(hb; 2003: novella. Translated from the French by Allison
Markin Powell.)
From the inside flap
“On a nighttime walk along a Tokyo riverbank, a young man
named Nishikawa stumbles on a deadly body, beside which lies a gun. From the
moment Nishikawa decides to take the gun, the world around him blurs. Knowing
he possesses the weapon brings an intoxicating sense of purpose to his dull
university life.
“But soon Nishikawa’s personal entanglements become unexpectedly
complicated: he finds himself romantically involved with two women while his
biological father, whom he’s never met, lies dying in a hospital. Through it
all, he can’t stop thinking about the gun─and the four bullets loaded in its
chamber. As he spirals into obsession, his focus is consumed by one idea: the
possessing the gun is no longer enough─he must fire it.”
Review
Like Toru Narazaki in Cult X, Nishikawa─The
Gun's protagonist─ is an unfocused young man whose life is a
narcissistic, nihilistic void. When he finds the gun, his slow, downward spiral
accelerates.
I admire Nakamura’s obvious talent: even in a
depressingly familiar tale like this, it shines. Unfortunately, as is the case
with Cult X, I did not relate with Nishikawa’s
lazy apathy nor his fetishistic fascination with the gun. (This leads me to
wonder, again, if this is an age thing─I am in my late forties─or is this an
era-specific cultural thing?)
Gun is
not an entirely disappointing book. It has scenes that are good, but ultimately it feels pointless,
an overlong writing exercise with an unlikeable character whose fate is mapped
out for the reader early on. While I did not expect nor require a happy ending,
I did not care about Nishikawa or his doomed trajectory enough to appreciate
Gun the way other readers might.
Gun,
with its promising flashes of clever insight, is best borrowed from the library,
or purchased for a low price. If you want to
check out Nakamura’s other works, I would recommend The Thief, its thematic counterpart The Kingdom and my favorite of the bunch, Evil and the Mask.
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