Tuesday, March 31, 2020

Red Harvest by Dashiell Hammett

(hb; 1929)

From the inside flap

“Blackmail runs rampant in a town policed by badged bootleggers in blue who turn a blind eye to protect the Old Man who runs the town.”


Review

Harvest’s narrator/protagonist (an unnamed Continental Op, who also appears in other Hammett works) goes to Personville─nicknamed Poisonville, because of its shady denizens─to investigate a murder, but ends up getting hired to “clean up” the dangerous, lots-of-crime town. He then utilizes some questionable setups to pit some of the big players against each other to achieve said cleansing.

This is a masterful, complex, immediately gripping and fast-moving work, one of the best novels in the pulp genre. Lots of gunplay, clever twists, dead bodies, quotable dialogue and colorful characters─i.e., elements that Hammett excels at─make this one of my all-time favorite crime reads, one worth reading. This one really packs a punch.

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Several films have resulted from this novel, only one of them a Hammett-credited work.

The first, La ciudad maldita, was released in Italy on November 29, 1978. Juan Borsch directed the film, from a screenplay by him and Alberto de Stefanis.

Chet Bakon played OP. Diana Lorys played Dinah. Roberto Camardiel played Sheriff Noonan. Daniel Martin played Max Thaler.

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Other films, which do not credit Red as a source, include:

Yojimbo (1961; director/co-screenwriter: Akira Kurosawa)



 For a Few Dollars More (1965; director/co-screenwriter: Sergio Leone)



The Last Round (1976, director: Stelvio Massi)




When the Raven Flies (1984, a.k.a. Revenge of the Barbarians)



 Miller’s Crossing (1990; directors: Joel and an uncredited Ethan Coen)





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