusiastic about stuff he likes (listening to music on vinyl; acting and media gigs; traveling the world as often as possible; etc.). Underlining Rollins’s recollections and observations is a sense of upbeat wisdom regarding restraint and knowing one’s place in the world, even as we try to improve it.

This is an excellent collection, one worth owning.

The House With a Clock in Its Walls by John Bellairs

(pb; 1973. First book in the  Lewis Barnavelt mysteries. Illustrations by Edward Gorey.)

From the back cover

“When Lewis Barnavelt, an orphan, comes to stay with his uncle Jonathan, he expects to meet an ordinary person. But he is wrong. Uncle Jonathan and his next-door neighbor, Mrs Zimmerman, are both witches! Lewis is thrilled. At first, watching magic is enough. Then Lewis experiments with magic himself, and unknowingly resurrects the terrifying former owner of the house, a woman name Serenna Izard. It seems that Serenna and her husband built a timepiece into the walls─a clock that could obliterate humankind. And only the Barnavelts can stop it!”

Review

House is a fun, fast-moving tale of magic, spookiness and familial warmth, along with a bad guys worth hissing at: great, atmospheric children’s book, this, one worth owning.

Followed by The Figure in the Shadows.

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The resulting film was released stateside on September 21, 2018. Eli Roth directed it (he also played Comrade Ivan). Eric Kripke wrote the screenplay.

Owen Viccaro played Lewis Barnavelt. Jack Black played Jonathan Barnavelt. Cate Blanchett played Florence Zimmerman.

Kyle MacLachlan played Isaac Izard. Renée Elise Goldsberry played Selena Izard. Colleen Camp played Mrs. Hanchett.

Dead Heat with the Reaper by William E. Wallace

(pb; 2015: two-novella pulp collection)

Overall review

Dead Heat is a masterful collection of East Bay, California stories that are structured along the same idea with two different results, both of them equally engaging, straightforward, pulpy and memorable. Both have protagonists who are tough, older guys who─at their cores─have not sacrificed their finer instincts to the cruel idiocies of the world. One of my favorite reads this year, this is a brief collection worth owning, and re-reading at a later date.

Novellas

“Legacy”: Frank Trask, a gruff and well-liked alcoholic, is dying within ninety days. He spends his remaining time righting a neighborhood wrong, revisiting memories related to his murdered sister, and discovering small, pleasant truths about his life. This is a perfect of blend of waste-no-words tough-guy prose and warm humanity.

“The Creep”: Alan Baldocchi is horribly-scarred war vet living in a ghetto apartment, when he and his pretty downstairs neighbor [Susan Carnes] strike up a friendship. A local thug targets Susan, setting off a terrible, sad and violent chain of events. “Creep” is an ideal counterpart work to “Legacy,” for its equally short, sharp and tone-variable take on the tough guy protecting people from thugs theme.

Fear: Trump in the White House by Bob Woodward

(pb; 2018: nonfiction)

From the inside flap

“With its authoritative reporting honed through eight presidencies from Nixon to Obama, author Bob Woodward reveals in unprecedented detail the harrowing life inside President Donald trump’s White House and precisely how he makes decisions on major foreign and domestic policies.

“Woodward draws from hundreds of hours of interviews with firsthand sources, meeting notes, personal diaries, files and documents. Often with day-to-day details, dialogue and documentation, Fear tracks key foreign issues from North Korea, Afghanistan, Iran, the Middle East, NATO, China and Russia. It reports in depth on Trump’s key domestic issues, particularly trade and tariff disputes, immigration, tax legislation, the Paris Climate Accord and the racial violence in Charlottesville in 2017.

“Fear presents vivid details of the negotiations between Trump’s attorneys and Robert Mueller, the special counsel in the Russia investigation, laying out for the first time the meeting-by-meeting discussions and strategies. It discloses how senior Trump White House officials joined together to steal draft orders from the president’s Oval Office desk so he would not issue directives that would jeopardize critical intelligence operations.

“ ‘It was no less than an admiration coup d’etat,’ Woodward writes. “ ‘a nervous breakdown of the executive power of the most powerful country in the world.’”

Review

Fear is a fast-moving, easy-to-follow and fair (in its journalistic objective and source-true way) read about the controversial US president’s first year or so in office. Its last few pages may prove to be a tough assessment for oversensitive Trump supporters, but its fact-based conclusion (further implicated by one of Trump’s allies and ex-lawyers, John Dowd). Excellent, balanced and should-read nonfiction for those who are interested in Trump’s off-the-cuff politics and actions.

Mutants by Gordon Dickson

(pb; 1973: science fiction story anthology)

Overall review

Mutants is a solid, sometimes chatty and overlong science fiction story anthology revolving around the theme of aliens and their interactions with humans. Even the lesser tales have something interesting about them to recommend them, even if they ultimately fall short of greatness (e.g., “Idiot Solvant,” “The Immortal,” “Home From the Shore,” “Rehabilitated,” “Of the People”). This is a book worth picking up for a few bucks or borrowing from the library.

Standout stories

1.)   “Warrior”: An alien soldier seeks justice for the unnecessary deaths of his fellow troops. Good read, with its science-fiction-mixed-with-a-revenge-pulp storyline.

2.)   “Danger─Human!”: Eldridge Timothy Parker, a human kidnapped and gently studied by aliens, seeks to escape his captors. Will he succeed? This is one of the best tales in this collection, for its imaginative, superb writing and exciting finish.

3.)   “Listen”: A four-year-old boy’s companion─a tentacle, trilling and amiable creature─schools the boy in the notions of a larger good. Excellent read, this one sporting a nuanced and horrifying ending.

4.)   “Roofs of Silver”: Science fiction Western about a murderer (Jabe) whose reluctant actions stem from an official government report condemning his family to death─another favorite offering in this anthology.

5.)  “By New Hearth Fires”: The world’s last dog is dying─though an experiment may save him and others. Tender-hearted, futuristic and memorable read.

6.)  “Miss Prinks”: Lydia Prinks, a woman with lady-like principles, changes─just a little─after an encounter with distorted time. Fun, character-true read.

Odds Against Tomorrow by William P. McGivern

(hb; 1957)

From the inside flap

“. . .two men, strangers but inevitable enemies, meet in the planning of a crime. They violate the laws of society deliberately and gravely; a bank is broken into, a man is killed and two protagonists are driven to ground in a lonely farmhouse.

“One of them is bitter and inarticulate, tormented by his inadequacies and failures. His accomplice, a Negro, is clever but in panic at the thought of death. Do they dare trust one another?”

Review

Odds─for the most part─is another compelling, taut and unflinching McGivern crime tale, this one taking on the ugly theme of racism. When a heist goes sideways, one of the henchmens’ overt racism further complicates the crooks’ increasingly intense flight while the cops close in on them. The action takes surprising, unlikely turns near the end, leavening the work for readers who want a kumbaya and uncharacteristic-for-McGivern ending. For those of us who prefer more realistic and potentially grimmer fare, the 1959 film version fixes the novel’s forced turns. Despite that, the book version of Odds is an excellent, bristling and timely story.

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The resulting film was released stateside in November 1959. Robert Wise directed the film, from a screenplay by Abraham Polonsky, billed as John O. Killens, and Nelson Gidding. (Polonsky was on blacklisted by HUAC.)

Harry Belafonte played Johnny Ingram. Kim Hamilton played Ruth Ingram. Robert Ryan played Earle Slater (“Earl Slater” in the book). Shelley Winters played Lorry ("Lory" in the book). Gloria Grahame played Helen.

Ed Begley played Dave Burke. Wayne Rogers played “Soldier in bar”.

The Crooked Letter: Books of the Cataclysm, One by Sean Williams

(pb; 2006: prequel to The Blood Debt: Books of the Cataclysm, Two)

Review

Crooked is a cinematic, if way-chatty and overlong mishmash of spiritual and fantasy themes better written about by Clive Barker and Neil Gaiman, if said themes and  were filtered through a PG-13 lens. It is not terrible, but most of its characters─including its “mirror twins”─are generic and the book would read better if its length was cut by a third. Borrow this from the library before committing cash to it.

Star Wars: Thrawn─Alliance by Timothy Zahn

(hb; 2018: sequel to Star Wars:Thrawn)

Review

This direct follow-up to Star Wars: Thrawn is both a sequel and prequel. Thrawn and Vader are sent by Emperor Palpatine back to a star system where they first met, when Vader was Anakin Skywalker. Palpatine has felt a disturbance in the Force, something secret related to Thrawn’s people, the Chiss. The interplay of uncertainty and grudging trust between the crush-the-enemy Vader and the more flexible, charming and future-leaning Thrawn makes Alliance a worthwhile read─so does some of the better action sequences. (Padmé, Anakin’s now-dead mother of his children, makes an appearance in the flashbacks, as well.)

I did not like Alliance as much as I liked its prequel: for me, Anakin Skywalker is one of the most rigid and whiny characters in the Star Wars franchise. His flashbacks were a chore to get through sometimes, despite Zahn’s interesting characters and overall entertaining writing.

Followed by Star Wars: Thrawn--Treason.

Vic Valentine: Lounge Lizard for Hire by Will Viharo

(pb; 2018: eighth book in the Vic Valentine series)

From the back cover

“My Voodoo Valentine? Vic Valentine has finally retired from the private eye racket. And since his beautiful, new bi-sexual, black belt-burlesque-dancer bride, Ava Margarita Valentina Valdez Valentine, who may also be a witch or a vampire or both, has a mysterious and possibly nefarious source of seemingly endless wealth, he no longer walks dogs for income, either. Vic is finally living the life of his wildest dreams! Until the Universe sucker-punches him yet again, and it suddenly melts into a noir nightmare. . .

“First a Yakuza hitman from Mrs.Valentine’s past shows up in Seattle with a score to settle. She conjures demons from another dimension to not only protect them, but to spice up their sex life (or hers, anyway). The ghost of Vic’s dead friend Doc Schlock still haunts him, literally. His old pal Ivar the sailor statue starts talking, and walking. And then there’s the doppelganger of a young Vic suddenly popping up here and there around town, setting Vic up for a showdown with his younger self.

“But no matter what happens next, the show must go on.”

Review

Fans of David Lynch, werewolves, Mexican wrestling films, vampires, yakuza flicks, actor Christian Slater and hypersexual violence may find themselves reveling in this surrealistic tale, where one reality swirls into another what-the-FRELL alternate reality, sucking readers further into Vic’s headworlds, imagined or real.

This is an excellent, gory, sexually explicit neo-psychedelic pulp novel, much like its predecessor, Vic Valentine: International Man of Misery, although Lounge ups the crazy what-is-real ante to the triple nth degree. While this works as a standalone story, readers familiar with previous Vic Valentine works (starting with Love Stories Are Too Violent For Me) might enjoy Lounge more, as Viharo spin-cycles through a lot of the characters, elements, storylines and themes that formed the first seven books in this series and other books penned by this distinctive, consistently fascinating author. 

Followed by Vic Valentine: Space Cadet.

The Big Blow by Joe R. Lansdale

(hb; 2000: novella)

From the inside flap

“Galveston, 1900.

“Local fighter, future legend, Jack Johnson versus a professional street fighter brough in to put the black upstart in his place.

“Galveston, 1900.

“Whorehouses, gambling, racial tension, the intersection between myth, history, legend and reality.

“Galveston, 1900.

“The hurricane of the century is coming to destroy it all.”

Review

Lansdale’s stripped-to-the-bone, perverse and violent tale is─for this reader, anyway─a perfect read. Lansdale deftly sketches out his characters’ actions and motivations,  and the results when these characters collide. When Mother Nature, in the form of a hurricane, hits the shore, Blow becomes  a darker, headier brew of the aforementioned bluntly stated elements and characterization. This is one of my all-time favorite books, not for those who require pretty, drawn-out and pleasant stories.

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According to a May 31, 2018 deadline.com article, Reinaldo Marcus Green is preparing to direct the forthcoming film, scripted by Oren Moverman. 

White American Youth by Christian Picciolini

(pb; 2017: memoir)

From the inside flap

“As he stumbled through high school, struggling to find a community among other fans of punk rock music, Christian Picciolini was recruited by a now notorious white-power skinhead leader and encouraged to fight with the movement to ‘protect the white race from extinction.’ Soon, he had become an expert in racial philosophies, a terror who roamed the neighborhood, quick to throw fists. When his mentor was arrested and sentenced to eleven years in prison, sixteen-year-old Picciolini took over the man’s role as the leader of an infamous neo-Nazi skinhead group.

“Seduced by the power he accrued through intimidation, andswept up in the rhetoric he had adopted, Picciolini worked to grow an army of extremists. He used music as a recruitment tool, launching his own propaganda band that performed at white-power rallies around the world. But slowly, as he started a family of his own and a job that for the first time brought him face to face with people of walks of life, he began to recognize the cracks in his hateful ideology. Then a shocking loss at the hands of racial violence changed his life. . . and Picciolini realized too late the full extent of the harm he’d caused.”

Review

Picciolini’s chronicled journey from lonely boy to violent racialist leader to reformed, mature man is engaging, tight and hard to set down─even at its darkest, White is a humane, timely and gripping take on the point of view of a (former) white-power agitator, who escaped his almost-certain destruction before it almost engulfed him. This is an excellent memoir, one of my favorite books read this year.