Hunters of Dune by Brian Herbert and Kevin J. Anderson

(pb; 2006: seventh novel in the Dune series)

From the back cover

“At the end of Frank Herbert’s Chapterhouse:Dune, the Bene Gesserit sisterhood escapes the destruction and from the monstrous Honored Matres, their counterparts. To strengthen [the Bene Gesserit] forces, the fugitives have used genetic technology to revive key figures from Dune’s past─including Paul Maud’Dib, Lady Jessica, Stilgar, Thufir Hawat, and even Dr. Wellington Yueh. Each of these characters will use their special talents to meet the challenges thrown at them.

“Failure is unthinkable─not only is their survival at stake, but they hold the fate of the entire human race in their hands.”

Review

A few years after the cataclysmic events of Chapterhouse: Dune, the separated survivors from various groups─the Bene Gesserit, the Richesians, Murbella’s tumultuous Honored Matres-Bene Gesserit hybrid faction, the Tleilaxu, the Face Dancers and others─try to regroup within their territories even as they seek to outwit and outgun their enemies. Their consolidations are complicated by the shadowy threat of a mysterious, seemingly indestructible Enemy. Hunters is an especially thrilling entry in the Dune series, one that feels fresh and wild, within its familiar-gone-topsy-turvy situations: worth purchasing, this, if you are a Dune fan. Followed by Sandworms of Dune.

Dark Places by Gillian Flynn

(pb; 2009)

From the back cover

“Libby Day was seven when her mother and two sisters were murdered in ‘The Satan Sacrifice’ of Kinnakee, Kansas. She survived─and famously testified that her fifteen-year-old brother, Ben, was the killer. Twenty-five years later, the Kill Club─a secret society obsessed with notorious crimes─locates Libby and pumps her for details. They hope to discover proof that may free Ben. Libby hopes to turn a profit off her tragic history: She’ll reconnect with the players from that night and report her findings to the club─for a fee. As Libby’s search takes her from shabby Missouri strip clubs to abandoned Oklahoma tourist towns, the unimaginable truth emerges, and and Libby finds herself right back where she started─on the run from a killer.”

Review

Dark is a fast-paced, mostly well-written and character-true mystery (there are a few transitional what-the-heck moments). It is a solid beach read with a satisfying and protagonist-redemptive finish. It is not as excellent as Flynn’s bleaker Sharp Objects, and it is better than Gone Girl (with its character-false end-twist). Dark is worth picking up for cheap, or borrowing from your local library.

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The resulting film was released stateside on June 18, 2015. Gilles Paquet-Brenner scripted and directed it.

CharlizeTheron played Libby Day. Sterling Jerins played Young Libby Day. Nicholas Hoult played Lyle Wirth. Christina Hendricks played Patty Day.

Corey Stoll played Ben Day. Tye Sheridan played Young Ben Day. Natalie Precht played Michelle Day. Madison McGuire played Debby Day. Sean Bridgers played Runner Day.

Andrea Roth played Diondra. Chloë Grace Moretz played Young Diondra. J. LaRose, billed as J LaRose, played Trey Teepano. Shannon Kook played Young Trey Teepano. 

Drea de Matteo played Krissi Cates. Addy Miller, billed as Adrian “Addy” Miller, played Young Krissi. Richard Gunn played Lou Cates.

Lori Z. Cordova played Magda. Natalie Jennifer Pierce Mathus played Diane. Dan Hewitt Owens, billed as Dan Owens, played Robert.

Calypso by David Sedaris

(hb; 2018: nonfiction)

Overall review

This is an excellent, hilarious, heartfelt and family- and relationship-themed collection of twenty-one essays. The humor and truths of his stories sometimes run a little dark and occasionally political, but there is always an undercurrent of warmth to the work. Calypso is a book worth owning.

A sampling of standout essays

1.)  “Company Man”: Hilarious and heartfelt essay about behaving around house guests, people’s quirks and the joys of family.

2.)  “Now We Are Five”: Sedaris recounts his family’s reactions to his sibling’s suicide, the youngest of six children─heartfelt and wry work.

3.)  “A House Divided”: Continuing the thematic and narrative thread of “Company Man” and “Now We Are Five,” Sedaris writes about a post-Tiffany-suicide family vacation. He details his kin’s further reactions to her unexpected death, his vacation house [the Sea Section] and gratitude for  what he and his family have.

4.)  “Perfect Fit” details Sedaris’s shopaholic trips with his sisters [Amy and Gretchen] and his boyfriend [Hugh] in Japan. There is an underlying and funny theme of family and other warm bonds to this, as well as other works in this collection.

5.)  “Leviathan” talks about hanging out with family, and his father’s changing perspective over  the years.

6.)  “Your English is So Good”:  Sedaris takes note of overused and past-their-expiration-date words and phrases for his fictional American English for Business Travelers. Hilarious, spot-on.

7.)  “Calypso” is about feeding wildlife─specifically a snapping turtle─and a minor surgery, as well as what might bring those two experiences together.

Most of the essays that follow these pieces are just as excellent.

Essential Marvel: Tales of the Zombie Vol. 1 by various artists and writers

(pb; 1973─1975, 2006: graphic novel. Collects Dracula Lives #1─2 and Tales of the Zombie #1─10.)

From the back cover

“He lives! He strikes! No grave can hold him! Nothing can stop the man without a soul! Marked for human sacrifice by voodoo practitioners, Simon Garth was instead reanimated by mystical means ─ to be controlled by whoever holds the fabled Amulet of Damballah. And so begins the Tales of the Zombie! Terrors criminal, corporate and just plain creepy are reprinted here for the first time in more than a quarter-century! His stare’s the only thing that’s empty about the adventures of Simon Garth through mad science and madder magic!”

Review

The Tales magazine was a mix of 1970s atmospheric, pulpy voodoo artwork and stories (their themes often rooted in revenge, greed, lust and redemption) and informative articles about the voodoo religion, and films and books related to the subject─e.g., White Zombie, 1932, Ian Fleming’s 1954 James Bond novel Live and Let Die (which resulted in the 1973 movie) and George A. Romero’s 1968 iconic Night of the Living Dead.

Tales also has a recurring, titular character, also called Simon Garth, whose often-violent and troubling journey through unlife is recounted in at least one piece per collected issue. Garth is a sympathetic and subconsciously troubled character: his comic book actions─reprehensible or  kind─are mandated by his ever-changing masters (who hold the Amulet of Damballah, which control Garth).

Brother Voodoo’s loa-based heroics earn him recurring comic book status, as well. He, like Garth, also has sometimes uneven-in-quality adventures.

Overall, this is a fun, well-drawn and-inked (and short-lived) series. Some of Tale‘s articles and comic book storylines are thrilling, others are not. If you are into 1970s Marvel monster comics or  pulpy voodoun works, there is a good chance you will enjoy Tales. If you are not, but curious, borrow this from your local library─if it has it─or pick it up for an especially low price.

The Tao of Bill Murray by Gavin Edwards

(hb; 2016: nonfiction)

From the back cover

“Gavin Edwards. . . was fascinated with Bill Murray─in particular the beloved actor’s adventures off-screen, which rival his filmography for sheer entertainment value. Edwards raveled to places where Murray has lived, worked, and partied, in search of the most outrageous and hilarious Bill Murray stories from the past four decades, many of which have never been reported. Bill once paid a child five dollars to ride his bike into a swimming pool. The star convinced Harvard’s JV women’s basketball team to play with him in a private game of hoops. Many of these surreal encounters ended with Bill whispering, ‘No one will ever belive you’ into a stranger’s ear. But The Tao of Bill Murray is more than just a collection of wacky anecdotes. This volume puts the actor’s public clowning into a larger context, as Edwards distills Murray’s unique way of being into a set of guiding principles. . .”

Review

Tao is an entertaining, light read: part biography, part filmography, part collection of anecdotes and interviews about the comedian’s whimsical appearances and behavior. It is more filmography and anecdote collection than biography, and while it celebrates Murray’s work, philosophy and deeds, it is an honest evaluation of his flaws, as well. This is a must-read for any Bill Murray fan, one worth checking out from the library, or purchasing for a low price.

Mother Night by Kurt Vonnegut

(pb; 1961)

From the back cover

“Mother Night is a daring challenge to our moral sense. American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty?”

Review

Mother is one of my all-time favorite reads. It is a waste-no-words, fast-paced novel: specifically it is a dark, sly, twisty, hilarious and masterful satire about human nature, love, nationalism and war. Reading this in this current political slash global climate gave Mother a special, timely resonance. This is an excellent, blistering book, one worth owning.

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The resulting film was released stateside on November 1, 1996. Keith Gordon directed the film, from Robert B. Weide’s screenplay.

Nick Nolte played Howard Campbell. Brawley Nolte played Young Howard Campbell. Sheryl Lee played Helga and Resi Noth. Kirsten Dunst played Young Resi Noth.

John Goodman played Major John Wirtanen. David Strathairn played Bernard B. O’Hare. Arye Gross played Dr. Abraham Epstein. Anna Berger played Epstein’s Mother. 

Bernard Behrens played Dr. Lionel Jones. Gerard Parkes played Father Keeley. Frankie Faison played The Black Fuehrer. Author Kurt Vonnegut, billed as Kurt Vonnegut Jr., played Sad Man on Street.

Bye Bye Blondie by Virginie Despentes

(2004: translated from the French by Siãn Reynolds)

From the back cover

“Gloria has spent decades drinking, swearing, and determinedly lashing out at anyone that dares come close. But when finally given the chance to ‘make it,’ she finds herself unexpectedly vulnerable to the promises of fame and fortune. A biting satire of the naĩveté of both rebellion and conformity, Bye Bye Blondie looks at what happens when a woman decides to sell out─only to discover that the joke’s been played on her.”

Review

This is a rage-, violence- and comedy-fueled tale, one that takes on the notions of societal class, romantic comedy, the sense(s) of evolving selves, and other relatable, pertinent themes. Bye is an excellent, pedal-to-the-metal and punk-sensitive work, one worth reading.

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The resulting film, directed and scripted by the book’s author, was released in France on March 21, 2012.

Béatrice Dalle played Gloria. Emanuelle Béart played Frances. Soko played Gloria ado. Clara Ponsot played Frances ado. Jean-Marc Royon played Michel. Olivia Csiky Trnka played Hélène.

Lydia Lunch played La chanteuse. Coralie, billed as Coralie Trinh Thi, played La gothique.

Dune: House Corrino by Brian Herbert and Kevin J. Anderson

(pb; 2001: third book in the Prelude to Dune trilogy)

From the back cover

“Fearful of losing his precarious hold on the Golden Lion Throne, Shaddam IV, Emperor of a Million Worlds, has devised a radical scheme to develop an alternative to mélange, the addictive spice that binds the Imperium together and that can be found only on the deser world of Dune. In subterranean labs on the machine planet Ix, cruel Tleilaxu overlords use slaves and prisoners as part of a horric plan to manufacture a synthetic form of mélange known as amal. If amal can supplant the spice from Dune, it will give Shaddam what he seeks: absolute power. 

“But Duke Leto Atreides, grief-stricken yet unbowed by the tragic death of his son Victor and determined to restore the honor and prestige of his House, has his own plans for Ix. He will free the Ixians from their oppressive conquerors and restore his friend Prince Rhombur, injured scion of the disgraced House Vernius, to his rightful place as Ixian ruler. It is a bold and risky venture, for House Atreides has limited military resources and many ruthless enemies, including the sadistic Baron Harkonnen, despotic master of Dune.

“Meanwhile, Duke Leto’s consort, the beautiful Lady Jessica, obeying the orders of her superiors in the Bene Gesserit Sisterhood, has conceived a child that the Sisterhood intends to be the penultimate step in the creation of an all-powerful being. Yet what the Sisterhood doesn’t know is that the child Jessica is carrying not the girl they are expecting, but a boy. Jessica’s act of disobedience is an act of love ─ her attempt to provide her Duke with a male heir to House Atreides ─ but an act that, when discovered, could kill mother and baby.

“Like the Bene Gesserit, Shaddam Corrino is also concerned with making a plan for the future-securing his legacy. Blinded by his need for power, the Emperor will launch a plot against Dune, the only natural source of true spice. If he succeeds, his madness will result in a cataclysmic tragedy not even he foresees: the end of space travel, the Imperium, and civilization itself. With Duke Leto and other renegades and revolutionaries fighting to stem the tide of darkness that threatens to engulf their universe, the stage is set for a showdown unlike any seen before.”

Review

Corrino brings explosive, cinematic and brutal fruition to the schemes, characters and plot tendrils that have been building in House Atreides and House Harkonnen. It also sets up the tension and other plot/character situations that lead to the Frank Herbert’s original Dune novel. Like its prequels, this is an excellent, true-to-Dune-feel story, with its Godfather-esque structure and root-worthy or hissable characters: in short, this a book worth owning ─ especially if you are a fan of other books in the series.